PIERGAB'S NUDE PHOTOGRAPHY

lesphotosdepiergab.fr
instagram.com/piergab

➡️ Let's do real, be real with Tantaly, the sex doll torso leader

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Britney Spears unleashed.

instagram.com/britneyspears


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THE INSTAGRAM OF THE DAY: ANNSOPHIETHIEME

Ann-Sophie Thieme
German
kinda Australian



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Big intentions, tiny restroom.

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AMATEUR FLESH: 𝐂𝐫𝐢𝐦𝐬𝐨𝐧 𝐀𝐝𝐚

It’s Friday. And few things give me as much professional satisfaction as wrapping the week with a pair like Crimson’s.

It feels like coming home with a winter-ready trophy, like burying a game-winner in the final minute, like closing a deal that seemed impossible, acing an exam you barely studied for, or taking the last sip of a drink that hits just right.
That sweet feeling of knowing the week isn’t just done—it’s been finished in the best possible way.

We’re clocking out with everything on point, smiles on, and the promise—and the hope—that we’ll be back on Monday with more and better.



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The toxic one always shows up to ruin it.

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AMATEUR FLESH: HEAUXJASMIN

HeauxJasmin gets turned on knowing she’s turning other people on when they see her naked. It’s a mirror game: she gets excited watching how excited others get with her.

And honestly, I don’t get how anyone can criticize a beautiful woman for showing herself off. If it were an ugly one, I’d understand. But a bombshell like her? I just can’t wrap my head around it!

Someone that gorgeous, that uninhibited and that confident about herself deciding to share her body should be celebrated, not pointed at.

In the end, it’s pure logic: when beauty is shared, the world gets a little more fun. And if that beauty also enjoys knowing she’s got us all hooked, hanging on every move and every curve… what’s wrong with that?

If anything, it’s the opposite: a blessed provocation.



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AMATEUR FLESH: SASHA ARAKI

Since the very beginning of the Carne Amateur series, the goal has always been the same: to bring ALRNCN users the best amateur content roaming around the web. Real women, with that mix of lust and spontaneity that turns every photo and every video into something special.

Back then, almost two decades ago, most of the ones we found did it out of pure exhibitionist pleasure, simply for the thrill of showing their body in front of a camera. Today, with the rise of all those monetization platforms shaping the path of the internet, many do it as a way to make money. And honestly, even if there’s a financial incentive involved, the essence stays the same: homemade recordings, with that selfie vibe, far from the coldness of a studio or any trace of post-production.

That sense of closeness is what makes Carne Amateur so addictive. It feels more real, more human, more relatable. And right there comes our latest addition: Sasha Araki.
She’s the kind of woman that defines an era, because she has it all. No matter how you look at her, she’s pure beauty. A gaze that hooks you, a body that seems designed to get lost in, and that boldness that would turn any night with her into an unforgettable memory. I’m not exaggerating when I say Sasha is one of those women capable of turning a fleeting moment into a story you’ll remember forever.

So get ready, because here are photos and videos of Sasha Araki that raise the bar even higher for what Carne Amateur truly means.



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It’s all about emptying the box of balls.

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RANDOM AI-GENERATED IMAGES VOL21

While AI accelerates, we’re still trying to understand it—and predict it.

Lately it feels like artificial intelligence isn’t just moving fast: it’s gone feral. In his latest interview, Geoffrey Hinton—the “godfather” of all this—drops a few unsettling truths: countries compete with countries, companies compete with companies, and when everyone floors the accelerator at once, there’s no such thing as a collective brake. Nobody wants to be the one to lift their foot while the rest pull ahead.

Hinton sketches a future where AI could replace much of intellectual work, widen the wealth gap, and strain democracy. He talks about superintelligence in 10–20 years, and about what’s already here: the overwhelming advantages of digital systems over humans (they copy for free, learn at another scale, don’t sleep). Then comes the awkward question: if automation doesn’t create enough new jobs this time, who’s paying the rent for those left out?





History says every technological revolution kills some jobs and creates others. The printing press, the steam engine, electricity, the internet… There was always work in the end—different work, but work. And yes, it’s also true that nobody in 1995 pictured influencers, community managers, or people making a living fine-tuning algorithms. Maybe that happens again. Or maybe not. If the curve steepens the way Hinton suggests, the adjustment could be faster and more brutal than we’re used to. Hence the talk of basic income, new social contracts, real lifelong learning (not a sticker), and regulation that doesn’t kill innovation—or hand the future to three players with server farms in the desert.

If you want to hear him unfiltered, the interview is here: watch the episode.

And now, back to our thing…

While the gurus decide whether they’ll save us or sack us, we stick to what we do: random images created by AI. Beautiful women, flawless skin that doesn’t exist, gazes nobody set, curves a network imagined after devouring millions of pixels. It’s synthetic, sure… and it still stirs something very human.

The paradox is delicious: maybe AI will take our jobs, worsen collective decisions, or multiply inequality—but today, today, look at what it already does. It fantasizes, provokes, and hooks. And here we are, finger on the mouse, thinking that maybe it’s worth living (and dying) with this spectacle in the background. Relax: the apocalypse isn’t here yet; in the meantime, enjoy the simulation.



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Elizabeth Hurley and the dress that left everyone stunned at the premiere of “Four Weddings and a Funeral” in 1994.

instagram.com/elizabethhurley1




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THE WOMAN IN RED 2025

smm, david
The Woman in Red (La mujer de rojo), released in 1984, became a true cultural icon of the 80s, capturing the desire, temptation, and male fantasy of that era.

Starring Gene Wilder and Kelly LeBrock, the film stood out not just for its comedic storyline but also for the unforgettable image of LeBrock in her red dress, which perfectly embodied the modern femme fatale.

At a time when Hollywood was starting to explore bolder themes of sexuality and desire, The Woman in Red positioned itself as a comedy that blended humor with seduction, leaving an indelible mark on pop culture and on how cinema portrayed irresistible attraction.

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Excuse me, sir. Could you leave me alone?

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