PIERGAB'S NUDE PHOTOGRAPHY

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➡️ Let's do real, be real with Tantaly, the sex doll torso leader

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Britney Spears unleashed.

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RANDOM AI-GENERATED IMAGES VOL21

While AI accelerates, we’re still trying to understand it—and predict it.

Lately it feels like artificial intelligence isn’t just moving fast: it’s gone feral. In his latest interview, Geoffrey Hinton—the “godfather” of all this—drops a few unsettling truths: countries compete with countries, companies compete with companies, and when everyone floors the accelerator at once, there’s no such thing as a collective brake. Nobody wants to be the one to lift their foot while the rest pull ahead.

Hinton sketches a future where AI could replace much of intellectual work, widen the wealth gap, and strain democracy. He talks about superintelligence in 10–20 years, and about what’s already here: the overwhelming advantages of digital systems over humans (they copy for free, learn at another scale, don’t sleep). Then comes the awkward question: if automation doesn’t create enough new jobs this time, who’s paying the rent for those left out?





History says every technological revolution kills some jobs and creates others. The printing press, the steam engine, electricity, the internet… There was always work in the end—different work, but work. And yes, it’s also true that nobody in 1995 pictured influencers, community managers, or people making a living fine-tuning algorithms. Maybe that happens again. Or maybe not. If the curve steepens the way Hinton suggests, the adjustment could be faster and more brutal than we’re used to. Hence the talk of basic income, new social contracts, real lifelong learning (not a sticker), and regulation that doesn’t kill innovation—or hand the future to three players with server farms in the desert.

If you want to hear him unfiltered, the interview is here: watch the episode.

And now, back to our thing…

While the gurus decide whether they’ll save us or sack us, we stick to what we do: random images created by AI. Beautiful women, flawless skin that doesn’t exist, gazes nobody set, curves a network imagined after devouring millions of pixels. It’s synthetic, sure… and it still stirs something very human.

The paradox is delicious: maybe AI will take our jobs, worsen collective decisions, or multiply inequality—but today, today, look at what it already does. It fantasizes, provokes, and hooks. And here we are, finger on the mouse, thinking that maybe it’s worth living (and dying) with this spectacle in the background. Relax: the apocalypse isn’t here yet; in the meantime, enjoy the simulation.



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Elizabeth Hurley and the dress that left everyone stunned at the premiere of “Four Weddings and a Funeral” in 1994.

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THE EROTICISM OF NICHOLAS FREEMAN

Nicholas Freeman is a fine art and fashion photographer based in Los Angeles, blending technical mastery with creative vision in a graphic and timeless style. He has worked for major fashion brands, both as an in-house photographer and as an independent artist, and is recognized for creating striking imagery that defines his subjects.

He trained in commercial photography with a technical camera and darkroom, but left school early to become an apprentice to the renowned French fashion and celebrity photographer Dominick Guillemot, working with top models and celebrities on campaigns and magazine covers.

Today, he serves on the board of directors of the American Society of Media Photographers (ASMP), contributing as an educator and ambassador to the wider photographic community.

He grew up in California in the 90s, surrounded by fashion and pop culture, influenced by his mother, a tailor and seamstress, with whom he shared magazines like Vogue and Vanity Fair and watched fashion shows together.

Outside photography, he is passionate about conservation: he enjoys diving, gardening, and hiking with his wife Drusilla and their two corgis, Kimchi and Katsu.

He reached out to share his work with us, and I thought it was only fair to share it with you.



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So, what did you end up getting tattooed?

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AMATEUR FLESH: LUIZA

Luizaconlaz says she shares boobs and wisdom online, and if she brings even half as much wisdom as she does boobs, trust me—her advice would always be welcome. Of course, sometimes the greatest wisdom is knowing exactly what to show and when to show it. And on that front, she’s unbeatable.



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SPECIAL TOWELS VOL23

The funny thing about a towel is that it always looks like such an innocent object. Just a piece of fabric meant to dry you off, cover you for a second, and nothing more. But in these videos, it turns into the last frontier, the thin line between “everything covered” and “everything exposed.”

And the best part is, nothing else is needed. No choreographies, no impossible sets, no expensive productions. Just that fragile fabric, sometimes barely held in place, sometimes ready to fall, turning every move into pure suspense. Like every gesture is hiding an invisible countdown.

That’s what this collection is about: the exact moment when the towel stops doing its job and becomes pure prop. And how, without even trying, these girls manage to turn the ordinary into spectacle.



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Bike rack








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ELEVATORS VOL7

Elevators have something special.
They’re not just metal boxes with mirrors—they’re improvised stages where everyone puts on their own show.

Some girls use the mirror to shoot a quick selfie, lift up their shirt, or flash what’s underneath. Others go further: stripping completely, touching themselves, or getting carried away with company. Between one floor and the next, those few seconds turn into the perfect hideout.

The best part? No two videos are ever the same. Sometimes it’s just a playful tease, sometimes a full-on blowjob. Some do it alone, others with a partner, but all of them share that mix of lust, boldness, and intimacy that only an elevator can offer.

And in this new volume, the saga proves once again that elevators aren’t just a way to get around—they’re small temples of amateur exhibitionism.



# Watch videos




You can find a lot more content like this on our TELEGRAM CHANNEL

For Apple users
You might have noticed that when attempting to join our Telegram Channel you get a message that flags our content as sensitive content, which ends up not letting you see anything; this means you have the parental control activated.
This means you have to go to the web version of Telegram https://web.telegram.org and log in, if you are not already. In the settings, in the "Privacy" section, find the option "Sensitive content" and activate "Disable filtering". As soon as you do, the Settings will automatically sync with the rest of your devices, including the iOS and macOS versions of the App Store.
From there you will be able to enter all the Adult Channels.




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A lack of natural talent can always be made up for with work and discipline.

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THEY'RE BECOMING MORE REAL

Setting that aside—how society often shames men for masturbating while women get praised—the purchase and use of real dolls is still tied to a supposed sexual perversion. It props up that simplistic idea that women are just objects for men, skipping over the social and biological layers behind human interactions.

Talking about real dolls is still pretty taboo. Publicly, people shut it down, but it’s not that different from male masturbation in general. Very few admit it openly, even though we all know everyone does it. (And yes, I’ll die on this hill: the loudest critics are usually the ones who do it the most.)

That said, the level of realism some companies are hitting with these dolls is wild. And while I get that the ideal buyer is a fairly specific profile—because, let’s be real, you’re not hiding one of these in a nightstand drawer—it also makes sense that more and more men are willing to drop a few thousand dollars on one of these hyper-realistic companions.



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Slow-mo of the day.

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