IGOR70'S NUDE PHOTOGRAPHY

# igor70.photosight.ru

THE INSTAGRAM OF THE DAY: ASHLEY GOT

Ashley Got
Ashley Nichole
Good vibes only🌞
📍: Los Angeles



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Everyone enjoys it their own way.

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THE INSTAGRAM OF THE DAY: JULISEWKA

Julia Janiszewska
modeling | traveling | photoshoots



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Back stretches.

Full scene

She’s the actress Alura Jenson. In this other link, you can check out many of her scenes.




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RANDOM AI-GENERATED IMAGES VOL21

While AI accelerates, we’re still trying to understand it—and predict it.

Lately it feels like artificial intelligence isn’t just moving fast: it’s gone feral. In his latest interview, Geoffrey Hinton—the “godfather” of all this—drops a few unsettling truths: countries compete with countries, companies compete with companies, and when everyone floors the accelerator at once, there’s no such thing as a collective brake. Nobody wants to be the one to lift their foot while the rest pull ahead.

Hinton sketches a future where AI could replace much of intellectual work, widen the wealth gap, and strain democracy. He talks about superintelligence in 10–20 years, and about what’s already here: the overwhelming advantages of digital systems over humans (they copy for free, learn at another scale, don’t sleep). Then comes the awkward question: if automation doesn’t create enough new jobs this time, who’s paying the rent for those left out?





History says every technological revolution kills some jobs and creates others. The printing press, the steam engine, electricity, the internet… There was always work in the end—different work, but work. And yes, it’s also true that nobody in 1995 pictured influencers, community managers, or people making a living fine-tuning algorithms. Maybe that happens again. Or maybe not. If the curve steepens the way Hinton suggests, the adjustment could be faster and more brutal than we’re used to. Hence the talk of basic income, new social contracts, real lifelong learning (not a sticker), and regulation that doesn’t kill innovation—or hand the future to three players with server farms in the desert.

If you want to hear him unfiltered, the interview is here: watch the episode.

And now, back to our thing…

While the gurus decide whether they’ll save us or sack us, we stick to what we do: random images created by AI. Beautiful women, flawless skin that doesn’t exist, gazes nobody set, curves a network imagined after devouring millions of pixels. It’s synthetic, sure… and it still stirs something very human.

The paradox is delicious: maybe AI will take our jobs, worsen collective decisions, or multiply inequality—but today, today, look at what it already does. It fantasizes, provokes, and hooks. And here we are, finger on the mouse, thinking that maybe it’s worth living (and dying) with this spectacle in the background. Relax: the apocalypse isn’t here yet; in the meantime, enjoy the simulation.



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Elizabeth Hurley and the dress that left everyone stunned at the premiere of “Four Weddings and a Funeral” in 1994.

instagram.com/elizabethhurley1




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THE WOMAN IN RED 2025

smm, david
The Woman in Red (La mujer de rojo), released in 1984, became a true cultural icon of the 80s, capturing the desire, temptation, and male fantasy of that era.

Starring Gene Wilder and Kelly LeBrock, the film stood out not just for its comedic storyline but also for the unforgettable image of LeBrock in her red dress, which perfectly embodied the modern femme fatale.

At a time when Hollywood was starting to explore bolder themes of sexuality and desire, The Woman in Red positioned itself as a comedy that blended humor with seduction, leaving an indelible mark on pop culture and on how cinema portrayed irresistible attraction.

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Excuse me, sir. Could you leave me alone?

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THE INSTAGRAM OF THE DAY: DARBYELYSE

DARBY ELYSE 🐯🍒
333🧿✨ B̷e̷ ̷K̷i̷n̷d̷ Be Real🦋
I stream and do other stuff 👾



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He just asked me to marry him!

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AMATEUR FLESH: SPOOKIE SHELBIE

Back in the day, you needed an agent, a studio, someone willing to bet on you and open the doors to pre-set channels. Today, thanks to the internet, the showcase is global and open 24/7.

That doesn’t mean it’s easy, but the tools are there: anyone with talent, presence, or just pure attitude can reach millions of people. And sometimes all it takes is one well-placed video to turn a complete unknown into the muse of hundreds of thousands of men.

That’s what makes discovering a new amateur so exciting: that unique moment when someone jumps from their bedroom straight onto the world’s screens.



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Insert coin.

Full scene

She’s Sandra Wellness, and in this link you can find more of her scenes.




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