KONSTANTIN PILIPCHUK'S NUDE PHOTOGRAPHY

➡️ Let's do real, be real with Tantaly, the sex doll torso leader

akrobat1986.photosight.ru


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Semi-automatic or burst.

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RANDOM AI-GENERATED IMAGES VOL21

While AI accelerates, we’re still trying to understand it—and predict it.

Lately it feels like artificial intelligence isn’t just moving fast: it’s gone feral. In his latest interview, Geoffrey Hinton—the “godfather” of all this—drops a few unsettling truths: countries compete with countries, companies compete with companies, and when everyone floors the accelerator at once, there’s no such thing as a collective brake. Nobody wants to be the one to lift their foot while the rest pull ahead.

Hinton sketches a future where AI could replace much of intellectual work, widen the wealth gap, and strain democracy. He talks about superintelligence in 10–20 years, and about what’s already here: the overwhelming advantages of digital systems over humans (they copy for free, learn at another scale, don’t sleep). Then comes the awkward question: if automation doesn’t create enough new jobs this time, who’s paying the rent for those left out?





History says every technological revolution kills some jobs and creates others. The printing press, the steam engine, electricity, the internet… There was always work in the end—different work, but work. And yes, it’s also true that nobody in 1995 pictured influencers, community managers, or people making a living fine-tuning algorithms. Maybe that happens again. Or maybe not. If the curve steepens the way Hinton suggests, the adjustment could be faster and more brutal than we’re used to. Hence the talk of basic income, new social contracts, real lifelong learning (not a sticker), and regulation that doesn’t kill innovation—or hand the future to three players with server farms in the desert.

If you want to hear him unfiltered, the interview is here: watch the episode.

And now, back to our thing…

While the gurus decide whether they’ll save us or sack us, we stick to what we do: random images created by AI. Beautiful women, flawless skin that doesn’t exist, gazes nobody set, curves a network imagined after devouring millions of pixels. It’s synthetic, sure… and it still stirs something very human.

The paradox is delicious: maybe AI will take our jobs, worsen collective decisions, or multiply inequality—but today, today, look at what it already does. It fantasizes, provokes, and hooks. And here we are, finger on the mouse, thinking that maybe it’s worth living (and dying) with this spectacle in the background. Relax: the apocalypse isn’t here yet; in the meantime, enjoy the simulation.



# See images




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Elizabeth Hurley and the dress that left everyone stunned at the premiere of “Four Weddings and a Funeral” in 1994.

instagram.com/elizabethhurley1




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FABIO PREGNOLATO’S NUDES

Fabio Pregnolato, a graduate in civil engineering, entered the world of fashion photography thanks to one of those coincidences that push you to explore unexpected paths.

Most of his images lean on black and white and a film grain that evokes classic photography, but he blends it with a contemporary eye.
His goal is to reveal the most authentic essence of each person, exploring modern angles and capturing the uniqueness of every subject portrayed.



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Sodom and Gomorrah in the stuffed animals section.

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TIK HOT VOL223

In TikHot nothing is held back: here it’s all about letting it all out.
The camera isn’t used to suggest, but to expose. Every turn, every move, every second is a direct invitation to watch without filters.

What starts as a dance or a pose turns into a statement: this is what I’ve got, and this is how I show it.
No half measures, no shame, no hidden meanings. The eroticism lives in that absolute transparency, in not holding anything back.

The result is clips that don’t recognize borders or censorship.
They don’t aim for subtlety—they go straight for instant release.
And that’s what makes every TikHot episode more addictive than the last: because here, you know they’re always going to give it all.



# Watch videos




You can see much more content like this on our TELEGRAM CHANNEL

For Apple users
You might have noticed that when attempting to join our Telegram Channel you get a message that flags our content as sensitive content, which ends up not letting you see anything; this means you have the parental control activated.
This means you have to go to the web version of Telegram https://web.telegram.org and log in, if you are not already. In the settings, in the "Privacy" section, find the option "Sensitive content" and activate "Disable filtering". As soon as you do, the Settings will automatically sync with the rest of your devices, including the iOS and macOS versions of the App Store.
From there you will be able to enter all the Adult Channels.




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Showing off ass at the airport.

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THE EROTICISM OF LUDWIG DESMET

Ludwig Desmet, born in West Flanders in 1970, finds in photography an intimate dialogue between nature and the feminine essence.

Through his lens, every woman becomes a unique universe: she may appear shy and hesitant, or confident, proud and radiant; even defiant, provocative, and erotic.
His vision doesn’t try to impose, but to reveal the truth that lives in every gesture, every silence, and every spark of authenticity.



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Anya Taylor-Joy in Emma.

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LOST BETWEEN HER BOOBS

Some fantasies run on pure proportion. No explanation needed: a cleavage becomes a stage, and someone suddenly fades into the background. One gesture, two curves, a gap that invites you to slip away, and that pause where the screen goes quiet.

We won’t overexplain it. Better to watch: short, clean clips where scale rules and your imagination does the rest. Here’s the selection. And if that disappear-between-the-lines vibe hooks you, their Instagram has plenty more variations on the same ritual.



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Monday slow motion.

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THE INSTAGRAM OF THE DAY: SKIBBSKY

Sky Wonderland
🌞LA based🌚



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- Last night I had a really weird dream, dude.
- Yeah? What did you dream?

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