THE EROTICISM OF BENS NASHY

➡️ Let's do real, be real with Tantaly, the sex doll torso leader

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Let's have a shot!

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HOTTIES #197

The Hotties saga is probably the one that leaves the most mixed feelings. Because on one hand, it’s impossible not to surrender to the obvious: female beauty in its purest form. Faces that seem carefully designed, bodies that fit every canon, raw physical and sexual attraction, direct, almost overwhelming.

But at the same time, there’s a bit of a reality slap to it. These are women who, for most people, exist on another level. Lives that don’t easily cross paths with yours. Bodies few can touch, company that not many get to enjoy beyond the screen.

And yes, we all know it. That in life it’s not all about looks. That what really matters is connection, sharing the road, projects, laughs, routines. That beauty fades, time passes, and in the end what remains is something else. All of that is true. No one argues that.
But come on. Tell me you wouldn’t die to be there, with all of them. All together. Without thinking about what comes after. Just the moment, and that’s it.

Hotties has that bitter-sweet edge precisely because of this. Because it shows you something you know isn’t for you, but that you’d want with everything you’ve got. Out-of-reach women, impossible bodies, an over-the-top fantasy that doesn’t fit into real life… and that’s exactly why it works so well.
It’s not about building anything. It’s about imagining it. And denying that would be lying to yourself.



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What are we celebrating?

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THE ILLUSTRATIONS OF GREG STONES

In many of Greg Stones’ drawings, the same scene keeps appearing — one that is both simple and disconcerting: a woman, standing calmly, showing her breasts… in front of penguins, raccoons, rabbits, aliens, or animals that seem more surprised than aroused. There is no explicit sexual tension, no classic narrative, no explanation. Just the gesture. And the gaze of the other.

These are simple drawings, almost childlike in form, yet loaded with intention. Or rather, loaded with questions. Why show her breasts? Why to them? Why in the middle of snow, open fields, or an empty landscape? Stones doesn’t seem interested in answering. He prefers to set the scene and walk away, leaving the viewer alone with what they feel.





There is something deeply animal in these images. Something primitive. As if the human body, naked and without drama, were presented to creatures that do not judge, do not moralize, and do not interpret the gesture as provocation. They simply observe. The way an animal looks at something new without loading it with guilt, rules, or learned meanings.

That may be why they work so well. Because they reduce the body to what it is: a body. No discourse. No excuses. No need for justification. Faced with gazes that don’t know what to do with it — but also do not condemn it.

Greg Stones doesn’t seem to want to eroticize so much as to dislocate. To take nudity out of its sexual context and place it in a more absurd, more innocent, more instinctive space. As if reminding us that, before everything else, we are still animals looking at other animals… without really knowing why we do what we do.

And that’s where the charm is. And also the substance.



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The slow motion of the day.

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AI-CREATED INFLUENCERS

I came across an Instagram account that, at first glance, looks like just another influencer profile. A really hot girl, super sexy, big boobs, viral dances, suggestive photos, polished reels, full-on professional model aesthetics. The funny part is she doesn’t exist. She’s a virtual influencer, created with artificial intelligence.

If they don’t tell you in the bio, they can totally fool you. And that’s where both the fun —and the mild mind-fuck— of all this comes in. Because it’s not just someone stumbling across one of her videos in their reels, thinking “damn, she’s hot,” dropping a comment, and moving on. No. These accounts have hundreds of thousands of followers. People who follow her the same way they follow any other real, flesh-and-blood model.

And when you dive into the comments, it goes to another level. All men, hitting on her, asking her questions, talking to her like she’s a real person. Giving her total credibility. Some of them even trying to flirt with a bunch of pixels and prompts.



There are two clear types of followers here. The one who knows it’s AI, is into the tech, wants to see how it evolves, and follows her out of pure nerd curiosity. And the one who actually believes she’s a real woman, just like all the other models they follow. And that’s what really gets me.

Maybe it’s because I’ve been online for way too long. Since the early 2000s, watching everything evolve: content, social networks, filters, deepfakes, AI. I’m not saying they couldn’t fool me one day. In fact, I’m sure there are already videos I think are real that are AI, and the other way around. But over time you develop a kind of sixth sense. It’s not a superpower. It’s noticing little things: the movements, the weird physics of some animations, the atmosphere, how the light behaves, micro-gestures that don’t quite add up.

And even so, there are hundreds of thousands, millions of people who don’t notice anything off. They watch these videos and take them at face value. They assume what they’re seeing is real. They emotionally interact with something that doesn’t exist.
And of course, this is no longer just about “wow, look how good AI is at making hot girl videos now.” It’s about something deeper. About how the line between real and artificial is no longer obvious to most people. About how we’re entering a phase where you can follow, desire, admire, and spend time on a person who doesn’t exist… without even realizing it.

The videos I’m about to share are from one of those accounts. A virtual influencer who dances, poses, and smiles just like any other. And for a massive number of people, she is perfectly real.
What’s unsettling isn’t that she exists. What’s unsettling is that it works.



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Today’s musical moment.

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AMATEUR FLESH: MIA BANKAI

Mia is a full-on otaku who’s wanted for a long time to share with the world her biggest passion. And no, I’m not talking about manga or anime.

Her real hobby goes in a different direction. Something more intimate, more personal and a lot more spicy.
Because behind that kawaii aesthetic, the cosplay and the Japanese culture, there’s a girl with a lot of desire to show herself, to play with the camera and to explore a much more uninhibited version of herself.



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THE EROTICISM OF ERIC BURKHANAEV

The artistic nude in Erik Burjanaev’s work stands out for its visual approach, creating images that feel closer to painting or sculpture than to traditional photography.
His work is defined by the use of natural models, precise poses, and minimalist settings that highlight the form and the harmony of the body.



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When the supermarket is about to close, but life still feels wonderful.

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THE INSTAGRAM OF THE DAY: NATALIEEXKING

natalie king
awkward girl
.・。.・゜✭・.・✫・゜・。.



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The blonde in the red dress from The Matrix

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