Published on 2026/02/03
AMATEUR FLESH: 2LOVEMENOT

I’ll completely understand if, when you see the content of this post, you feel a chill running down your spine. Seriously. On the other hand, if you feel nothing at all, if you remain completely unfazed, it’s quite possible that you’re dead and that, thanks to ALRNCN, you’ve just discovered it.

How you died, I have no idea. I don’t know whether you’re currently a ghost or a zombie, and I’m sorry I can’t be of more help there. I imagine that if you feel like eating brains, it’s because you’re a zombie, and if you’re walking around covered with a bedsheet, well… you know. But we probably shouldn’t rely too much on those details, because Hollywood has taken plenty of creative liberties over the years, and reality might be very different from what actually happens when you end up stuck in limbo, when you die but somehow remain here, as one of the undead.

Anyway, I’ll leave you with some of the photos that a certain 2LoveMeNot has posted on Reddit. Good lord, that girl. If anyone can bring you back to life, it’s 2LoveMeNot.



# View photographs




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Published on 2026/02/03
SRVIRAL #2155

All of the best wishes to this new life you’re about to embrace together… what starts well ends…

Walls and stunts	Freestyle	Flexible
It’s come short	Dissimulation	Caught
Snowy!	A handshake	With two hands

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Published on 2026/02/03
RANDOM AI-GENERATED IMAGES VOL30

This new installment of Random AI Images once again brings together a selection of images generated by artificial intelligence where the focus is clear: attractive women, eroticism, and sexuality. This is nothing new. This kind of content has been circulating for quite some time and is becoming increasingly familiar to anyone who spends a bit of time browsing the internet.

What’s interesting isn’t just what you see, but why it works. AI isn’t inventing a new kind of eroticism or proposing strange new desires. In reality, it does something much simpler — and at the same time more revealing: it reorganizes the desire that already exists.




These images don’t come out of nowhere. They are the result of millions of visual references accumulated over the years: bodies that have been photographed, shared, desired, and consumed by real people. AI doesn’t create desire — it distills it. It delivers a refined version of whatever has statistically worked most often.

That’s why the beauty shown here feels somewhat peculiar. It isn’t random, diverse, or unpredictable. It’s optimized beauty. Very specific proportions, near-perfect symmetry, features designed to trigger a fast response in the brain. These aren’t bodies meant to exist — they’re meant to appeal.

And that nuance marks an important difference. AI isn’t heading toward more explicit or more extreme eroticism. The path forward isn’t about turning up the volume, but about fine-tuning precision. Adjusting the stimulus more and more closely to what works, to what sparks desire, to what fits with learned preferences.

The future of eroticism doesn’t seem to be about greater transgression, but about increasing personalization. More precise images, more comfortable ones, more aligned with what each person expects to find. Less surprise, less friction, less error.

These images aren’t a futuristic fantasy or a break from the past. They work precisely because they’re a well-calibrated mirror of the present. They don’t show what AI imagines, but what we’ve been consuming, pointing at, and validating for years without much questioning.



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Nerf gun with a thumbtack.

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Published on 2026/02/03
DIRTY TRICKS

In any fight, even the dirtiest ones, there has always been a kind of unwritten code. Basic rules that weren’t written into any official rulebook, but that almost everyone understood: no biting, no kicks to the groin, no attacking when the other person is already on the ground. Not because someone was going to punish you, but because there was a line that simply wasn’t crossed.

That limit had nothing to do with the law, but with something older and less tangible: honor. A word that today sounds outdated, exaggerated, or even ridiculous, but that for a long time worked as an internal restraint. You didn’t win just by overpowering someone physically; you also won by how you did it.

The problem is that honor isn’t taught through tutorials, nor is it learned by watching videos. It’s passed on through context, through role models, through examples. And when those references disappear or fade away, what remains is just the final objective: to win, to humiliate, to survive the confrontation by any means necessary.

New generations aren’t necessarily more violent; they’re more pragmatic. If something works, it’s used. If it gives an advantage, it’s applied. The idea of “fair play” loses ground to immediate efficiency. There’s no longer a symbolic line to cross, only obstacles to overcome.

In the past, cheating in a fight cost you more than just the match: you lost respect, even self-respect. Today, that cost has almost disappeared. No one takes away your status as a person for fighting dirty or taking advantage of a moment of weakness. On the contrary, cleverness is often applauded, even when it’s contemptible.

That may be why modern conflicts are more uncomfortable to watch. Not because they’re more brutal, but because they’re more stripped bare. There’s no narrative, no epic, no shared codes. Just impact, release, and silence afterward.



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When you’re more in the mood for dancing than taking care of your kid.

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Published on 2026/02/03
THE EROTICISM OF KWS

I came across the profile of KWS on YouPic. For now, there’s no clear biographical information or relevant public details available, something that can always be explored later if it feels necessary.
Today, though, I’d rather focus on what truly matters: their photographic work. The images speak for themselves, with a strong visual identity, a solid sense of composition, and a level of attention to detail that doesn’t require much context to be fully appreciated. Sometimes, the work alone is more than enough.



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The curious dress worn by Chappell Roan at the 2026 Grammy Awards.

instagram.com/chappellroan




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Published on 2026/02/03
TOO REAL FOR THE BRAIN

In recent years, more and more videos featuring realdolls and sexdolls have been circulating, reaching a level of realism that, honestly, is impressive. We’re not talking about generic dolls or obvious sex toys, but about bodies, gestures, and proportions designed to look human. Very human.

The initial reaction is almost always the same: curiosity. Then discomfort. And sometimes, desire. Because when something looks too much like a real woman, the brain reacts before morality has time to step in.
Realdolls don’t fit neatly into a single category. They’re not exactly a fantasy, but they’re not a relationship either. They’re not a person, yet they look more and more like one. And that’s where the conflict begins.
When something has the shape of a woman, skin-like texture, recognizable proportions, and movements the brain identifies as human, desire responds automatically. It doesn’t ask questions. It doesn’t need context. It reacts. And then comes the uncomfortable part: realizing that there’s no one on the other side.

For some, that makes them nothing more than a sex object. For others, they feel closer to a substitute. Not for an ideal partner, but for something more basic: contact, intimacy, sex in its most physical sense. Because not everyone has easy access to that. Not everyone dates. Not everyone gets laid. And when desire finds no outlet, it doesn’t disappear — it looks for alternatives.

Here’s an uncomfortable truth: sexual need is not optional. For many people, it’s constant, intense, and hard to switch off. It doesn’t always come with an active social life, relationships, or opportunities. And when the body asks for something reality doesn’t provide, technology starts to fill that gap.

Realdolls aren’t born from extreme fetishism or perversion, but from a very human mix of curiosity, desire, and lack. Curiosity about something that looks too real. Desire that reacts without asking. And the lack of a shared sexual experience that isn’t always within reach.
That’s why they trigger rejection in some people and relief in others. Because they force you to look at yourself without filters. To wonder whether this is a fantasy taken too far or a practical solution to a real problem. And above all, to face a question with no comfortable answer: If the brain reacts as if it were real… how much does it matter that it isn’t?



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The slow-motion moment of the day.

She is actress Ava Addams, and through this link you can watch many of her scenes.




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Published on 2026/02/03
CONSUMING PORN AND/OR USING IMAGINATION

javi, david, walter
Masturbation doesn’t always happen in the same mental state. It’s not done the same way every day, nor for the same reasons. Sometimes it’s quick, functional, almost mechanical. Other times it’s slower, more mental, more open to wandering. Neither is better than the other. They’re just different moments.

That’s where porn fits in as just another tool. Not as a replacement for anything, and not as an enemy of imagination. Simply as a shortcut when the body wants a fast response and the mind doesn’t feel like doing much work.
Other times, nothing external is needed. No video, no phone, no extra stimulus. Desire carries on by itself. Imagination shows up effortlessly, as it always has. Memories, made-up scenes, half-formed ideas that adjust on the fly. Not because porn is missing, but because there’s room to breathe.

The difference isn’t in what you consume, but in the state you’re in when you get there. If you’re tired, saturated, or in a rush, direct stimulus makes sense. If you have time, calm, or you’re simply more present, the experience becomes more internal.
That’s why masturbating without porn — or almost without it — isn’t a stance, or a correction of habits, or a return to anything. It’s simply another way of being. Another pace. A state where desire doesn’t need to be pushed, just allowed to unfold.



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Showing her ass at Ikea.

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Published on 2026/02/02
I’LL BUY YOU A DRINK VOL6

A bar, a drink in hand, music in the background, laughter, looks… and that exact moment when someone decides the night can go a little further.



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Settings → Privacy → Sensitive content
Turn on “Disable filtering” and you’re good to go.

The change syncs automatically with your Telegram app on any device.




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Cutting through the pile of snow.

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Published on 2026/02/02
SRVIRAL #2154

Freeze!

Abs	I am strong	Streetlight
Missing mats	Help	Flamenco
Initiation	Model	Alarm

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Published on 2026/02/02
THE FUTURE OF PORN AND ARTIFICIAL INTELLIGENCE

For a while, whenever we talked about AI breaking into porn, the same idea kept coming up: absolute personalization. Custom-made scenes. Fantasies designed down to the millimeter. Content created exactly to match each user’s tastes. It sounded futuristic, almost magical. But the closer we get to that reality, the clearer it becomes that it doesn’t really work that way.
Because knowing what you like is one thing… and knowing how to create it is something completely different.

Users have always behaved the same way. They enter, they watch, they discard. Another video. Another clip. Another attempt. Until something clicks. They can’t fully explain why that one works and the previous ones didn’t. It’s not just the face, or the body, or the situation. It’s a mix of hard-to-put-into-words details: rhythm, attitude, atmosphere, intention, even imperfections. That classic “this one works” moment that doesn’t go through language, but through reaction.




And that’s not very different from how we consume films, music, or art. You can walk out of a movie knowing perfectly well whether you liked it or not… but having no clue how to write a script, build dialogue, or pace a narrative twist. Taste doesn’t imply creative ability. It only implies response.
That’s why the real AI revolution isn’t about the user asking for exactly what they want to see. It’s about something far more subtle: AI observing. Just like social media algorithms already do. They don’t ask what interests you; they watch where you stop, what you replay, what you ignore, what holds you for a few extra seconds. And from there, they adjust.
The difference is that now they’re not just selecting existing content. They’re starting to build it.

These AI-generated videos aren’t the end of the road — they’re the beginning. Tests. Sketches. Fragments where you can still see the seams, the small errors, the artificial feel. But they’re also proof of something important: the future won’t be you designing a scene from scratch, but a system that learns from your reactions and keeps fine-tuning without you having to explain yourself.
It won’t be “make it like this.”
It’ll be “this keeps me longer than that.”

Real personalization doesn’t come from describing a desire, but from recognizing it when it appears. And that’s where AI has the upper hand: it can test endless combinations, detect invisible patterns, and understand better than you do which elements make something work.

So no, the future isn’t every user becoming a director.
The future is more uncomfortable and more interesting: content that finds you, not because you asked for it, but because you reacted.

And when that happens, you’ll stop searching.



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A really dumb video that had me laughing for a good while.

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