BAMBI THE DESTROYERBambi the Destroyer begins like any '80s fantasy movie pulled straight from the video store: a young woman accidentally travels through a vortex and lands in another dimension filled with strange creatures and dangerous monsters that seem to have spent their entire lives waiting for her to arrive.
From that moment on, our voluptuous heroine swaps her '80s clothes for a skimpy warrior outfit, learns how to swing a sword, and eventually becomes a kind of
female Conan, making her way through a fantasy world packed with mutants and that wonderful lack of self-consciousness that defined classic B-movies.
The series consists of
12 episodes lasting barely one or two minutes each. The story limps along, the narrative keeps tripping over itself, and the plot logic decided to travel through another vortex and never come back. But honestly, none of that really matters. The most interesting thing isn't what the series tells us, but
how it was created.
The images, characters, settings, dialogue, voices, music, and movement were all generated by combining different artificial intelligence systems. There are obviously many hours of work behind it, but the entire project was created by a single person giving instructions, selecting results, and fitting all the different pieces together.
And that's where it's worth stopping for a moment. Barely a decade ago, producing something like this would have required actors, cameras, costumes, sets, technicians, musicians, visual effects specialists, and several months of work. Today, one person can sit in front of a computer and request it using lines of text.
Not design it, model it, animate it, and program it from scratch: simply ask for it.
The result is still far from perfect. Some shots don't fit together, movements look strange, and continuity wanders in and out of the story whenever it feels like it. But there are also swords, monsters, impossible landscapes, and a flesh-baring '80s warrior traveling through another universe. And all of it came out of a computer after someone figured out how to explain exactly what they wanted.
Bambi the Destroyer may not be the future of cinema or a cult classic, but it offers a small glimpse of how this new era could begin.
Below, you can watch all 12 episodes and visit the creator's Instagram account to follow the project.
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Grandpa is blown away.
ALL IN ON BLACK VOL7We've spent all week, and part of last week, doing a crash course in colors. Is this lilac or violet? Does that one lean more toward blue? Does yellow really have twenty different shades? And depending on the lighting, the screen, or who's looking at it, the exact same piece of clothing can apparently end up being one color or another.
But today we can relax.
Because today it's
black. And black has one wonderful advantage for those of us working with a color palette of twelve colors at most:
black doesn't leave much room for debate.
Black is black.
There's no such thing as "light black." That's gray, and even the most basic among us can figure that one out. There's no need to talk about "dark black" either, because if there's one color that already comes dark straight out of the box, it's this one. And strong black... well, that's black. Period.
So for once, we can forget about nuances, shades, flower names, gemstones and Pantone charts.
Today we know exactly what we're looking at.
And let's be real, if there's one area where black works especially well, it's clothing and lingerie. It doesn't need fancy names or explanations:
it catches the eye, goes with everything and rarely fails.
After so many days putting our limited knowledge of colors to the test, today we're finally on home turf.
All on black.
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