DASHA & MARI 2K25

dashamari.vsble.me
instagram.com/dashaandmari_art




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While some couples are capturing their wedding album with the Golden Gate in the background, just a few meters away…

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THE EROTICISM OF EMMANUEL VIVIER

Emmanuel Vivier is a professional photographer based in Paris, France.
His work includes series and projects focused on artistic nude and boudoir photography, where he explores the human body through carefully constructed poses and compositions that emphasize aesthetics, form, and a refined visual language that defines his photographic style.



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Act natural!

They are actresses Kenna James and Leah Gotti. Here are a couple of links where you can watch some of their scenes.

Kenna James videos

Leah Gotti videos




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THE COLOR WHITE VOL3

If yesterday we shared a post centered around the color black, today it’s time for one led by white. Not a whim, not a coincidence. It’s about balance. Call it cosmic, universal, or just common sense — when things lean too far in one direction, sooner or later everything starts to shake.

Nature works this way. Everything exists in a state of constant adjustment. Day and night. Calm and storm. Creation and destruction. Even what looks like chaos usually follows an invisible search for equilibrium. And when that balance breaks, excess takes over… until everything eventually collapses under its own weight.

The same happens beyond nature. In us. In how we live, what we consume, what we desire. Opposing forces coexist all the time: discipline and impulse, order and chaos, good and bad. One cannot exist without the other, because each one gives meaning to its opposite.

So after black comes white. Light after shadow. The contrast that allows everything else to make sense. Because if only one extreme existed, it would eventually lose all meaning. Excess overwhelms, and even intensity needs a pause to keep working.

Today we shift the tone and let balance do its thing. Not to compensate, but because without it, sooner or later, everything falls apart.



# Watch videos



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This whole Therian phenomenon might be getting a little out of hand.

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THE TELEMARKETER

One of the things most of us hate the most are those phone calls where someone tries to sell you something. It doesn’t matter if it’s insurance, switching your phone provider, moving you to another electric company, or any other service that, somehow, always arrives “right now” with a supposedly unbeatable offer.

The problem isn’t just the call itself — it’s the timing. They always seem to catch you working, cooking, driving, or simply trying to enjoy a bit of peace and quiet. You see an unknown number, hesitate for a second… and the moment you answer, you already know you’ve walked into it.

Some people have it clear and hang up instantly. Zero guilt. But then there’s the other group: the ones who stay. The ones who, out of politeness, habit, or because they feel bad cutting someone off, remain on the line trying to dodge the conversation however they can. One-word replies, saying they’re not interested, that they already have service, that they’ll look into it later… anything just to escape without sounding rude.

And that’s when the small absurd duel begins: the operator following the script, and you trying to find a way out without making it obvious you’re fleeing. A conversation nobody enjoys, that neither side really wants, yet somehow it always lasts longer than it should.

Next time it happens, think about this post, about these photos, and maybe the conversation suddenly feels a bit more entertaining.



# View photos




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Now I get why they take so long to show up when you call them.

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HYDRAULIC PRESS

I’m sure you’ve seen some of those videos circulating on social media where a hydraulic press crushes all kinds of objects. It’s a very simple format, yet incredibly hypnotic: place something under the machine and let the tons of pressure do the rest. Figures made of plasticine, bowling balls, tennis balls, metal pieces, or pretty much anything that can offer a little resistance before finally giving in to the force of the press.

Part of the appeal of those videos lies in the curiosity. Watching how different materials react, how they deform, how they hold on for a few seconds before collapsing. There’s something almost addictive about seeing that exact moment when the pressure wins and the object finally gives up. It’s a mix of expectation, tension, and that small visual satisfaction of watching something transform under a force it simply can’t resist.

Well, today I bring you a variation of that same idea. A version that keeps the concept of putting different objects up against a crushing force, but with an approach that’s quite a bit more entertaining than a standard industrial machine. Because sometimes you don’t need steel structures or tons of pressure to get the same effect… sometimes it’s enough to do it with a little more style, a hint of mischief, and a result that’s definitely a lot more fun to watch.



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Very hungry.

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THE PROMISE OF VALHALLA

They weren’t born to stitch tapestries or wait for anyone’s return. They were born for iron, for ice, and for the clash of shields colliding beneath a grey sky.
In lands where the wind cuts through skin and the sea shows no mercy, the warriors, forged in steel and storm, learned early that weakness had no place in the halls of Valhalla.

They say the Valkyries rode above the battlefield, choosing the fallen worthy of sitting beside Odin. But before becoming legend, they were flesh and blood. Fire in their eyes. Scars on their skin.

Daughters of the cold, sisters of the thunder.
With the strength of Thor in their arms and fate written by the Norns.
They were not just beauty wrapped in armor. They were will. They were contained fury. They were the urge to conquer.
And when the horn sounded at dawn, there was no hesitation. They mounted their horses, metal flashing against the horizon, ready to carve their names into a saga that would one day be sung in eternal halls.

Because in the North, even desire is forged with hammer blows.
Valhalla is not a place. It is a promise.



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The slow-motion moment of the day.

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THE NUDES OF KONSTANTIN MIKHALEV

Konstantin Mikhalev is a conceptual photographer whose work explores visual storytelling. His style stands out for its dark, symbolic aesthetic, influenced by fantasy and theatrical elements.

Through a precise use of light and composition, his photographs create dramatic scenes that move beyond the documentary approach, leaning toward a visual language closer to cinema and painting.
Part of his work explores artistic eroticism from a suggestive and narrative-driven perspective.



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Stepbrother pretending to be a scarecrow on Halloween night.

Full video

The actresses are Kylie Rocket and Lily Larimar. Here are a few links so you can check out some of the scenes they’ve appeared in.

Videos of Kylie Rocket

Videos of Lily Larimar




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