ARTHUR HUBERT LEGRAND 2022

➡️ Let's do real, be real with Tantaly, the sex doll torso leader

arthurhubertlegrand.studio
vimeo.com/hubertlegrandarthur
instagram.com/arthurhubertlegrand_official


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Take a picture of me next to the piñata before they destroy it.

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TIK HOT VOL228

I’ve been thinking for a while about doing something special today on ALRNCN, mainly because it’s December 31st. Something different, something that marks the day without falling into the usual stuff. And in the end, I figured that precisely to do something different, today the best option was not to overcomplicate it.

So today I’m only going to share some of the sagas that have been with us throughout this year. They’re not all there, and they’re not meant to be. They’re simply the first ones that came to mind. And maybe that’s exactly why they’re the most representative. The ones that, one way or another, define best what this website is.

Because in the end ALRNCN isn’t just about themes, tags, or passing trends. It’s about a way of looking. About a selection. About a criterion that repeats itself even as faces, formats, and contexts change. A recognizable identity seal where, above all else, quality and good taste come first.

Today there’s no need for more. Just looking back for a moment, acknowledging what has worked… and moving forward, as always.



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The slow motion of the day.

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JOHN MORRIS' SMALL SCULPTURES

John Morris is a British artist based in Australia. He moves confidently across different disciplines, but it’s through sculpture that he has truly been able to unlock his full creative potential and develop a distinctive style that’s instantly recognizable and full of personality. Here are some of his works so you can see it for yourself…



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One… two…

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THE INSTAGRAM OF THE DAY: SARAAHLLOYD

sarah lloyd
im australian so i have more fun ❀♡



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Hypnotized by Angela White.

You can watch many Angela White videos at this link




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AMATEUR FLESH: MARIELLE

I genuinely believe that ALRNCN doesn’t get the international recognition it truly deserves. And I’m not saying this out of ego, but out of perspective: we’ve been doing this for over 23 years, curating photos and videos on a daily basis with a level of quality and criteria that very few websites still maintain today. You only need to look at material like Marielle’s to understand what I mean.

Very, very few sites remain active after all this time. And even fewer manage to do so without losing their identity, without turning into something else, or without giving up along the way. We don’t know how much longer we’ll last —with the current landscape of constant changes, lack of investment, censorship, and control— but as long as we’re allowed to, we’ll be here. As always.

That said, I’ll also be honest about something else: I wouldn’t want to be on everyone’s lips. I prefer a low-profile approach. A space where we can do things our own way, without constantly being in the spotlight or judged at every turn. Massive visibility comes at a cost, and it doesn’t always pay off.

So that’s it — have a great weekend. If all goes well, see you on Monday. I’ll leave you in good company: Marielle.



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THE EROTICISM OF VALENTINO & CHRISTINA

Valentino & Christina create an elegant, minimalist nude art, where light and composition enhance the human form with sensitivity.
Their images, clean and stylized, blend intimacy and beauty, leaning more toward classic art.



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Carnival is just around the corner.

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OOPSIES VOL35

One of the sagas you’ve asked me for the most throughout this year has been Oopsies. I’ve received several emails asking for more videos or requesting that I give a heads-up when I was about to publish a new installment. A clear sign that this kind of content really connects.

And it’s not hard to see why. These videos, where the protagonists show a bit without meaning to or play right at the edge with their clothing, create a very specific mix of curiosity and morbid fascination. There are no forced poses or staged scenes. There are live recordings, natural movements, everyday gestures… and suddenly, something slips.
A nipple showing, a crotch briefly visible, a posture that lasts a second longer than it should. Nothing fully planned, or at least that’s how it feels. And that’s where the appeal is. That feeling of seeing something that wasn’t meant to be seen, or at least not in that way.

At a time when explicit content has taken over the mainstream, where almost everything is shown without filters or pauses, subtlety regains its power. The slip-up, the mistake, the poorly calculated limit remind us that sometimes less is more. That imagination is still far more powerful than reality.

That’s why this saga works. Because it plays in that uncomfortable yet attractive space. Where you’re never quite sure if what you’re seeing is an accident or provocation. And because, in the end, few things are as compelling as something that shouldn’t have happened… but did.



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What a tongue!

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(Clicking on these links daily you support ALRNCN's work. They're collaborators or sponsors and, by visiting their sites, they like us even more)