STAKIS LAUS 2017

# vk.com/stakis_laus

PLAYING ON THE EDGE. PART 6

The Instagram algorithm is like that annoying friend who, once they find something new, won’t stop repeating it over and over. And here I am, stuck for days in this loop: girls showing off a product to the camera, covering a nipple with it… then one wrong move and half a second of full exposure. That’s the trick — that tiny instant, that accidental tease that makes it all so tempting.

It’s not that these videos bother me —I’d be lying if I said they don’t have their charm— but the problem is that my Instagram has become completely obsessed. It’s like it’s telling me: “You wanted boobs? Here, have boobs. Non-stop.” And I’m just like: “Alright, thanks, but I’d also like to see something else, you know?”. It’s that saturation point where the joke stops being funny and you start begging the algorithm for a break.

So here’s the sixth chapter of Playing on the Edge. I’m sharing it with mixed feelings: on one hand, the game is still spicy enough to keep going; on the other, I really hope the algorithm finally lets go of my arm and shows me something different. Because yeah, boobs are great, but life has more channels than just this.



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Led Zeppelin or...

Pink Floyd?

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AMATEUR FLESH: BROSSENKO

Do you really think the internet would have come this far without everything that has to do with sex? I seriously doubt it.

Sure, people say it was email, search engines, and social networks that changed everything. But let’s be honest: what really pushed technology forward, what filled up entire servers and kept connections buzzing late at night, were the videos, the photos, and the adult sites.

Sex has always been the hidden engine. It drove webcams, online payment methods, streaming video, virtual reality, and even the AI filters we all use in our apps today. All of it was born—or perfected—because millions of people were hungry to watch and share porn.

In the end, the adult industry was the one that taught the internet how to run, how to grow, and how to become what it is now. And even though some try to rewrite history with tech founders and Silicon Valley gurus, we all know that without sex, the internet would still be nothing more than a boring bulletin board.

So, while you let that sink in, I’ll leave you with Brossenko.



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Wet floor.

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PLAYING ON THE EDGE. PART 7

Did you think this was over? Guess again. Here’s another round, because just when it seems like the algorithm has run out of tricks, it always finds a way to slip in one more video.

And that’s the thing: no matter how much you try to dodge it, Instagram keeps pushing. It latches onto a formula and won’t let go until you cave. Sometimes it’s overwhelming, sometimes addictive, but it always leaves you with that strange, teasing feeling of being stuck in a loop.

So as long as the game keeps going, we’ll keep at it. Part 7. Because if there’s content and it fits the vibe, why wouldn’t we keep playing on the edge?



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You can find much more content like this on our TELEGRAM CHANNEL

For Apple users
You might have noticed that when attempting to join our Telegram Channel you get a message that flags our content as sensitive content, which ends up not letting you see anything; this means you have the parental control activated.
This means you have to go to the web version of Telegram https://web.telegram.org and log in, if you are not already. In the settings, in the "Privacy" section, find the option "Sensitive content" and activate "Disable filtering". As soon as you do, the Settings will automatically sync with the rest of your devices, including the iOS and macOS versions of the App Store.
From there you will be able to enter all the Adult Channels.




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Oops!

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EL INSTAGRAM DEL DIA: ERINOHEARN

Erin O’Hearn
Probably carrying around the last 2 sips of an iced Americano...
✧ Berlin, Germany📍



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It’s never too late to start getting into the world of fashion.

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THE INSTAGRAM OF THE DAY: ZOEYYLUNA

ZOEY 🌙
*jadakiss laugh*



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When pole dance is your life.

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RANDOM AI-GENERATED IMAGES VOL21

While AI accelerates, we’re still trying to understand it—and predict it.

Lately it feels like artificial intelligence isn’t just moving fast: it’s gone feral. In his latest interview, Geoffrey Hinton—the “godfather” of all this—drops a few unsettling truths: countries compete with countries, companies compete with companies, and when everyone floors the accelerator at once, there’s no such thing as a collective brake. Nobody wants to be the one to lift their foot while the rest pull ahead.

Hinton sketches a future where AI could replace much of intellectual work, widen the wealth gap, and strain democracy. He talks about superintelligence in 10–20 years, and about what’s already here: the overwhelming advantages of digital systems over humans (they copy for free, learn at another scale, don’t sleep). Then comes the awkward question: if automation doesn’t create enough new jobs this time, who’s paying the rent for those left out?





History says every technological revolution kills some jobs and creates others. The printing press, the steam engine, electricity, the internet… There was always work in the end—different work, but work. And yes, it’s also true that nobody in 1995 pictured influencers, community managers, or people making a living fine-tuning algorithms. Maybe that happens again. Or maybe not. If the curve steepens the way Hinton suggests, the adjustment could be faster and more brutal than we’re used to. Hence the talk of basic income, new social contracts, real lifelong learning (not a sticker), and regulation that doesn’t kill innovation—or hand the future to three players with server farms in the desert.

If you want to hear him unfiltered, the interview is here: watch the episode.

And now, back to our thing…

While the gurus decide whether they’ll save us or sack us, we stick to what we do: random images created by AI. Beautiful women, flawless skin that doesn’t exist, gazes nobody set, curves a network imagined after devouring millions of pixels. It’s synthetic, sure… and it still stirs something very human.

The paradox is delicious: maybe AI will take our jobs, worsen collective decisions, or multiply inequality—but today, today, look at what it already does. It fantasizes, provokes, and hooks. And here we are, finger on the mouse, thinking that maybe it’s worth living (and dying) with this spectacle in the background. Relax: the apocalypse isn’t here yet; in the meantime, enjoy the simulation.



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Elizabeth Hurley and the dress that left everyone stunned at the premiere of “Four Weddings and a Funeral” in 1994.

instagram.com/elizabethhurley1




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