EUGENE RENO 2025

➡️ Let's do real, be real with Tantaly, the sex doll torso leader

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Speaking of days gone by... remember the masks? Feels like a lifetime ago.






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AMATEUR FLESH: SASHA ARAKI

Since the very beginning of the Carne Amateur series, the goal has always been the same: to bring ALRNCN users the best amateur content roaming around the web. Real women, with that mix of lust and spontaneity that turns every photo and every video into something special.

Back then, almost two decades ago, most of the ones we found did it out of pure exhibitionist pleasure, simply for the thrill of showing their body in front of a camera. Today, with the rise of all those monetization platforms shaping the path of the internet, many do it as a way to make money. And honestly, even if there’s a financial incentive involved, the essence stays the same: homemade recordings, with that selfie vibe, far from the coldness of a studio or any trace of post-production.

That sense of closeness is what makes Carne Amateur so addictive. It feels more real, more human, more relatable. And right there comes our latest addition: Sasha Araki.
She’s the kind of woman that defines an era, because she has it all. No matter how you look at her, she’s pure beauty. A gaze that hooks you, a body that seems designed to get lost in, and that boldness that would turn any night with her into an unforgettable memory. I’m not exaggerating when I say Sasha is one of those women capable of turning a fleeting moment into a story you’ll remember forever.

So get ready, because here are photos and videos of Sasha Araki that raise the bar even higher for what Carne Amateur truly means.



# View photos and videos



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It’s all about emptying the box of balls.

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RANDOM AI-GENERATED IMAGES VOL21

While AI accelerates, we’re still trying to understand it—and predict it.

Lately it feels like artificial intelligence isn’t just moving fast: it’s gone feral. In his latest interview, Geoffrey Hinton—the “godfather” of all this—drops a few unsettling truths: countries compete with countries, companies compete with companies, and when everyone floors the accelerator at once, there’s no such thing as a collective brake. Nobody wants to be the one to lift their foot while the rest pull ahead.

Hinton sketches a future where AI could replace much of intellectual work, widen the wealth gap, and strain democracy. He talks about superintelligence in 10–20 years, and about what’s already here: the overwhelming advantages of digital systems over humans (they copy for free, learn at another scale, don’t sleep). Then comes the awkward question: if automation doesn’t create enough new jobs this time, who’s paying the rent for those left out?





History says every technological revolution kills some jobs and creates others. The printing press, the steam engine, electricity, the internet… There was always work in the end—different work, but work. And yes, it’s also true that nobody in 1995 pictured influencers, community managers, or people making a living fine-tuning algorithms. Maybe that happens again. Or maybe not. If the curve steepens the way Hinton suggests, the adjustment could be faster and more brutal than we’re used to. Hence the talk of basic income, new social contracts, real lifelong learning (not a sticker), and regulation that doesn’t kill innovation—or hand the future to three players with server farms in the desert.

If you want to hear him unfiltered, the interview is here: watch the episode.

And now, back to our thing…

While the gurus decide whether they’ll save us or sack us, we stick to what we do: random images created by AI. Beautiful women, flawless skin that doesn’t exist, gazes nobody set, curves a network imagined after devouring millions of pixels. It’s synthetic, sure… and it still stirs something very human.

The paradox is delicious: maybe AI will take our jobs, worsen collective decisions, or multiply inequality—but today, today, look at what it already does. It fantasizes, provokes, and hooks. And here we are, finger on the mouse, thinking that maybe it’s worth living (and dying) with this spectacle in the background. Relax: the apocalypse isn’t here yet; in the meantime, enjoy the simulation.



# See images




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Elizabeth Hurley and the dress that left everyone stunned at the premiere of “Four Weddings and a Funeral” in 1994.

instagram.com/elizabethhurley1




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ARKADIY KURTA 2025

Third feature of this Ukrainian-born photographer, who keeps raising the bar year after year and never stops surprising with each of his productions.
His style blends technique, sensitivity, and a unique eye capable of turning a simple scene into something truly memorable.

With every new project he proves he’s never satisfied, always chasing that different detail, that play of light, or that perspective that makes his work stand out from the rest.



# See photos




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It’s never too late to get interested in the world of fashion.

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BIG WOMEN, REALLY BIG

The AI is out of control. It’s pulling ideas straight out of the imagination of a few and turning them into something you can actually see on screen. And the moment you hit play, you’re already hooked.

Take volleyball as an example. Suddenly, the players are giants, standing a whole meter taller than the men, with powerful legs, huge curves, and that overwhelming presence that makes you feel small just by looking at them. It’s no longer just sport; it’s a fantasy you didn’t even know you had.

Here’s the thing: AI doesn’t ask if something is “normal” or “popular”. It just creates. It puts in front of you something that’s both strange and magnetic at the same time. You didn’t plan on watching it, but once you do, you can’t look away. And maybe that’s the real power of these new digital fantasies: showing us sides of desire we never thought existed.



# Watch videos




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The slow motion of the day.

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PUBLIC TRANSPORT

Public transport has always been one of the great inventions that shaped modern cities. From the first horse-drawn trams to the industrial-era subway cars and the buses that connected entire neighborhoods, the goal was always the same: move people and stitch together what once felt disconnected.

But beyond its practical use, public transport has always been a stage. A place where anonymous lives intersect, where silences are shared, glances are exchanged, routines repeat, and every now and then small, unexpected stories unfold. A train car, a bus, or a station becomes a microcosm that mirrors how life is lived in big cities.

And in the 21st century, that same space has turned into digital territory. Where there used to be only hurry or boredom, now there are phones, cameras, and the power to turn the ordinary into content. Even in a crowded subway, someone can choose to break the routine with a bold, discreet, almost invisible gesture—just enough to catch the eye and change the whole scene.

Maybe that’s what best defines public transport today: still a place to get from A to B, but also a stage where any kind of story can play out—even the ones you never imagined between the poles of a subway car or in the shadow of a seat corner.

# Watch videos




You can find a lot more content like this on our TELEGRAM CHANNEL

For Apple users
You might have noticed that when attempting to join our Telegram Channel you get a message that flags our content as sensitive content, which ends up not letting you see anything; this means you have the parental control activated.
This means you have to go to the web version of Telegram https://web.telegram.org and log in, if you are not already. In the settings, in the "Privacy" section, find the option "Sensitive content" and activate "Disable filtering". As soon as you do, the Settings will automatically sync with the rest of your devices, including the iOS and macOS versions of the App Store.
From there you will be able to enter all the Adult Channels.




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Where do you think you’re going?!

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RANDOM AI-GENERATED IMAGES VOL23

The future always shows up disguised as a game

Today we laugh at these images, sharing them as curiosity or just a bit of casual thrill. They look like a game: impossible models, perfect women who don’t exist, scenes that feel like a wild dream rendered in pixels. And yet, what begins as a game often becomes the prelude to something much bigger.

Look back: the internet started as a toy for computer geeks. Social media looked like a place to waste time posting nonsense. The smartphone was just an unnecessary luxury for a handful of executives. And now? We live connected 24/7, glued to our phones, social networks dictate what we talk about, and Google gives us answers before we even know what to ask. The game always ends up writing the rules.





It’s the same with artificial intelligence. Today we use it to create erotic images with a surreal touch, testing where the machine ends and where our imagination begins. But what we’re seeing in these pictures might be the seed of how the future of digital desire will be built.

There’s no shortage of possible scenarios. In a few years, the line between amateur porn and AI-generated porn could vanish. We might see complete relationships —sex, affection, conversation— with digital beings tailored to each person’s taste. Maybe one day you’ll create your “perfect partner” with a few prompts and a button, and going out to flirt won’t even cross your mind because everything you want is already on your screen.

And there’s no need to go all apocalyptic: it’s not so different from what we already have. Netflix killed video rentals, Tinder changed how people meet, and OnlyFans redefined how sex is sold. It all starts as a game, something trivial, something “that won’t change anything”… until suddenly it changes everything.

These images aren’t just pretty pictures or cheap thrills. They’re a dress rehearsal for the world ahead. A future where fantasy isn’t consumed—it’s manufactured. Where the machine doesn’t just offer you pleasure, but designs it for you, adapts it to your mood, and updates it daily like software patches.

And here’s the big paradox: we know it’s not real, but maybe that stops mattering. Because if something excites you, moves you, or gives you what you’re after—does it really matter whether it’s made of flesh or code? In the end, what’s always driven us is desire. And in the hands of AI, desire has no limits.



# See images




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Connecting positive with negative.

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