DAVID DUBNITSKIY 2017

You can find mire photos on these pages:
# 500px.com/david-foto
# vk.com/photos221469416

ASSES#149

What can be said about the asses saga that hasn’t already been said after so many installments? Probably nothing new. And yet, here we are.
Because no matter how much time passes or how many times we go over the subject, asses remain a safe bet. They never fail. They don’t get old. They don’t need context or explanation. They’re there and they work. Always.

We’ve seen everything: perfect asses, impossible asses, real asses, asses that look sculpted and others that get better the more natural they are. In motion, at rest. And the funny thing is that, after so many installments, you still feel like seeing one more.
Maybe because an ass isn’t just about eroticism. It’s about how it moves, how it’s shown, how it hints. It’s one of those body parts that doesn’t need forced protagonism: it earns it on its own.

So yes, maybe there’s nothing new left to say. But it also doesn’t matter. Just by looking at them, everything is already told.



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Happy 2026!






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ERICH CAPARAS’ SURPRISE-ENDING TRANSITIONS

There’s a phrase you see all the time on TikTok and Instagram: “wait for it”.
It’s no coincidence. It’s pure strategy.

With the insane amount of videos we watch every day, if in the first two seconds nothing grabs you, you swipe to the next one without even thinking. That’s why so many creators warn you: hey, stay until the end, something worth it happens at the end.
It’s not a written rule, and it’s not a forced trend. It’s simply the natural language of social media. A way of telling you: trust me, don’t leave just yet.

The videos I’m sharing today are exactly about that.
They’re created with AI by Erich Caparas and they don’t warn you about anything, but I will: they all have an ending. And it’s worth waiting for it.
I’m also leaving you his Instagram account, because it’s amazing to see how, video after video, he’s been improving the realism, the animation and the overall quality. It’s almost like watching the evolution of AI in real time, in the hands of someone who really knows what he’s doing.

So now you know: don’t scroll so fast.
This time, wait for it.



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Theseus after defeating the Minotaur.

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WITH MOM AT THE WATER PARK

Last year we already shared some of her videos. A mother at a water park with her son, enjoying the day, playing in the water — an apparently innocent scene. The difference was her: very attractive, wearing a minimal bikini, aware of the camera and the reaction it triggers. The contrast did the rest.

The videos went viral. Millions of views, massive attention and, as a logical consequence, more followers on her blue account. The family context was the wrapper; the real spotlight was on her. And it worked.

This year, after checking her profile again, the story repeats itself. Same setting, same formula, same type of content. The kid has grown… and so have her followers. When something works, the natural thing to do is to stick with it. The internet rewards repetition when the mix is right.
There’s nothing explicit in the videos. Nothing really “happens.” And yet, there’s something else. Something that’s not in what takes place, but in how it’s framed and why it’s consumed. The water park is almost an excuse. The video lives in that blurry line between the everyday and the calculated.

From there, everyone draws their own conclusions. About exposure, about context, about whether everything is acceptable when the content is “apparently” innocent. This isn’t an accusation or a verdict. It’s simply putting the pieces on the table and looking at the whole picture.
I don’t judge. I just share.



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The slow-motion moment of the day.

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AMATEUR FLESH: MAIA 2025

Last year, around this time, we introduced you to the Reddit profile of someone called Maia.

She’s still sharing content, still active, still doing her thing. And honestly, it would be pretty lame on my part to keep to myself the new photos and videos I’ve come across.
Some things are meant to be shared. Especially when they keep evolving, getting better, or simply staying interesting enough to deserve another look.




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LINGERIE SPECIAL #17

Although it’s not one of the sagas with the most installments, Special lingerie has always seemed to me one of the most elegant and erotic ones we share.
And that doesn’t mean there’s no skin on display here. Quite the opposite. There are garments that don’t cover, they decorate. They don’t hide the body, they highlight it. They add color, texture, intention.

The difference lies in the how. Fine lingerie isn’t meant to cover anything up, it’s meant to frame it. To guide the eye. To turn a naked body into something a bit more thought-out, a bit more aesthetic, without losing strength or boldness.
That’s why this saga works so well. Because it’s not just about showing, but about how it’s shown. That point where the explicit and the beautiful coexist without getting in each other’s way. Where a minimal garment can say more than full nudity.

In the end, it’s not about how much fabric there is. It’s about intention.



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Lola Bunny

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AMATEUR FLESH: SOIKA

In a time when the offer feels almost infinite, choosing just one thing has become complicated. There are stimuli everywhere, endless formats, new platforms popping up every month, and an attention span that keeps getting more fragmented. In that landscape, content creators are constantly balancing between specializing and adapting.

The usual —and often the smartest— move is to focus on a specific niche, fine-tune it, go deeper, and become a reference. Playing it safe. But not everyone works the same way, and not everyone has to. Some profiles stand out precisely for the opposite reason: their ability to shift, to fit into different contexts without losing who they are.





That’s the case with Shoika. Our amateur, flesh-and-blood protagonist doesn’t stick to a single version of herself. She has something that can’t be manufactured or easily copied: range. She fits into very different scenarios and feels authentic in all of them. The girl you’d introduce to your parents without raising any eyebrows. The one you’d take to a comic con and who’d blend in effortlessly. Or the one you’d run into at a party, late at night, in a nearly cyberpunk setting, neon lights included.

It’s not just about aesthetics or outfits. It’s about attitude, body language, the way she looks into the camera and connects with whoever’s on the other side. Shoika doesn’t play a fixed character; she adapts to the moment and to the kind of fantasy being explored without it ever feeling forced.

And in a context where users increasingly look for personalized experiences, that versatility is pure gold. Because it widens the attention spectrum, but also deepens the connection. It’s not about trying to cover everything without direction, but about knowing when and how to change skins.

That’s the difference between racking up views and building real interest. And Shoika seems to have that pretty clear.



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