PIERGAB'S NUDE PHOTOGRAPHY

lesphotosdepiergab.fr
instagram.com/piergab

➡️ Let's do real, be real with Tantaly, the sex doll torso leader

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Britney Spears unleashed.

instagram.com/britneyspears


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ASSES#147 + LINK TO OUR TELEGRAM COMMUNITY

Alright, if last week was about boobs, it only makes sense today we go with butts.
The universe keeps it simple: balance.
Life is about evening things out; day and night, coffee and naps, yin and yang… and at ALRNCN, one set of curves calls for the other.

It’s not rocket science: if you tipped the scale forward, sooner or later you bring it back.
Nature hates imbalance, and so does the feed.
So today we’re here to rebalance the cosmos with a generous serving of backsides that make you rethink the law of gravity—the kind that move with their own rhythm and demand a slow look.

Breathe, get comfy, and let the natural order reset.
Last week, boobs. This week, butts. And tomorrow… we’ll see which way fate leans.



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You can see much more content like this on our TELEGRAM CHANNEL

For Apple users
You might have noticed that when attempting to join our Telegram Channel you get a message that flags our content as sensitive content, which ends up not letting you see anything; this means you have the parental control activated.
This means you have to go to the web version of Telegram https://web.telegram.org and log in, if you are not already. In the settings, in the "Privacy" section, find the option "Sensitive content" and activate "Disable filtering". As soon as you do, the Settings will automatically sync with the rest of your devices, including the iOS and macOS versions of the App Store.
From there you will be able to enter all the Adult Channels.




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🤟 Rock and roll 🤟

instagram.com/leopartnik




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RANDOM AI-GENERATED IMAGES VOL21

While AI accelerates, we’re still trying to understand it—and predict it.

Lately it feels like artificial intelligence isn’t just moving fast: it’s gone feral. In his latest interview, Geoffrey Hinton—the “godfather” of all this—drops a few unsettling truths: countries compete with countries, companies compete with companies, and when everyone floors the accelerator at once, there’s no such thing as a collective brake. Nobody wants to be the one to lift their foot while the rest pull ahead.

Hinton sketches a future where AI could replace much of intellectual work, widen the wealth gap, and strain democracy. He talks about superintelligence in 10–20 years, and about what’s already here: the overwhelming advantages of digital systems over humans (they copy for free, learn at another scale, don’t sleep). Then comes the awkward question: if automation doesn’t create enough new jobs this time, who’s paying the rent for those left out?





History says every technological revolution kills some jobs and creates others. The printing press, the steam engine, electricity, the internet… There was always work in the end—different work, but work. And yes, it’s also true that nobody in 1995 pictured influencers, community managers, or people making a living fine-tuning algorithms. Maybe that happens again. Or maybe not. If the curve steepens the way Hinton suggests, the adjustment could be faster and more brutal than we’re used to. Hence the talk of basic income, new social contracts, real lifelong learning (not a sticker), and regulation that doesn’t kill innovation—or hand the future to three players with server farms in the desert.

If you want to hear him unfiltered, the interview is here: watch the episode.

And now, back to our thing…

While the gurus decide whether they’ll save us or sack us, we stick to what we do: random images created by AI. Beautiful women, flawless skin that doesn’t exist, gazes nobody set, curves a network imagined after devouring millions of pixels. It’s synthetic, sure… and it still stirs something very human.

The paradox is delicious: maybe AI will take our jobs, worsen collective decisions, or multiply inequality—but today, today, look at what it already does. It fantasizes, provokes, and hooks. And here we are, finger on the mouse, thinking that maybe it’s worth living (and dying) with this spectacle in the background. Relax: the apocalypse isn’t here yet; in the meantime, enjoy the simulation.



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Elizabeth Hurley and the dress that left everyone stunned at the premiere of “Four Weddings and a Funeral” in 1994.

instagram.com/elizabethhurley1




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LOST BETWEEN HER BOOBS

Some fantasies run on pure proportion. No explanation needed: a cleavage becomes a stage, and someone suddenly fades into the background. One gesture, two curves, a gap that invites you to slip away, and that pause where the screen goes quiet.

We won’t overexplain it. Better to watch: short, clean clips where scale rules and your imagination does the rest. Here’s the selection. And if that disappear-between-the-lines vibe hooks you, their Instagram has plenty more variations on the same ritual.



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Monday slow motion.

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THE INSTAGRAM OF THE DAY: LILYGOTCAKE

Lily Alcott
i eat hot cheetos and play games what more do you want



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Deadlift.

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THE EROTICISM OF ANDREAS PUHL

Andreas Puhl is a photographer passionate about nude and portrait work, dedicated to taking his art to the highest level.

Far from relying on digital alterations, Andreas aims to highlight authentic beauty and capture genuine emotions.
The result is images filled with sensitivity, strength, and a deeply moving aesthetic.



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The fascinating world of fashion.






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THE INSTAGRAM OF THE DAY: ALICEROBERTS_

|ALICE PAOLI ROBERTS|
French & Australian ☺️
📍SYDNEY
🎓 Interior Architecture



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The 21st-century William Tell

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