WE’RE OFF ON ANOTHER ADVENTURE VOL3The
fall has arrived, and with it that perfect moment to pull out your
favorite hoodie —the one that smells a bit like
couch and
lazy plans.
The sun’s still around, but it’s no longer in full attack mode. Now it warms just enough, like when you step into the shower and go,
“yep, don’t touch it, this is perfect”.
Leaves start to
change color, the ground gets that
crunchy brown carpet, and suddenly any walk feels
special without even trying. You head to the
mountains, a
river, or just a park, and it feels like you’re inside a
movie —the kind where people fall in love and buy
new boots.
The air turns
fresh and crisp, the kind that wakes you up without coffee, and plans shift between
blankets,
little hikes,
hot coffee, and that classic line:
“it's so nice to go out without melting”.
Fall is that perfect balance between still living things and slowly cozying up. Walking without rushing, enjoying
colors that only last a few weeks —so let’s enjoy the
weather, the
bright trees, and any excuse to say,
“let’s go out, the day looks amazing”.
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AI nails those fever-dream nightmares —the surreal ones your brain invents when your temperature goes up and creativity goes feral.
THOMAS ILLHARDT 2025After ten years, we dive back into the universe of German photographer
Thomas Illhardt. His work has always played with that unique mix of
beauty, decay, and desire: bodies inside broken spaces, places loaded with stories, and a light that seems to caress and punish at the same time.
But what really defines his recent work is how he pushes eroticism into a more
raw and
direct territory. Illhardt explores
bondage, the tension of ropes, surrender, resistance… all wrapped in a clean, elegant, deeply visual aesthetic. It’s not empty provocation — it’s storytelling, geometry, and skin blending into ruins, abandoned factories, or rooms where time simply stopped.
His models don’t just pose: they
inhabit the space, challenge it, complete it. And that contrast — the fragility of the body against the hardness of the environment — is where his voice becomes most powerful.
Illhardt returns to remind us that eroticism can also be tension, shadow, structure… and that even what’s broken can be
beautiful.
# See photographs
Jellyfish stings.