THE EROTICISM OF CHRISTOPHER VON STEINBACH

➡️ Let's do real, be real with Tantaly, the sex doll torso leader

instagram.com/christophervonsteinbach

DMITRY PLEKHANOV 2026

Back in 2015 we dedicated a post to photographer Dmitry Plekhanov (dup80), and today we’re taking a quick look at part of the work he’s been publishing since then.

A way to see how his style has evolved, how he’s refined his eye, and how he’s kept building a very recognizable body of work without losing his visual identity along the way.



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The parking lot is flooded.

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THE PHOTOGRAPHY OF ALEX SAMOILOV

Aleksey Samoylov is a Russian photographer focused on portrait and art photography, with a strong interest in the human figure, intimacy and the aesthetics of the body.

His work moves between black and white and color, with a clean and minimalist style where light, skin and the expressions of his models are everything.
He cares more about atmosphere than the perfect pose. More about the feeling than the artifice. His portraits convey a mix of sensuality, naturalness and a certain calm melancholy.



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Live stream problems.

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RANDOM AI-GENERATED IMAGES VOL28

Lately we keep hearing the same line: artificial intelligence is going to take our jobs.
And it’s probably true. Not everyone’s, not all at once, but many of them. Factories, offices, services, creative work, customer support… the sector doesn’t matter. If something can be automated and made cheaper, it will be.

And that’s where an uncomfortable question pops up: if people lose their jobs, who’s going to buy what companies produce?

Because the system has always worked the same way: you work, you get paid, you consume. Companies sell because there’s money on the other side. But if that “other side” loses its income, the equation starts to squeak. Badly.





The usual answer is optimistic: new jobs will appear, wealth will be redistributed, solutions will be found. Progress always ends up benefiting everyone.
But… does anyone really believe that those who concentrate power and money are losing sleep over it?

The famous 1% doesn’t need the 99% to live well. What it needs is to maintain its status. And that doesn’t depend on whether you or I have a job, but on staying on top. Money matters, sure, but power matters more. And power is not handed out out of goodwill.

Sometimes we think they’ll “have to find a solution”, otherwise the system will collapse. But maybe not. Maybe the system doesn’t collapse: it just becomes smaller and more closed. Fewer people inside, more people left outside.

It’s not a new idea. It’s been in countless movies: walled cities, elites living comfortably with every service available, and outside… whatever’s left. Survival, precariousness, chaos.
It’s always felt like science fiction. But so did many things we now consider completely normal.

So maybe the real question isn’t whether AI is going to take our jobs. The real question is: do the people in charge actually care if it does?
And the honest answer isn’t very optimistic.

Think about it.

And to make it easier to digest, I’m sharing AI-generated images with you. It’s not all bad.



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The human centipede returns.

The scene belongs to the porn parody The Human Sexipede.

The acting weight falls on actresses Jynx Maze and Sunny Lane. In the following links you can watch several scenes they’ve starred in throughout their film careers.

Jynx Maze porn videos

Sunny Lane porn videos




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THE INSTAGRAM OF THE DAY: SARAAHLLOYD

sarah lloyd
im australian so i have more fun ❀♡



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Hypnotized by Angela White.

You can watch many Angela White videos at this link




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AMATEUR FLESH: CHEMICAL-SUSPECT

The following material comes from the Reddit profile of a 21-year-old girl who’s been sharing photos of her tits for a few months now. And you know what? There’s not a single trace of a page-blue account on her profile. None at all.

So if that detail alone doesn’t clue you in on what’s coming, let me spell it out: Chemical-Suspect is an old-school amateur. One of those who shared things purely for pleasure and a bit of morbid curiosity.

The last of her kind.



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AMATEUR FLESH: SOIKA

In a time when the offer feels almost infinite, choosing just one thing has become complicated. There are stimuli everywhere, endless formats, new platforms popping up every month, and an attention span that keeps getting more fragmented. In that landscape, content creators are constantly balancing between specializing and adapting.

The usual —and often the smartest— move is to focus on a specific niche, fine-tune it, go deeper, and become a reference. Playing it safe. But not everyone works the same way, and not everyone has to. Some profiles stand out precisely for the opposite reason: their ability to shift, to fit into different contexts without losing who they are.





That’s the case with Shoika. Our amateur, flesh-and-blood protagonist doesn’t stick to a single version of herself. She has something that can’t be manufactured or easily copied: range. She fits into very different scenarios and feels authentic in all of them. The girl you’d introduce to your parents without raising any eyebrows. The one you’d take to a comic con and who’d blend in effortlessly. Or the one you’d run into at a party, late at night, in a nearly cyberpunk setting, neon lights included.

It’s not just about aesthetics or outfits. It’s about attitude, body language, the way she looks into the camera and connects with whoever’s on the other side. Shoika doesn’t play a fixed character; she adapts to the moment and to the kind of fantasy being explored without it ever feeling forced.

And in a context where users increasingly look for personalized experiences, that versatility is pure gold. Because it widens the attention spectrum, but also deepens the connection. It’s not about trying to cover everything without direction, but about knowing when and how to change skins.

That’s the difference between racking up views and building real interest. And Shoika seems to have that pretty clear.



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