TIK HOT VOL246TikTok created a language of its own: vertical videos, catchy songs, dances, looks to camera, quick cuts, and perfectly timed transitions. But sex-related censorship, as happens on every social media platform trying to make money from advertising,
has ultimately taken over.
That hasn’t stopped adult content creators from copying the format and giving it
the hot twist mainstream platforms won’t allow.
And that’s how
Tik Hot was born: a series where the rules are much more flexible and the algorithm, instead of punishing you for showing one nipple,
recommends showing the other one too.
The formula is the same: pointing upward, turning around, jumping, covering the camera with a hand, or suddenly appearing in a different outfit. The only difference is that here, transitions aren’t used to change clothes, but to
end up without them.
This is the version of TikTok that would reign supreme if the world were a fair place.
# Watch videos
Sibling rivalry.
This rivalry goes way back.
She’s Tiffany Watson, and
at this link you can watch several of her scenes.
BAMBI THE DESTROYERBambi the Destroyer begins like any ’80s fantasy movie pulled straight from the video store: a young woman accidentally travels through a vortex and lands in another dimension filled with strange creatures and dangerous monsters that seem to have spent their entire lives waiting for her to arrive.
From that moment on, our voluptuous heroine swaps her ’80s clothes for a skimpy warrior outfit, learns how to swing a sword, and eventually becomes a kind of
female Conan, making her way through a fantasy world packed with mutants and that wonderful lack of self-consciousness that defined classic B-movies.
The series consists of
12 episodes lasting barely one or two minutes each. The story limps along, the narrative keeps tripping over itself, and the plot logic decided to travel through another vortex and never come back. But honestly, none of that really matters. The most interesting thing isn’t what the series tells us, but
how it was created.
The images, characters, settings, dialogue, voices, music, and movement were all generated by combining different artificial intelligence systems. There are obviously many hours of work behind it, but the entire project was created by a single person giving instructions, selecting results, and fitting all the different pieces together.
And that’s where it’s worth stopping for a moment. Barely a decade ago, producing something like this would have required actors, cameras, costumes, sets, technicians, musicians, visual effects specialists, and several months of work. Today, one person can sit in front of a computer and request it using lines of text.
Not design it, model it, animate it, and program it from scratch: simply ask for it.
The result is still far from perfect. Some shots don’t fit together, movements look strange, and continuity wanders in and out of the story whenever it feels like it. But there are also swords, monsters, impossible landscapes, and a flesh-baring ’80s warrior traveling through another universe. And all of it came out of a computer after someone figured out how to explain exactly what they wanted.
Bambi the Destroyer may not be the future of cinema or a cult classic, but it offers a small glimpse of how this new era could begin.
Below, you can watch all 12 episodes and visit the creator’s Instagram account to follow the project.
# Watch videos
Grandpa is blown away.