BAMBI THE DESTROYERBambi the Destroyer begins like any ’80s fantasy movie pulled straight from the video store: a young woman accidentally travels through a vortex and lands in another dimension filled with strange creatures and dangerous monsters that seem to have spent their entire lives waiting for her to arrive.
From that moment on, our voluptuous heroine swaps her ’80s clothes for a skimpy warrior outfit, learns how to swing a sword, and eventually becomes a kind of
female Conan, making her way through a fantasy world packed with mutants and that wonderful lack of self-consciousness that defined classic B-movies.
The series consists of
12 episodes lasting barely one or two minutes each. The story limps along, the narrative keeps tripping over itself, and the plot logic decided to travel through another vortex and never come back. But honestly, none of that really matters. The most interesting thing isn’t what the series tells us, but
how it was created.
The images, characters, settings, dialogue, voices, music, and movement were all generated by combining different artificial intelligence systems. There are obviously many hours of work behind it, but the entire project was created by a single person giving instructions, selecting results, and fitting all the different pieces together.
And that’s where it’s worth stopping for a moment. Barely a decade ago, producing something like this would have required actors, cameras, costumes, sets, technicians, musicians, visual effects specialists, and several months of work. Today, one person can sit in front of a computer and request it using lines of text.
Not design it, model it, animate it, and program it from scratch: simply ask for it.
The result is still far from perfect. Some shots don’t fit together, movements look strange, and continuity wanders in and out of the story whenever it feels like it. But there are also swords, monsters, impossible landscapes, and a flesh-baring ’80s warrior traveling through another universe. And all of it came out of a computer after someone figured out how to explain exactly what they wanted.
Bambi the Destroyer may not be the future of cinema or a cult classic, but it offers a small glimpse of how this new era could begin.
Below, you can watch all 12 episodes and visit the creator’s Instagram account to follow the project.
# Watch videos
Grandpa is blown away.
THEY TAUGHT US NOT TO BELIEVE EVERYTHING WE READ ONLINE. NOW WE’LL HAVE TO LEARN NOT TO BELIEVE EVERYTHING WE SEEThe videos at the top of this post come from the Instagram profile of a stunning girl. Or maybe it would be more accurate to say they come from the profile of a girl who doesn’t actually exist.
I can’t say for sure, but there’s something about them that makes me think they were created using artificial intelligence. Certain movements, a few gestures, that almost-too-perfect beauty… Small details that still raise suspicions when you look closely enough.
The problem is that those little clues are disappearing fast.
During the early years of artificial intelligence, it was relatively easy to spot a generated image. Hands with six fingers, weird-looking eyes, distorted objects, impossible shadows, or bodies that defied the most basic principles of anatomy.
The image might have looked impressive, but there was always something that eventually gave it away.
Now it’s not that simple. Faces show natural expressions, skin has texture, hair moves realistically, and light behaves exactly as it should. Voices breathe, hesitate, laugh, and change tone. Videos include camera movements, shallow focus, flaws, and tiny imperfections deliberately added to make them look real.
And this is only the beginning.
Read the full article and check out all the videos and images I’ve included
For sticking the incense in.
instagram.com/klayful_ceramics