ELDEHEN’S NUDES

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You can’t tell what’s AI anymore—and what isn’t.

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THE EROTICISM OF KALI MCCARTHY

Kali McCarthy is a Jamaican photographer based in Manhattan, where he channels his creativity by capturing the beauty of everyday life. He found photography almost by accident, but it quickly turned into a passion that hasn’t stopped growing.

He mainly works with natural light, fashion photography, and once-in-a-lifetime moments like proposals and weddings, always with a sharp eye and a perfectionist approach. He believes every moment has something special — you just need to know how to look.
He photographs to tell stories, keep learning, and capture real emotions.



# See photos




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A tough shot.

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THE ILLUSTRATIONS OF GREG STONES

In many of Greg Stones’ drawings, the same scene keeps appearing — one that is both simple and disconcerting: a woman, standing calmly, showing her breasts… in front of penguins, raccoons, rabbits, aliens, or animals that seem more surprised than aroused. There is no explicit sexual tension, no classic narrative, no explanation. Just the gesture. And the gaze of the other.

These are simple drawings, almost childlike in form, yet loaded with intention. Or rather, loaded with questions. Why show her breasts? Why to them? Why in the middle of snow, open fields, or an empty landscape? Stones doesn’t seem interested in answering. He prefers to set the scene and walk away, leaving the viewer alone with what they feel.





There is something deeply animal in these images. Something primitive. As if the human body, naked and without drama, were presented to creatures that do not judge, do not moralize, and do not interpret the gesture as provocation. They simply observe. The way an animal looks at something new without loading it with guilt, rules, or learned meanings.

That may be why they work so well. Because they reduce the body to what it is: a body. No discourse. No excuses. No need for justification. Faced with gazes that don’t know what to do with it — but also do not condemn it.

Greg Stones doesn’t seem to want to eroticize so much as to dislocate. To take nudity out of its sexual context and place it in a more absurd, more innocent, more instinctive space. As if reminding us that, before everything else, we are still animals looking at other animals… without really knowing why we do what we do.

And that’s where the charm is. And also the substance.



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The slow motion of the day.

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RANDOM AI-GENERATED IMAGES VOL28

Lately we keep hearing the same line: artificial intelligence is going to take our jobs.
And it’s probably true. Not everyone’s, not all at once, but many of them. Factories, offices, services, creative work, customer support… the sector doesn’t matter. If something can be automated and made cheaper, it will be.

And that’s where an uncomfortable question pops up: if people lose their jobs, who’s going to buy what companies produce?

Because the system has always worked the same way: you work, you get paid, you consume. Companies sell because there’s money on the other side. But if that “other side” loses its income, the equation starts to squeak. Badly.





The usual answer is optimistic: new jobs will appear, wealth will be redistributed, solutions will be found. Progress always ends up benefiting everyone.
But… does anyone really believe that those who concentrate power and money are losing sleep over it?

The famous 1% doesn’t need the 99% to live well. What it needs is to maintain its status. And that doesn’t depend on whether you or I have a job, but on staying on top. Money matters, sure, but power matters more. And power is not handed out out of goodwill.

Sometimes we think they’ll “have to find a solution”, otherwise the system will collapse. But maybe not. Maybe the system doesn’t collapse: it just becomes smaller and more closed. Fewer people inside, more people left outside.

It’s not a new idea. It’s been in countless movies: walled cities, elites living comfortably with every service available, and outside… whatever’s left. Survival, precariousness, chaos.
It’s always felt like science fiction. But so did many things we now consider completely normal.

So maybe the real question isn’t whether AI is going to take our jobs. The real question is: do the people in charge actually care if it does?
And the honest answer isn’t very optimistic.

Think about it.

And to make it easier to digest, I’m sharing AI-generated images with you. It’s not all bad.



# View images




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The human centipede returns.

The scene belongs to the porn parody The Human Sexipede.

The acting weight falls on actresses Jynx Maze and Sunny Lane. In the following links you can watch several scenes they’ve starred in throughout their film careers.

Jynx Maze porn videos

Sunny Lane porn videos




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OOPSIES VOL35

One of the sagas you’ve asked me for the most throughout this year has been Oopsies. I’ve received several emails asking for more videos or requesting that I give a heads-up when I was about to publish a new installment. A clear sign that this kind of content really connects.

And it’s not hard to see why. These videos, where the protagonists show a bit without meaning to or play right at the edge with their clothing, create a very specific mix of curiosity and morbid fascination. There are no forced poses or staged scenes. There are live recordings, natural movements, everyday gestures… and suddenly, something slips.
A nipple showing, a crotch briefly visible, a posture that lasts a second longer than it should. Nothing fully planned, or at least that’s how it feels. And that’s where the appeal is. That feeling of seeing something that wasn’t meant to be seen, or at least not in that way.

At a time when explicit content has taken over the mainstream, where almost everything is shown without filters or pauses, subtlety regains its power. The slip-up, the mistake, the poorly calculated limit remind us that sometimes less is more. That imagination is still far more powerful than reality.

That’s why this saga works. Because it plays in that uncomfortable yet attractive space. Where you’re never quite sure if what you’re seeing is an accident or provocation. And because, in the end, few things are as compelling as something that shouldn’t have happened… but did.



# Watch videos




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What a tongue!

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AMATEUR FLESH: SOIKA

In a time when the offer feels almost infinite, choosing just one thing has become complicated. There are stimuli everywhere, endless formats, new platforms popping up every month, and an attention span that keeps getting more fragmented. In that landscape, content creators are constantly balancing between specializing and adapting.

The usual —and often the smartest— move is to focus on a specific niche, fine-tune it, go deeper, and become a reference. Playing it safe. But not everyone works the same way, and not everyone has to. Some profiles stand out precisely for the opposite reason: their ability to shift, to fit into different contexts without losing who they are.





That’s the case with Shoika. Our amateur, flesh-and-blood protagonist doesn’t stick to a single version of herself. She has something that can’t be manufactured or easily copied: range. She fits into very different scenarios and feels authentic in all of them. The girl you’d introduce to your parents without raising any eyebrows. The one you’d take to a comic con and who’d blend in effortlessly. Or the one you’d run into at a party, late at night, in a nearly cyberpunk setting, neon lights included.

It’s not just about aesthetics or outfits. It’s about attitude, body language, the way she looks into the camera and connects with whoever’s on the other side. Shoika doesn’t play a fixed character; she adapts to the moment and to the kind of fantasy being explored without it ever feeling forced.

And in a context where users increasingly look for personalized experiences, that versatility is pure gold. Because it widens the attention spectrum, but also deepens the connection. It’s not about trying to cover everything without direction, but about knowing when and how to change skins.

That’s the difference between racking up views and building real interest. And Shoika seems to have that pretty clear.



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RANDOM AI-GENERATED IMAGES VOL27

I don’t know whether AI will eventually end up deciding our lives or not. Whether it will be the one telling us what to do, what to think, or which way to go. But what I’m pretty sure about is that, with the good taste it shows when it comes to creating women, it’s got me figured out.

Because one thing is being afraid of the future, and a very different one is looking at it with a smile. And when you see what it’s capable of generating —faces, bodies, looks, details that border on the impossible— it’s hard not to think that, if this is just the beginning, maybe it’s not all going to be so bad.

It might take jobs away from us, it might complicate our lives, it might even make us question what’s real and what isn’t. But if along the way it’s able to give us fantasies so finely tuned, so carefully crafted, so dangerously attractive… well, maybe it’s worth negotiating.

In the end, like almost everything in life, it’s not about who’s in charge, but about how it does it. And if the future comes with this level of design, detail, and bad intentions… the truth is, it can do whatever it wants with me.



# View images




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Aria and Gabbie.

These are Aria Taylor and Gabbie Carter. Here are a few links so you can check out some of their scenes.

Aria Taylor porn videos

Gabbie Carter porn videos




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