IRINA LOZOVAYA 2025

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Just when you think you've seen it all, suddenly you come across a video of a giant dwarf.

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INSTAGRAM OF THE DAY: VANESSA_LIEBE

Vanessa 🦋
• Veterinary Medical Assistant🐾
• Fitness
• Village child
• Hannover, Germany 🇩🇪



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Fluffy.

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THE INSTAGRAM OF THE DAY: DASHABOYKO

Дарья Бойко




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Burning up.

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HOUSEHOLD CHORES VOL4

It’s Friday. Two days off ahead of us, Saturday and Sunday. Time to disconnect, go out, see friends, stop watching the clock… or at least try.
But then there’s the other reality: the weekend with pending chores.

Laundry piling up, dust on the furniture, the floor begging for a sweep, the groceries that won’t buy themselves, the meals for the week that someone has to prepare… That moment when you realize that if you don’t deal with it now, Monday will be worse.
It’s not exactly exciting, sure. But it doesn’t have to ruin your weekend either.

The key is not seeing it as a punishment, but as an investment. Spending a bit of time putting your place in order isn’t losing free time; it’s buying yourself peace of mind for the coming days. When your surroundings are clean and organized, everything flows better. You wake up with less stress, you find things without fighting with drawers, and even your head feels clearer.
In the end, a tidy home usually means a tidy mind. And yeah, it may sound like a cliché, but you feel it.

So do what needs to be done, but don’t dramatize it. Put on some music, knock it out in one go, get it over with… and then enjoy the weekend with that feeling that everything’s under control.
Because the weekend is also for resting without stuff buzzing around your head.



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Bonus Stage: Car Crush.

Full video

She is AJ Applegate and in this link you can watch several of her scenes

You win!

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THE INSTAGRAM OF THE DAY: CHELSEAMPEARCE

Chelsea Pearce
Multifaceted.
Sydney, Australia…
Certified Personal trainer



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Cooking pasta.

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THE PHOTOGRAPHY OF ALEX SAMOILOV

Aleksey Samoylov is a Russian photographer focused on portrait and art photography, with a strong interest in the human figure, intimacy and the aesthetics of the body.

His work moves between black and white and color, with a clean and minimalist style where light, skin and the expressions of his models are everything.
He cares more about atmosphere than the perfect pose. More about the feeling than the artifice. His portraits convey a mix of sensuality, naturalness and a certain calm melancholy.



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Live stream problems.

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RANDOM AI-GENERATED IMAGES VOL31

There was a time, not that long ago, when images generated by artificial intelligence had something unsettling about them. Not because of what they showed, but because of how they did it. Faces that looked fine until you stared a second longer, hands that didn’t quite fit, skin that felt too smooth, empty gazes, expressions frozen somewhere between human and artificial. They were interesting, sure, but it was obvious you were looking at tests, experiments, attempts at something that was still under construction.

If you go back through the early entries of this series, you’ll see exactly that. It’s not just a collection of images; it’s almost a small timeline of how the technology has evolved right in front of us. Without really meaning to, these galleries have ended up working as a pretty clear record of how far AI has jumped in a short time.




Because what we have now is something different. The lighting no longer looks painted on, bodies feel coherent, gestures look natural, and scenes are starting to carry a real photographic feel that would have been hard to imagine just a couple of years ago. Where there used to be experimentation, now there’s intention. Where you used to see the trick, now you have to look for it.

In that sense, this series has become something more than just a compilation of suggestive images. It has turned, almost by accident, into a way of measuring technological time. If someone wants to see how much AI image generation has changed, there’s no need to look up reports or comparisons — just check the first entries and compare them with today’s.

And the interesting part is that this doesn’t seem to have hit a ceiling yet. If the jump over the last two years has been like this, what comes next could reshape how we understand photography, visual creation, and everything that used to depend on a camera and someone standing in front of it.
For now, the only certain thing is that the evolution keeps moving forward, entry by entry. And this one is simply number 31.



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That’s why it’s always important to wear a helmet on site.

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