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Published on 2021/08/13

PIERGAB'S NUDE PHOTOGRAPHY

Piergab was going to be a musician, but the photography crossed his path and he was trapped by it. He started out photographing concerts and festivals and has ended up working for agencies and media outlets. These are some of the nudes that he has public in his portfolio.

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Britney Spears unleashed.



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portfolio photographer eroticism nudes sexy photographers Piergab

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WHITEPLACE_1. PART 2

Yesterday we began exploring the work of Whiteplace_1 (白寺), a mysterious independent Chinese photographer who uses the body, fetishism and BDSM aesthetics as tools to construct his distinctive visual fantasies.

In his photographs, the model rarely appears as someone simply posing naked in front of the camera. Every gesture, pose and accessory seems to form part of a carefully staged performance. The body becomes character, setting and language all at once.

The tension of the ropes, the anonymity of a mask and the apparent discomfort of certain positions aren’t there merely to provoke. They also create contrast, introduce an element of mystery and encourage the viewer to imagine what might be happening both inside and beyond the frame.

It is precisely this interplay between beauty, vulnerability and domination that gives his work its identity. His photography can feel sensual, unsettling or hypnotic, depending on how long you decide to keep looking.

We continue with the second installment of Whiteplace_1.



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- Expecto Patronum!






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TITS MAKE THE WORLD GO ROUND VOL17

Human history is usually explained through wars, hunger, religion, money, or the desire to conquer new territories. But there’s a much older, more constant, and more powerful force that rarely gets mentioned in history books: the desire to be sexually attractive to other people.

Humans learned to hunt to survive, sure, but probably also because returning to the cave dragging a mammoth behind you must have been pretty impressive. We built palaces, wrote poems, painted pictures, invented musical instruments, and crossed entire oceans. Officially, we did it for knowledge, ambition, or a spirit of adventure. Unofficially, a significant part of human progress has always involved doing extraordinarily complicated things to increase our chances of ending up naked with someone.

Even today, behind countless packed gyms, sports cars, carefully curated profiles, and careers pushed to the point of exhaustion, that same ancient machinery is still running. The tools change, the settings change, and the excuses change, but the engine remains exactly the same: to be desired, to seduce, and to make someone look at us for a few seconds longer than strictly necessary.

Sexual desire may not have built civilization all by itself, but it’s hard to deny that it paid for a considerable amount of the materials. And within that force capable of setting bodies, minds, economies, and entire continents in motion, tits have occupied a privileged position for thousands of years.

We don’t know where humanity is heading, but as long as there’s a pair of tits capable of stopping a conversation, starting a war, or making someone do something completely ridiculous, we can relax: the machinery will keep moving forward.

Here comes TITS MAKE THE WORLD GO ROUND VOL. 17: another collection of irrefutable evidence supporting a theory that science still doesn’t have the courage to confirm.





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WHITEPLACE_1. PART THREE

After spending two installments exploring the universe of Whiteplace_1 (白寺), we bring this series to a close with one final selection of photographs by the elusive Chinese artist.

His work demonstrates that eroticism doesn’t always need an explanation. Sometimes it is far more effective to suggest a story, conceal part of the model’s identity and allow a pose, a rope or a glance to construct everything else.

Whiteplace_1 uses fetishism as an artistic language rather than merely as a sexual attraction. His images are conceived as compositions in which the human body coexists with fantasy, performance and a certain sense of mystery.

Perhaps that is why we know so little about him. While other photographers turn their own identity into a fundamental part of their work, Whiteplace_1 disappears behind the camera and allows everything to unfold in front of it.

The third and final installment dedicated to a photographer who, without revealing much about himself, has managed to create an instantly recognizable visual universe.



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On the way to work in Japan aboard the company bus.






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AMATEUR FLESH: COCO

Just two days ago, our next protagonist decided to take a step that had probably been on her mind for quite some time: creating a Reddit account and posting her first nude photos.

Before doing so, she probably spent a long time watching from the other side of the screen. Browsing through other women’s profiles, reading people’s comments and imagining what it might be like to take that place herself one day. Watching, learning and feeling torn between the desire to do it and the fear of regretting it afterward.

Yes, no. Maybe today, perhaps tomorrow. One photo, none at all, or maybe a few. Weighing up the pros, the cons and that inevitable sense of vertigo that must come from knowing that, as soon as you hit the publish button, a group of complete strangers will be able to see you in a way that, until then, had been reserved for only a privileged few.

Eventually, she made up her mind. She created the account, uploaded her first photos and crossed that little boundary separating those who watch from those who have decided to become the protagonists.

They say the sky is filled with millions of stars. Today, you have just witnessed the birth of a new one.





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WHITEPLACE_1. PART ONE

Behind the name Whiteplace_1 (白寺) is an independent Chinese photographer about whom very little biographical information is available. This discretion appears entirely deliberate: there are no grand statements, interviews or many clues about the person behind the camera. Here, the images take center stage.

His work moves between contemporary artistic portraiture, nudity and fetish fantasy infused with elements of BDSM and body art. However, his photographs aren’t intended to document any particular practice, but rather to construct visual scenes in which the body becomes part of a performance.

Ropes, masks, poses, fabrics and various objects help create an atmosphere that shifts between the intimate, the strange and the provocative. Each model seems to be playing a character within a small universe carefully created for the camera.

Today we begin a three-part series dedicated to Whiteplace_1, a photographer who has chosen to remain in the background and allow his models, fantasies and images to speak for him.



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Shake my hand properly, goddammit! For fuck’s sake...!






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THE PAINTINGS OF VALERIIA KOZHUKHOVA

Long before museums, art academies, or Instagram existed, human beings were already painting, sculpting, and drawing the female body.

We have turned it into a symbol of fertility, motherhood, beauty, desire, power, sin, or freedom, depending on the era and on who was holding the brush. It has appeared on cave walls, in ancient sculptures, frescoes, paintings, photographs, and now on digital screens as well.





And this fascination has never belonged exclusively to men. For centuries, men and women have tried to understand and portray a body capable of expressing so much without saying a single word. An arched back, crossed legs, or the curve of a hip can convey intimacy, vulnerability, strength, or desire, depending entirely on the artist’s perspective.

Perhaps that is why we keep coming back to it. The female body offers endless possibilities and, no matter how many times it has been portrayed, it never runs out of things to say as an artistic subject. Every era interprets it in its own way, and every artist finds something different to express through it.

Artist Valeriia Kozhukhova continues that tradition through paintings, watercolors, and digital artwork featuring nude women or women portrayed in intimate and sensual poses.

In her work, eroticism does not depend on showing everything. Sometimes a pose, a glance, a shadow, or a handful of strokes is enough to awaken something in the viewer. The body becomes a model, a landscape, and a language all at once.

The tools, styles, and places where we view art have changed, but the fascination remains untouched.

We have spent thousands of years trying to turn the female body into art, and we still have not finished looking at it.





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GTA VI. Lucia’s phone. ❤️




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