THE EROTICISM OF BENJAMIN VINGRIEF

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ASSES#149

What can be said about the asses saga that hasn’t already been said after so many installments? Probably nothing new. And yet, here we are.
Because no matter how much time passes or how many times we go over the subject, asses remain a safe bet. They never fail. They don’t get old. They don’t need context or explanation. They’re there and they work. Always.

We’ve seen everything: perfect asses, impossible asses, real asses, asses that look sculpted and others that get better the more natural they are. In motion, at rest. And the funny thing is that, after so many installments, you still feel like seeing one more.
Maybe because an ass isn’t just about eroticism. It’s about how it moves, how it’s shown, how it hints. It’s one of those body parts that doesn’t need forced protagonism: it earns it on its own.

So yes, maybe there’s nothing new left to say. But it also doesn’t matter. Just by looking at them, everything is already told.



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Happy 2026!






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HOTTIES #197

The Hotties saga is probably the one that leaves the most mixed feelings. Because on one hand, it’s impossible not to surrender to the obvious: female beauty in its purest form. Faces that seem carefully designed, bodies that fit every canon, raw physical and sexual attraction, direct, almost overwhelming.

But at the same time, there’s a bit of a reality slap to it. These are women who, for most people, exist on another level. Lives that don’t easily cross paths with yours. Bodies few can touch, company that not many get to enjoy beyond the screen.

And yes, we all know it. That in life it’s not all about looks. That what really matters is connection, sharing the road, projects, laughs, routines. That beauty fades, time passes, and in the end what remains is something else. All of that is true. No one argues that.
But come on. Tell me you wouldn’t die to be there, with all of them. All together. Without thinking about what comes after. Just the moment, and that’s it.

Hotties has that bitter-sweet edge precisely because of this. Because it shows you something you know isn’t for you, but that you’d want with everything you’ve got. Out-of-reach women, impossible bodies, an over-the-top fantasy that doesn’t fit into real life… and that’s exactly why it works so well.
It’s not about building anything. It’s about imagining it. And denying that would be lying to yourself.



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What are we celebrating?

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THE INSTAGRAM OF THE DAY: NICOLETTE ROMO

Nicolette Romo
🌏 Published Model 💪Fitness Enthusiast
Ϟ૮(๑⚈ ․̫ ⚈๑)ა Pokémon ✨Proverbs 31:25



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It already smells like Christmas at ALRNCN.

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JOHN MORRIS' SMALL SCULPTURES

John Morris is a British artist based in Australia. He moves confidently across different disciplines, but it’s through sculpture that he has truly been able to unlock his full creative potential and develop a distinctive style that’s instantly recognizable and full of personality. Here are some of his works so you can see it for yourself…



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One… two…

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THE EROTICISM OF KIM KRISTENSEN

A Danish photographer based in Aalborg, Kim Kristensen turns everyday moments into art through a sensitive and honest gaze. Although he defines himself as an amateur, his command of portrait photography and artistic nude reveals an aesthetic depth that goes beyond technique. His work celebrates the naturalness of the body and human emotion, using light that invites calm and contemplation.



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Unlocking challenges.

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THE PHOTOGRAPHY OF MIKA LEINONEN

Finnish photographer based in Hämeenlinna, passionate about portrait photography and nude art. Leinonen blends the characteristic serenity of the Finnish landscape with an intimate approach to the human figure.

His compositions are defined by soft light, cool tones, and a contemplative atmosphere that highlights the naturalness of the body without artifice. Rather than seeking provocation, his nude art explores the balance between vulnerability and strength, beauty and stillness.



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Following a trail.

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