THE EROTICISM OF CHRISTOPHER VON STEINBACH

FUCK ANY GIRL WITH AI



































































instagram.com/christophervonsteinbach

THE 57-YEAR-OLD MILF WHO NEVER EXISTED

Most women created with artificial intelligence seem to have rolled off the same production line: porcelain skin, a face without a single wrinkle, perfect tits, an impossible ass and proportions that nature could only achieve with Photoshop.

The creators of this profile decided to take a different approach. Its protagonist is 57 years old and has been designed to look like a genuinely mature woman: slim, with few curves, some facial wrinkles and a distinctive beauty that doesn’t need to pretend she’s twenty.





Her videos show what is supposedly her everyday life. She goes to the gym, visits museums, goes out for drinks and cocktails, gets dressed up, takes walks and enjoys the kind of sophisticated lifestyle we associate with an attractive, confident and independent woman. One of those elegant, desirable moms we’ve all fantasized about meeting at some point.

Obviously, none of what we see is real. Not the woman, not her age and not her weekend plans. But the profile is designed to make you forget that small detail for a few seconds and feel as though you’re following the life of a real person.

And, as usually happens in these cases, behind the museum visits, gym sessions and glasses of wine, there’s a link to a paid platform. Because this MILF may not exist, but the business they’ve built around her is completely real.





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Today’s slow-motion clip.

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ALL FOR A GOOD TIP

Have you ever seen those places where you can order coffee without getting out of your car and the barista serves you wearing nothing but a bikini? They've been running this particular business model in the United States for years, where the caffeine matters, but it clearly isn't the only reason some customers keep coming back every morning.

A few years ago, we dedicated a post to one of the most famous baristas at Bikini Beans Espresso, a chain that realized you can find coffee on practically every corner, but a bikini-clad barista serving it directly through your car window is much harder to forget.

From there, each barista decides how far she wants to take the experience. Some simply prepare your order, smile, and wish you a nice day. Others, when the customer proves to be generous, seem willing to offer a little more than some extra milk in the coffee.

Because a good tip can considerably improve the service and, at certain places, persuade the barista to put on a little personalized show without you ever having to leave the driver's seat.

The coffee might not be the best in town, but some customers certainly leave feeling wide awake.



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Chris's pimple.

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TCHOOZE’S NUDES

TchoozePix is the pseudonym of a photographer specializing in boudoir photography and artistic nudes. His images, published mainly through Patreon and other social media platforms, combine natural locations and indoor settings to create elegant, intimate compositions.

Although he keeps his personal life private and very little is known about his background, TchoozePix has built a distinctive and instantly recognizable artistic identity through his consistent output and collaborations with numerous models.

Since we have so many of his photographs saved, we’ve decided to split the selection into two installments: one today and another tomorrow. That way, we can take our time enjoying them, as any serious contemporary art exhibition deserves.



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Even thieves will lose their jobs.

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FROSYA, THE GIRL WHO DOESN’T EXIST

At first glance, Frosya looks like just another content creator. An extraordinarily attractive young woman who shares videos of herself talking to the camera, little moments from her life, trips, everyday activities and, of course, a generous dose of sensuality.





In her bio, she describes herself as a model, singer, dancer, creative and photographer. She also offers access to more explicit content through her paid profiles. So far, nothing that thousands of other girls on Instagram aren’t already doing. The difference is that Frosya doesn’t exist: she is an identity created using artificial intelligence.

Her face, body, gestures and seemingly ordinary life have all been generated to build an attractive, approachable and sufficiently believable character. The goal is the same as that of many similar accounts created recently: turn her beauty into viral content, attract followers and direct as many users as possible toward her paywalled profiles.

However, nowhere on the profile does it say that the girl isn’t real or that her photos and videos were created using AI. Frosya presents herself as a flesh-and-blood person, complete with hobbies, a personality, daily activities and a life that supposedly continues when the camera stops recording.

Leaving aside whether this is a legitimate commercial fantasy or a deliberate attempt to mislead users—a debate we’ve already covered on other occasions and one that calls for a certain degree of caution—what really caught my attention is the incredible level of quality this kind of content has achieved.

I knew from the very first video that it had been generated using AI. However, I’ve been working with this kind of imagery and video on a daily basis for years. I know where to look, I recognize certain movements and I can still pick up on those little warning signs that tell me something isn’t quite right. But those alarms are getting quieter.





At this point, I’m fairly certain that if I haven’t already mistaken some AI-generated content for the real thing, I will sooner rather than later. And it won’t necessarily be because I wasn’t paying attention, but because telling the real from the artificial is starting to require more time than we normally spend looking at any single post.

Perhaps the real shift won’t happen when we can no longer distinguish a real person from an invented one, but when we simply stop caring. Frosya may not have a childhood, a passport or any memories, but she posts regularly, changes outfits, visits places and builds a biography in front of thousands of followers. With enough continuity, an artificial identity can eventually feel more familiar to us than many of the real people we follow.

And that raises a new question: how long does a fiction need before it becomes a character? If we spend years watching Frosya grow, change her style, fall in love, travel or even grow older, there will come a point when we’re no longer following a simple collection of images, but an invented life shared and remembered by real people.

What’s more, these girls aren’t designed simply to be beautiful. They can be modified according to the audience’s reaction: a different hairstyle if it generates more clicks, a new personality if it attracts more comments or a slightly different body if it increases subscriptions. We would no longer be looking at a model trying to appeal to her audience, but at a person gradually manufactured from the desires of those watching her.

Today, we know that Frosya doesn’t exist. The unsettling thought is that, before long, this may become the least important part of the entire story.



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Green light: full speed ahead.






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THE SHOE FETISH

For most of us, a shoe is simply something that stops us from getting home with our feet completely destroyed. For other people, however, it can become a powerful object of desire. Not necessarily because they want to have sex with a stiletto heel —although the internet is always ready to prove that absolutely anything is possible— but because the brain has an extraordinary ability to load objects that are not inherently sexual with erotic meaning.

A shoe is not entirely separate from the body. It covers it, retains its shape, changes its posture and alters the way a person walks. High heels visually lengthen the legs, lift the buttocks, encourage the hips to sway and can turn an ordinary entrance into a full-blown statement of intent. Desire may begin at the foot, but it rarely ends there.





There is also the appeal of what remains hidden. A shoe encloses a part of the body that stays out of sight for most of the day. And eroticism has always got along particularly well with anything that is suggested, concealed or never completely revealed. Sometimes, slowly removing a shoe can create more tension than taking off a much more intimate garment, because arousal does not depend solely on how much is shown, but on everything our imagination builds around it.

Psychoanalysis has interpreted the shoe as a sexual symbol associated with penetration, femininity, domination or even as a symbolic substitute for a part of the body.

Modern psychology tends to view the matter in slightly less dramatic terms. Desire can also be learned through association: an intense sexual experience, someone we found attractive, a smell, a texture or a particular image can become connected in our memory. If a pair of shoes was present during especially exciting moments, the brain may eventually turn them into a direct shortcut to arousal.

Shoes also say a great deal about the person wearing them. They can convey elegance, power, rebellion, vulnerability, authority or availability. We do not desire only the object, but also the attitude, the body and the fantasy it represents. The heel stops being a simple piece of leather and plastic and becomes the promise of a particular woman, a particular situation or a particular role within the sexual game.

As long as the fetish is enjoyed between consenting adults and causes no suffering, there is nothing to cure and very little to worry about. We have all learned to become aroused by following some rather peculiar paths. Some people need a certain look; others, a voice or a particular item of clothing; and some, apparently, need a high-heeled shoe with exactly the right toe and enough reasons not to ask what happened to the other one.





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Find someone who sucks you off with as much enthusiasm as she does.

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THE EROTICISM OF GALYA

Galya is a Russian-born photographer focused on the nude female body. She's focused and I'm obsessed. We already have something in common.

Her work revolves around the female nude, with elegant, carefully composed photographs where the models aren't exactly trying too hard to hide from the camera.

There's not much playing around with showing without actually showing here. There's skin, there's nudity, and there's plenty to look at, but always through photography that tries to maintain that balance between eroticism, beauty, and naturalness.

A selection of Galya's work to remind us that you can show practically everything without losing your sense of style.





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