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Published on 2020/12/29

THE EROTICISM OF CHRISTOPHER VON STEINBACH

Up next one of the best samples of Christopher von Steinbach’s portfolio; he is an American photographer and director living in Los Angeles, California.

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THE NUDE ART OF ALEXIS PAOLESCHI. PART 1

Alexis Paoleschi is a French photographer specializing in Nude Art, known for a style that combines elegance, minimalism, and a deep sensitivity toward the human figure.

In his work, the body isn’t presented simply as something to be admired, but as an expressive element that changes completely depending on the light, shadows, framing, and the space surrounding it. Sometimes he reveals; other times, he merely suggests. And that’s precisely where his photographs find their strength.

His work is also built on trust and respect for the person being photographed. That connection allows him to move away from rigid poses and create images that feel much more natural, intimate, and expressive.

Narrowing down the photographs for this post wasn’t easy because we had so many, and every one of them deserved to be shared. So instead of leaving a bunch of them out, we decided to divide Paoleschi’s work into two parts.

Today, we’re publishing the first one. Tomorrow, we’ll be back with a second selection.





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DEREK WOODS 2026

It's been 15 years since we first featured Derek Woods' work here, and after all this time, we're once again stepping into his world through the lens in this fourth installment dedicated to his work. He's one of those photographers worth revisiting every now and then, both to see what he's been up to since the last time we crossed paths with him and to enjoy his distinctive approach to artistic nude and contemporary erotic photography.



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THE PAINTINGS OF VALERIIA KOZHUKHOVA

Long before museums, art academies, or Instagram existed, human beings were already painting, sculpting, and drawing the female body.

We have turned it into a symbol of fertility, motherhood, beauty, desire, power, sin, or freedom, depending on the era and on who was holding the brush. It has appeared on cave walls, in ancient sculptures, frescoes, paintings, photographs, and now on digital screens as well.





And this fascination has never belonged exclusively to men. For centuries, men and women have tried to understand and portray a body capable of expressing so much without saying a single word. An arched back, crossed legs, or the curve of a hip can convey intimacy, vulnerability, strength, or desire, depending entirely on the artist’s perspective.

Perhaps that is why we keep coming back to it. The female body offers endless possibilities and, no matter how many times it has been portrayed, it never runs out of things to say as an artistic subject. Every era interprets it in its own way, and every artist finds something different to express through it.

Artist Valeriia Kozhukhova continues that tradition through paintings, watercolors, and digital artwork featuring nude women or women portrayed in intimate and sensual poses.

In her work, eroticism does not depend on showing everything. Sometimes a pose, a glance, a shadow, or a handful of strokes is enough to awaken something in the viewer. The body becomes a model, a landscape, and a language all at once.

The tools, styles, and places where we view art have changed, but the fascination remains untouched.

We have spent thousands of years trying to turn the female body into art, and we still have not finished looking at it.





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I'VE SEEN AN ANGEL

They say angels earn their wings by helping people find the right path. She earned hers in record time. I'm just not entirely sure whether she's here to redeem us from our sins... or remind us of a few more.



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THE INSTAGRAM OF THE DAY: HADELINEMOPE

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AUGUST IS SLIPPING AWAY

August officially ends on Monday, but we’ve decided to say goodbye to it today, the way it deserves, because the end of August should always be marked with a minute of silence, a cold beer and a distant stare into the horizon.

August isn’t just a month. August is a way of looking at life. It’s the month we automatically associate with holidays, even if it’s been years since we had the kind of summer break we remember from childhood. It means waking up without an alarm, having no idea what day it is, eating at ridiculous hours and discovering that a shower, a pair of flip-flops and a clean T-shirt can be considered perfectly acceptable formalwear.

For a few weeks, even people without a penny to their name get to feel rich. Not because their bank balance suddenly has more zeros, but because they have something far more valuable: time in which nobody is telling them what to do.

You can be sitting on your balcony in a plastic chair, drinking a can of beer while listening to your neighbor argue with his wife, and still feel as though life is smiling at you. Because you don’t have to work tomorrow. Because you don’t need to set the alarm. Because for a few hours, the world can keep spinning without you having to take part in it.

But everything comes to an end. The suitcases go back into the closet, the flip-flops return to the bottom of the shoe rack and the alarm clock reappears on the bedside table with the same asshole attitude it has always had. September arrives loaded with schedules, unanswered emails, school runs, traffic and people claiming that this time they really are going to start taking the gym seriously.

Most people will already have to start looking ahead to August 2027 to fantasize about that brief period of the year when we can pretend we’re actually in control of our own lives. There are twelve months to go, but there’s no point thinking about it too much. We just have to keep surviving one week at a time, one public holiday at a time and one beer at a time.

Today, we raise a glass to August. To those who traveled to the other side of the world and those who never left their neighborhood. To those who slept in five-star hotels and those who set up an inflatable pool on the terrace. Because holidays aren’t always about going somewhere far away. Sometimes they’re simply about nobody being able to force you to be anywhere else.

Until next year, August. You didn’t last long, you cost us far too much and, as always, you disappeared just as we were starting to get used to being alive.





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