KONSTANTIN LELYAK 2017

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THE INSTAGRAM OF THE DAY: NATALIEEXKING

natalie king
awkward girl
.・。.・゜✭・.・✫・゜・。.



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The blonde in the red dress from The Matrix

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THE EROTICISM OF BURAK BULUT

The nude art of Burak Bulut Yıldırım transforms the body into sculptural forms through light and geometry. His approach to nudity is subtle, emotional, and minimalist, closer to visual poetry than to provocation.



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A shower with Tessa Fowler.

You can watch many of her videos at this link




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ALL IN BLACK VOL5

All in black, once again. Black lingerie, black dresses, black outfits. Short videos. Content creators doing what they know how to do: stepping in front of the camera, starting dressed and ending up naked.
There’s no story, no speech. Just a clear choice of color. A shared denominator. Black shapes, defines, frames the body and makes every movement stand out a little more. Just enough so the video doesn’t need anything else.

There are no impossible poses or over-the-top production here. Just women who feel comfortable with what they’re wearing — and with taking it off. Black is only the starting point. The rest unfolds on its own.
If the formula keeps repeating, it’s because it still works. And this is already volume five.



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instagram.com/daria.aref




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THE INSTAGRAM OF THE DAY: SARAAHLLOYD

sarah lloyd
im australian so i have more fun ❀♡



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Hypnotized by Angela White.

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WITH MOM AT THE WATER PARK

Last year we already shared some of her videos. A mother at a water park with her son, enjoying the day, playing in the water — an apparently innocent scene. The difference was her: very attractive, wearing a minimal bikini, aware of the camera and the reaction it triggers. The contrast did the rest.

The videos went viral. Millions of views, massive attention and, as a logical consequence, more followers on her blue account. The family context was the wrapper; the real spotlight was on her. And it worked.

This year, after checking her profile again, the story repeats itself. Same setting, same formula, same type of content. The kid has grown… and so have her followers. When something works, the natural thing to do is to stick with it. The internet rewards repetition when the mix is right.
There’s nothing explicit in the videos. Nothing really “happens.” And yet, there’s something else. Something that’s not in what takes place, but in how it’s framed and why it’s consumed. The water park is almost an excuse. The video lives in that blurry line between the everyday and the calculated.

From there, everyone draws their own conclusions. About exposure, about context, about whether everything is acceptable when the content is “apparently” innocent. This isn’t an accusation or a verdict. It’s simply putting the pieces on the table and looking at the whole picture.
I don’t judge. I just share.



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The slow-motion moment of the day.

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ASSES#149

What can be said about the asses saga that hasn’t already been said after so many installments? Probably nothing new. And yet, here we are.
Because no matter how much time passes or how many times we go over the subject, asses remain a safe bet. They never fail. They don’t get old. They don’t need context or explanation. They’re there and they work. Always.

We’ve seen everything: perfect asses, impossible asses, real asses, asses that look sculpted and others that get better the more natural they are. In motion, at rest. And the funny thing is that, after so many installments, you still feel like seeing one more.
Maybe because an ass isn’t just about eroticism. It’s about how it moves, how it’s shown, how it hints. It’s one of those body parts that doesn’t need forced protagonism: it earns it on its own.

So yes, maybe there’s nothing new left to say. But it also doesn’t matter. Just by looking at them, everything is already told.



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Happy 2026!






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