MARC LAGRANGE 2K25

➡️ Let's do real, be real with Tantaly, the sex doll torso leader

marclagrange.com
instagram.com/lagrangemarc




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Brightening up the train driver's day.

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THE PHOTOGRAPHY OF ALEX SAMOILOV

Aleksey Samoylov is a Russian photographer focused on portrait and art photography, with a strong interest in the human figure, intimacy and the aesthetics of the body.

His work moves between black and white and color, with a clean and minimalist style where light, skin and the expressions of his models are everything.
He cares more about atmosphere than the perfect pose. More about the feeling than the artifice. His portraits convey a mix of sensuality, naturalness and a certain calm melancholy.



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Live stream problems.

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THE EROTICISM OF VALENTINO & CHRISTINA

Valentino & Christina create an elegant, minimalist nude art, where light and composition enhance the human form with sensitivity.
Their images, clean and stylized, blend intimacy and beauty, leaning more toward classic art.



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Carnival is just around the corner.

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WALKING THE STREETS VOL4

The streets of a city work like the arteries of the human body. Through them flows everything that keeps the whole alive: people, noise, rush, goods, desires and conflicts. When one gets clogged, the rest feels it. When one goes quiet, something starts to fail far beyond that single point.
There are avenues that beat strongly, like main arteries, always crowded, always in motion. Others are narrower, calmer, almost capillaries where just enough passes through for the neighborhood to keep breathing. And then there are those streets nobody looks at, the secondary ones, the ones that seem unimportant… until they disappear and you realize they were the ones connecting everything else.

Within that constant flow, everything travels: people going to work, people who run away, people who search, people who get lost. Joy, frustration, routine, excess. Just like in the body, not everything that flows is clean or beautiful, but it is necessary for the system to keep functioning. When the flow is cut, when someone tries to control too much, the whole organism starts to suffer.
Cities, like bodies, can’t be understood from a single part. They are understood by observing movement, traffic, collisions and jams.



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Meanwhile, in the Southern Hemisphere.

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ERICH CAPARAS’ SURPRISE-ENDING TRANSITIONS

There’s a phrase you see all the time on TikTok and Instagram: “wait for it”.
It’s no coincidence. It’s pure strategy.

With the insane amount of videos we watch every day, if in the first two seconds nothing grabs you, you swipe to the next one without even thinking. That’s why so many creators warn you: hey, stay until the end, something worth it happens at the end.
It’s not a written rule, and it’s not a forced trend. It’s simply the natural language of social media. A way of telling you: trust me, don’t leave just yet.

The videos I’m sharing today are exactly about that.
They’re created with AI by Erich Caparas and they don’t warn you about anything, but I will: they all have an ending. And it’s worth waiting for it.
I’m also leaving you his Instagram account, because it’s amazing to see how, video after video, he’s been improving the realism, the animation and the overall quality. It’s almost like watching the evolution of AI in real time, in the hands of someone who really knows what he’s doing.

So now you know: don’t scroll so fast.
This time, wait for it.



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Theseus after defeating the Minotaur.

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THE ILLUSTRATIONS OF GREG STONES

In many of Greg Stones’ drawings, the same scene keeps appearing — one that is both simple and disconcerting: a woman, standing calmly, showing her breasts… in front of penguins, raccoons, rabbits, aliens, or animals that seem more surprised than aroused. There is no explicit sexual tension, no classic narrative, no explanation. Just the gesture. And the gaze of the other.

These are simple drawings, almost childlike in form, yet loaded with intention. Or rather, loaded with questions. Why show her breasts? Why to them? Why in the middle of snow, open fields, or an empty landscape? Stones doesn’t seem interested in answering. He prefers to set the scene and walk away, leaving the viewer alone with what they feel.





There is something deeply animal in these images. Something primitive. As if the human body, naked and without drama, were presented to creatures that do not judge, do not moralize, and do not interpret the gesture as provocation. They simply observe. The way an animal looks at something new without loading it with guilt, rules, or learned meanings.

That may be why they work so well. Because they reduce the body to what it is: a body. No discourse. No excuses. No need for justification. Faced with gazes that don’t know what to do with it — but also do not condemn it.

Greg Stones doesn’t seem to want to eroticize so much as to dislocate. To take nudity out of its sexual context and place it in a more absurd, more innocent, more instinctive space. As if reminding us that, before everything else, we are still animals looking at other animals… without really knowing why we do what we do.

And that’s where the charm is. And also the substance.



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The slow motion of the day.

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THE INSTAGRAM OF THE DAY: BELDOTS

Beldots
Your favourite Aussie



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Let’s see how long it takes you to notice it.






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