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Published on 2020/01/31

CHEPETR PHOTO 2020

If you aren't very busy right now I encourage you take a look at these photos that I selected from the Russian CHEPETR. We discovered this talented photographer back in 2017 and since then he has continued to portray nudes as interesting as these.

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WHITEPLACE_1. PART 2

Yesterday we began exploring the work of Whiteplace_1 (白寺), a mysterious independent Chinese photographer who uses the body, fetishism and BDSM aesthetics as tools to construct his distinctive visual fantasies.

In his photographs, the model rarely appears as someone simply posing naked in front of the camera. Every gesture, pose and accessory seems to form part of a carefully staged performance. The body becomes character, setting and language all at once.

The tension of the ropes, the anonymity of a mask and the apparent discomfort of certain positions aren’t there merely to provoke. They also create contrast, introduce an element of mystery and encourage the viewer to imagine what might be happening both inside and beyond the frame.

It is precisely this interplay between beauty, vulnerability and domination that gives his work its identity. His photography can feel sensual, unsettling or hypnotic, depending on how long you decide to keep looking.

We continue with the second installment of Whiteplace_1.



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- Expecto Patronum!






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AUGUST IS SLIPPING AWAY

August officially ends on Monday, but we’ve decided to say goodbye to it today, the way it deserves, because the end of August should always be marked with a minute of silence, a cold beer and a distant stare into the horizon.

August isn’t just a month. August is a way of looking at life. It’s the month we automatically associate with holidays, even if it’s been years since we had the kind of summer break we remember from childhood. It means waking up without an alarm, having no idea what day it is, eating at ridiculous hours and discovering that a shower, a pair of flip-flops and a clean T-shirt can be considered perfectly acceptable formalwear.

For a few weeks, even people without a penny to their name get to feel rich. Not because their bank balance suddenly has more zeros, but because they have something far more valuable: time in which nobody is telling them what to do.

You can be sitting on your balcony in a plastic chair, drinking a can of beer while listening to your neighbor argue with his wife, and still feel as though life is smiling at you. Because you don’t have to work tomorrow. Because you don’t need to set the alarm. Because for a few hours, the world can keep spinning without you having to take part in it.

But everything comes to an end. The suitcases go back into the closet, the flip-flops return to the bottom of the shoe rack and the alarm clock reappears on the bedside table with the same asshole attitude it has always had. September arrives loaded with schedules, unanswered emails, school runs, traffic and people claiming that this time they really are going to start taking the gym seriously.

Most people will already have to start looking ahead to August 2027 to fantasize about that brief period of the year when we can pretend we’re actually in control of our own lives. There are twelve months to go, but there’s no point thinking about it too much. We just have to keep surviving one week at a time, one public holiday at a time and one beer at a time.

Today, we raise a glass to August. To those who traveled to the other side of the world and those who never left their neighborhood. To those who slept in five-star hotels and those who set up an inflatable pool on the terrace. Because holidays aren’t always about going somewhere far away. Sometimes they’re simply about nobody being able to force you to be anywhere else.

Until next year, August. You didn’t last long, you cost us far too much and, as always, you disappeared just as we were starting to get used to being alive.





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LES PETITS REGARDS. PART ONE

Les Petits Regards is the artistic name of Anthony, a professional French photographer based in Paris. He began his career specializing in portraiture, but over time, he gradually shifted his focus toward artistic nude photography and a much more personal form of erotic imagery.

His work explores intimacy, vulnerability, and the beauty of the human body through a sensitive and contemplative lens. His photographs exist somewhere between portraiture, artistic nudity, and visual storytelling, moving away from the explicit to focus on gestures, glances, and the connection that emerges when the person in front of the camera stops posing and simply begins to reveal herself.

His images contain skin, desire, and sensuality, but also silence, naturalness, and the strange feeling that we are witnessing an intimate moment we were perhaps never supposed to see.

We saved so many of his photographs that trying to squeeze them all into a single post would have been madness. So today we’re sharing the first selection, and tomorrow we’ll be back with part two.





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THE EROTIC ART OF EUGENIO SICOMORO

Eugenio Sicomoro is the artistic name of Bruno Brunetti, an Italian artist and illustrator born in Rome in 1952 who has spent practically his entire life with a pencil in his hand.

Throughout his career, he has worked in the world of comics and illustration for some of Europe's leading publishers, contributing to numerous publications and developing a particularly recognizable style when it comes to depicting the human figure.

But of all his work, there's one particular side that, for strictly cultural and completely selfless reasons, has brought us here: his erotic drawings.

Portraits and female nudes created mainly in pencil and charcoal, where Sicomoro plays with shadows, curves, and proportions to create sensual, voluptuous, and surprisingly realistic women.

In some of his works, the level of detail makes you think for a moment that you're looking at a black-and-white photograph, until you get closer and begin to notice the pencil strokes, the shading, and the texture of the paper.

Almost half a century of drawing, and he still finds plenty of good reasons to keep sharpening his pencil.





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Today's slow-mo.






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SIMON BOLZ 2026. PART ONE

The last time we dedicated a post to Simon Bolz was back in 2022. Since then, the German photographer has continued working, releasing new shoots and expanding a body of work that, by now, has a perfectly recognizable style.

For his return to ALRNCN, we’ve selected some of the photographs he has published since 2023. Images in which he once again combines nudity, female beauty, and meticulous art direction, paying just as much attention to the model as he does to the lighting, framing, and setting around her.

Because in Bolz’s work, nudity never appears in isolation. Every location, every shadow, and every element of the composition helps create an atmosphere that turns each photograph into something more than just an attractive body in front of a camera.

Simon Bolz returns to ALRNCN with a new selection of his latest work.



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Counting down the minutes until she gets home and can take off her bra.






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THE EROTICISM OF GALYA

Galya is a Russian-born photographer focused on the nude female body. She's focused and I'm obsessed. We already have something in common.

Her work revolves around the female nude, with elegant, carefully composed photographs where the models aren't exactly trying too hard to hide from the camera.

There's not much playing around with showing without actually showing here. There's skin, there's nudity, and there's plenty to look at, but always through photography that tries to maintain that balance between eroticism, beauty, and naturalness.

A selection of Galya's work to remind us that you can show practically everything without losing your sense of style.





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