PIERGAB'S NUDE PHOTOGRAPHY

lesphotosdepiergab.fr
instagram.com/piergab

➡️ Let's do real, be real with Tantaly, the sex doll torso leader

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Britney Spears unleashed.

instagram.com/britneyspears


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AMATEUR FLESH: CREAMYMOANA

Today I stumbled across another one of those X accounts that, at first glance, look like they belong to an actual content creator. I’m going to share photos and videos from it because they’re worth it, but I won’t lie: something feels off.

This isn’t the first time — and it won’t be the last. You can tell right away when you see that 90% of the timeline is nothing but retweets of other girls. That’s when the doubts kick in. A real creator might do collabs or give someone a shoutout here and there, but they don’t spend their whole profile promoting others.

There are a few possible scenarios:

• Fake accounts (impersonation): profiles pretending to be the creator, using stolen photos, with the sole purpose of driving traffic to paid links like OnlyFans, pirate sites, or outright scams.
• Run by third parties/agencies: it’s not her managing the account, but a community manager or agency handling several girls at once, cross-retweeting between them.
• Self-promo networks (shoutout for shoutout): a “you retweet me, I retweet you” cycle that spirals out of control until the account looks more like a billboard than a personal profile.

Whatever the case, when you see a profile that lives almost entirely on retweeting others, odds are the real creator isn’t behind it. From there, it’s up to you. Don’t say I didn’t warn you.



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Art Attack.

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AMATEUR FLESH: SASHA ARAKI

Since the very beginning of the Carne Amateur series, the goal has always been the same: to bring ALRNCN users the best amateur content roaming around the web. Real women, with that mix of lust and spontaneity that turns every photo and every video into something special.

Back then, almost two decades ago, most of the ones we found did it out of pure exhibitionist pleasure, simply for the thrill of showing their body in front of a camera. Today, with the rise of all those monetization platforms shaping the path of the internet, many do it as a way to make money. And honestly, even if there’s a financial incentive involved, the essence stays the same: homemade recordings, with that selfie vibe, far from the coldness of a studio or any trace of post-production.

That sense of closeness is what makes Carne Amateur so addictive. It feels more real, more human, more relatable. And right there comes our latest addition: Sasha Araki.
She’s the kind of woman that defines an era, because she has it all. No matter how you look at her, she’s pure beauty. A gaze that hooks you, a body that seems designed to get lost in, and that boldness that would turn any night with her into an unforgettable memory. I’m not exaggerating when I say Sasha is one of those women capable of turning a fleeting moment into a story you’ll remember forever.

So get ready, because here are photos and videos of Sasha Araki that raise the bar even higher for what Carne Amateur truly means.



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It’s all about emptying the box of balls.

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THE INSTAGRAM OF THE DAY: DARBYELYSE

DARBY ELYSE 🐯🍒
333🧿✨ B̷e̷ ̷K̷i̷n̷d̷ Be Real🦋
I stream and do other stuff 👾



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He just asked me to marry him!

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ASULPRUSIA'S NUDE PHOTOGRAPHY

Behind the name Asulprusia beat two souls: Elizabeth and Jose Pablo, a couple who have turned light, skin, and desire into their territory.
Self-taught and partners in the moment, since 2013 they’ve been living inside that beautiful tension between the visible and the suggested.

Asulprusia isn’t just a photographic label: it’s an intimate experiment.
Where others chase the obvious, they dive into the ethereal.
In their portfolio (Still · Motion), the image breathes, lingers, and plays with what can’t quite be seen.

What Elizabeth and Jose Pablo create isn’t about showing bodies. It’s about summoning sensations.
They make shadows, filtered light, a subtle tremor in the details, and a held breath the true protagonists.

No loud gestures, no visual violence. Their work is subtlety perfectly tuned and a mastery of silence.
In Asulprusia, seduction isn’t always explicit; often, the art lies in what the eye has to complete.

The eroticism they produce carries memory. It makes you want to return.
Because every image is a promise left unfinished, a tension between what’s revealed and what’s hidden, a dance between voyeur and participant.

This is our tribute to that kind of art that knows how to be more desire than display.
To Elizabeth and Jose Pablo, who through Asulprusia have turned their passion into a territory of their own, both intimate and raw.



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Pure magic!

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THE EROTICISM OF MIRA NADYALKOVA

Mira Nadyalkova began her artistic journey with drawing, until in 2007 she discovered photography as her true language. Her work blends painting and photography, creating images loaded with symbolism—where pain transforms into beauty, and eroticism becomes a permanent inner state.



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Guys! Guys! Guys! Look at this!

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RANDOM AI-GENERATED IMAGES VOL21

While AI accelerates, we’re still trying to understand it—and predict it.

Lately it feels like artificial intelligence isn’t just moving fast: it’s gone feral. In his latest interview, Geoffrey Hinton—the “godfather” of all this—drops a few unsettling truths: countries compete with countries, companies compete with companies, and when everyone floors the accelerator at once, there’s no such thing as a collective brake. Nobody wants to be the one to lift their foot while the rest pull ahead.

Hinton sketches a future where AI could replace much of intellectual work, widen the wealth gap, and strain democracy. He talks about superintelligence in 10–20 years, and about what’s already here: the overwhelming advantages of digital systems over humans (they copy for free, learn at another scale, don’t sleep). Then comes the awkward question: if automation doesn’t create enough new jobs this time, who’s paying the rent for those left out?





History says every technological revolution kills some jobs and creates others. The printing press, the steam engine, electricity, the internet… There was always work in the end—different work, but work. And yes, it’s also true that nobody in 1995 pictured influencers, community managers, or people making a living fine-tuning algorithms. Maybe that happens again. Or maybe not. If the curve steepens the way Hinton suggests, the adjustment could be faster and more brutal than we’re used to. Hence the talk of basic income, new social contracts, real lifelong learning (not a sticker), and regulation that doesn’t kill innovation—or hand the future to three players with server farms in the desert.

If you want to hear him unfiltered, the interview is here: watch the episode.

And now, back to our thing…

While the gurus decide whether they’ll save us or sack us, we stick to what we do: random images created by AI. Beautiful women, flawless skin that doesn’t exist, gazes nobody set, curves a network imagined after devouring millions of pixels. It’s synthetic, sure… and it still stirs something very human.

The paradox is delicious: maybe AI will take our jobs, worsen collective decisions, or multiply inequality—but today, today, look at what it already does. It fantasizes, provokes, and hooks. And here we are, finger on the mouse, thinking that maybe it’s worth living (and dying) with this spectacle in the background. Relax: the apocalypse isn’t here yet; in the meantime, enjoy the simulation.



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Elizabeth Hurley and the dress that left everyone stunned at the premiere of “Four Weddings and a Funeral” in 1994.

instagram.com/elizabethhurley1




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