PIERGAB'S NUDE PHOTOGRAPHY

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Britney Spears unleashed.

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THE SHOE FETISH

For most of us, a shoe is simply something that stops us from getting home with our feet completely destroyed. For other people, however, it can become a powerful object of desire. Not necessarily because they want to have sex with a stiletto heel —although the internet is always ready to prove that absolutely anything is possible— but because the brain has an extraordinary ability to load objects that are not inherently sexual with erotic meaning.

A shoe is not entirely separate from the body. It covers it, retains its shape, changes its posture and alters the way a person walks. High heels visually lengthen the legs, lift the buttocks, encourage the hips to sway and can turn an ordinary entrance into a full-blown statement of intent. Desire may begin at the foot, but it rarely ends there.





There is also the appeal of what remains hidden. A shoe encloses a part of the body that stays out of sight for most of the day. And eroticism has always got along particularly well with anything that is suggested, concealed or never completely revealed. Sometimes, slowly removing a shoe can create more tension than taking off a much more intimate garment, because arousal does not depend solely on how much is shown, but on everything our imagination builds around it.

Psychoanalysis has interpreted the shoe as a sexual symbol associated with penetration, femininity, domination or even as a symbolic substitute for a part of the body.

Modern psychology tends to view the matter in slightly less dramatic terms. Desire can also be learned through association: an intense sexual experience, someone we found attractive, a smell, a texture or a particular image can become connected in our memory. If a pair of shoes was present during especially exciting moments, the brain may eventually turn them into a direct shortcut to arousal.

Shoes also say a great deal about the person wearing them. They can convey elegance, power, rebellion, vulnerability, authority or availability. We do not desire only the object, but also the attitude, the body and the fantasy it represents. The heel stops being a simple piece of leather and plastic and becomes the promise of a particular woman, a particular situation or a particular role within the sexual game.

As long as the fetish is enjoyed between consenting adults and causes no suffering, there is nothing to cure and very little to worry about. We have all learned to become aroused by following some rather peculiar paths. Some people need a certain look; others, a voice or a particular item of clothing; and some, apparently, need a high-heeled shoe with exactly the right toe and enough reasons not to ask what happened to the other one.





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Find someone who sucks you off with as much enthusiasm as she does.

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BLUE VOL4

Yesterday we were talking about green and our particular way of dealing with the enormous complexity of the color spectrum: if it looks green, it's green.

Today we're switching folders and moving on to blue. And we could do exactly the same thing here. We could talk about sky blue, navy blue, electric blue, turquoise blue, petrol blue, cobalt blue, baby blue... but after yesterday's post, I think we've made our position on subtle shades pretty damn clear.

It's blue.

The funny thing is that blue is usually sold to us as the color of calm, tranquility and serenity. A clear blue sky, a calm sea, a crystal-clear swimming pool... All very relaxing, very zen, very much about taking a deep breath and finding your inner peace.

But then you take that very same blue and turn it into lingerie, a bikini, a tight dress or any other strategically placed piece of clothing, and that whole theory about tranquility starts falling apart pretty quickly.

Because colors, like so many other things in life, depend a lot on where you put them.

And considering where the blues featured in this post have been placed, I'm afraid we're not going to learn much about color psychology today either.

But that's not really what we came here for anyway.





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BAMBI THE DESTROYER

Bambi the Destroyer begins like any '80s fantasy movie pulled straight from the video store: a young woman accidentally travels through a vortex and lands in another dimension filled with strange creatures and dangerous monsters that seem to have spent their entire lives waiting for her to arrive.

From that moment on, our voluptuous heroine swaps her '80s clothes for a skimpy warrior outfit, learns how to swing a sword, and eventually becomes a kind of female Conan, making her way through a fantasy world packed with mutants and that wonderful lack of self-consciousness that defined classic B-movies.





The series consists of 12 episodes lasting barely one or two minutes each. The story limps along, the narrative keeps tripping over itself, and the plot logic decided to travel through another vortex and never come back. But honestly, none of that really matters. The most interesting thing isn't what the series tells us, but how it was created.

The images, characters, settings, dialogue, voices, music, and movement were all generated by combining different artificial intelligence systems. There are obviously many hours of work behind it, but the entire project was created by a single person giving instructions, selecting results, and fitting all the different pieces together.

And that's where it's worth stopping for a moment. Barely a decade ago, producing something like this would have required actors, cameras, costumes, sets, technicians, musicians, visual effects specialists, and several months of work. Today, one person can sit in front of a computer and request it using lines of text. Not design it, model it, animate it, and program it from scratch: simply ask for it.





The result is still far from perfect. Some shots don't fit together, movements look strange, and continuity wanders in and out of the story whenever it feels like it. But there are also swords, monsters, impossible landscapes, and a flesh-baring '80s warrior traveling through another universe. And all of it came out of a computer after someone figured out how to explain exactly what they wanted.

Bambi the Destroyer may not be the future of cinema or a cult classic, but it offers a small glimpse of how this new era could begin.

Below, you can watch all 12 episodes and visit the creator's Instagram account to follow the project.





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Grandpa is blown away.

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THE EROTICISM OF GALYA

Galya is a Russian-born photographer focused on the nude female body. She's focused and I'm obsessed. We already have something in common.

Her work revolves around the female nude, with elegant, carefully composed photographs where the models aren't exactly trying too hard to hide from the camera.

There's not much playing around with showing without actually showing here. There's skin, there's nudity, and there's plenty to look at, but always through photography that tries to maintain that balance between eroticism, beauty, and naturalness.

A selection of Galya's work to remind us that you can show practically everything without losing your sense of style.





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THE INSTAGRAM OF THE DAY: SOAPYSHAYNA

Shayna Loren
Seattle ♡



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Her new phone.

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THE COLOR WHITE VOL4

And here we are: white. After an entire week talking about colors, shades, impossible names and some pretty questionable chromatic boundaries, we're finishing with the one color that seems to have decided not to take part in any of those arguments.

Because there's something funny about white: on paper, it seems like the simplest color of them all. It doesn't need to scream for attention, it doesn't have to be particularly intense, and you're unlikely to hear two guys arguing for ten minutes about whether something is pearl white, off-white, ivory or nuclear white. If it looks white, it's white as far as we're concerned, and we can peacefully get on with our lives.

But then white shows up on certain clothes and all that supposed discretion goes straight out the fucking window.

A white T-shirt, a shirt, a dress or, especially, a good piece of white lingerie can attract a hell of a lot more attention than any color specifically designed to do exactly that. Maybe because it doesn't need much decoration. Maybe because it lets the shapes do all the work. Or maybe because our relationship with colors is a lot less sophisticated than we've spent this entire week pretending it is.

Either way, after making our way through greens, blues, lilacs, reds, yellows and blacks, we've finally reached the end of the road.

And we're finishing with white. No mixtures, no complications and no need to check a Pantone chart to know exactly what the hell we're looking at.

Color week is over.
Now we can finally go back to focusing on what really matters.





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IT'S FRIDAY!

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