DEAN MIOCIC'S NUDE PHOTOGRAPHY

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Railings are the devil, and the sooner you figure that out, the better.

➡️ Let's do real, be real with Tantaly, the sex doll torso leader

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RANDOM AI-GENERATED IMAGES VOL21

While AI accelerates, we’re still trying to understand it—and predict it.

Lately it feels like artificial intelligence isn’t just moving fast: it’s gone feral. In his latest interview, Geoffrey Hinton—the “godfather” of all this—drops a few unsettling truths: countries compete with countries, companies compete with companies, and when everyone floors the accelerator at once, there’s no such thing as a collective brake. Nobody wants to be the one to lift their foot while the rest pull ahead.

Hinton sketches a future where AI could replace much of intellectual work, widen the wealth gap, and strain democracy. He talks about superintelligence in 10–20 years, and about what’s already here: the overwhelming advantages of digital systems over humans (they copy for free, learn at another scale, don’t sleep). Then comes the awkward question: if automation doesn’t create enough new jobs this time, who’s paying the rent for those left out?





History says every technological revolution kills some jobs and creates others. The printing press, the steam engine, electricity, the internet… There was always work in the end—different work, but work. And yes, it’s also true that nobody in 1995 pictured influencers, community managers, or people making a living fine-tuning algorithms. Maybe that happens again. Or maybe not. If the curve steepens the way Hinton suggests, the adjustment could be faster and more brutal than we’re used to. Hence the talk of basic income, new social contracts, real lifelong learning (not a sticker), and regulation that doesn’t kill innovation—or hand the future to three players with server farms in the desert.

If you want to hear him unfiltered, the interview is here: watch the episode.

And now, back to our thing…

While the gurus decide whether they’ll save us or sack us, we stick to what we do: random images created by AI. Beautiful women, flawless skin that doesn’t exist, gazes nobody set, curves a network imagined after devouring millions of pixels. It’s synthetic, sure… and it still stirs something very human.

The paradox is delicious: maybe AI will take our jobs, worsen collective decisions, or multiply inequality—but today, today, look at what it already does. It fantasizes, provokes, and hooks. And here we are, finger on the mouse, thinking that maybe it’s worth living (and dying) with this spectacle in the background. Relax: the apocalypse isn’t here yet; in the meantime, enjoy the simulation.



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Elizabeth Hurley and the dress that left everyone stunned at the premiere of “Four Weddings and a Funeral” in 1994.

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THE NUDES OF JüRGEN SCHULZ

Jürgen Schulz, born in 1972, has spent more than three decades devoted to erotic and artistic photography.
His passion for images started at a very young age, developing his first photos in a homemade darkroom. In 1989 he carried out his first Aktshooting (nude session), marking the beginning of a creative journey that has never stopped evolving.

Although at some point he stepped back from professional work, he continues to practice photography with the same dedication and passion, offering his services and sharing an extensive gallery of images.
His work spans portraits, artistic nudes, fetish, bodypainting and other genres—always with an aesthetic and expressive approach.



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When people said traffic lights should better reflect our society, I thought they meant something else.

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ASSES#147 + LINK TO OUR TELEGRAM COMMUNITY

Alright, if last week was about boobs, it only makes sense today we go with butts.
The universe keeps it simple: balance.
Life is about evening things out; day and night, coffee and naps, yin and yang… and at ALRNCN, one set of curves calls for the other.

It’s not rocket science: if you tipped the scale forward, sooner or later you bring it back.
Nature hates imbalance, and so does the feed.
So today we’re here to rebalance the cosmos with a generous serving of backsides that make you rethink the law of gravity—the kind that move with their own rhythm and demand a slow look.

Breathe, get comfy, and let the natural order reset.
Last week, boobs. This week, butts. And tomorrow… we’ll see which way fate leans.



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You can see much more content like this on our TELEGRAM CHANNEL

For Apple users
You might have noticed that when attempting to join our Telegram Channel you get a message that flags our content as sensitive content, which ends up not letting you see anything; this means you have the parental control activated.
This means you have to go to the web version of Telegram https://web.telegram.org and log in, if you are not already. In the settings, in the "Privacy" section, find the option "Sensitive content" and activate "Disable filtering". As soon as you do, the Settings will automatically sync with the rest of your devices, including the iOS and macOS versions of the App Store.
From there you will be able to enter all the Adult Channels.




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🤟 Rock and roll 🤟

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ACRO POLISI’S BIG BOOBS

It’s getting harder and harder to tell what’s real and what’s artificial.
You watch a video and ask yourself: is this real or AI? Not long ago it was simple—if the scene looked too exaggerated, you just assumed it was fake.

Now it’s not that easy. Accidents, animals, people… everything looks so real your head says “yes,” but your gut says “no.” And sometimes it’s the other way around—you think it’s fake, and it turns out to be true.

That happened to me with a creator on Instagram. She posted a few videos where her boobs bounced in such a surreal way that I thought: no way, this has to be AI. But something made me wonder if maybe it was real.

I dug a little deeper and it turns out the videos were real—or at least they seemed to be. She was wearing nipple covers that made everything look much more exaggerated, almost unbelievable. But honestly, these days putting your hand in the fire isn’t what it used to be.

So here are some of those videos—you decide who to trust: your eyes or your gut.



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– I’m looking for a bra.
– What size?
– For these.

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THE INSTAGRAM OF THE DAY: ASHLEY GOT

Ashley Got
Ashley Nichole
Good vibes only🌞
📍: Los Angeles



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Everyone enjoys it their own way.

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SERVED ON A SILVER PLATTER

Some expressions suddenly become a little too literal. “Served on a silver platter” has always meant making things easy, handing them over without effort, like you don’t even have to lift a finger.

Here, the metaphor breaks and turns into an image. What’s usually just a figure of speech becomes a visual game so straightforward it leaves no room for interpretation. Elegance and boldness collide in a simple gesture that turns a cliché into an unexpected spectacle.



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Black Sabbath or...

Iron Maiden?

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