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Published on 2026/09/14

THE EROTICISM OF LEXUSAG

Oleksii Mitskevych, better known as LexusAG, is a Ukrainian photographer who has developed his own style based on simplicity and natural beauty, with a carefully considered approach to portraying the female form.

His images avoid excessive retouching and aggressive editing that might steal attention away from the model. Everything is handled with elegance and balance, from the lighting and framing to the use of color and the small details that give each photograph its own personality.

Oleksii's work stands out precisely because of this combination of technical skill and artistic sensitivity. His photographs feel intimate and spontaneous, but behind that apparent simplicity lies a very deliberate eye that knows exactly what to reveal and what to leave to the imagination.















































































@naomiebonyvip

I’m a sweet goofball with a goddess complex and lips made for sin. I call myself a hopeless romantic... you’ll call me your downfall baby
I’m the dream you wake up sweating and hard from, DM me to see why

@sexyblondesarah

Slim slavic body with "In charge" configuration, I just love to give orders
My mix: divine + crazy + filthy
Didnt expect that in a blonde?... Time to try it!

















































































instagram.com/lexusag
x.com/lexusag
patreon.com/cw/lexusag





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Oleksii Mitskevych LexusAG photographers nudes sexy portfolio photographer

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AMATEUR FLESH: MOLLY

The photos and videos of Molly have something special about them: they've taken me straight back to another era. Back to those years when the first cell phones started coming with cameras and the image quality left a lot to be desired compared to what we have today. Grainy, low-definition photos, strange colors, and lighting that was almost always far from perfect, but with that homemade, spontaneous feel that somehow made everything seem much more real.

Looking at her is like traveling back in time for a few seconds. And we all know what happens with the past: we tend to remember it as being better than it probably was. Maybe it's nostalgia, longing, fear of the future, or simply because we associate certain memories with good times... whatever the reason, the effect is always the same. We look back fondly, as if that era had something special that, somehow, we've gradually lost along the way.

And that's exactly what Molly's images make me feel: a brief return to a time when everything didn't have to look perfect. There was no 4K, no filters, no retouching, and no cameras capable of capturing every last detail. And perhaps that's why, paradoxically, the imperfections were exactly what made everything feel more authentic.



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ASSES#151 + LINK TO OUR TELEGRAM COMMUNITY

Yesterday, when I shared the April post with you, I thought to myself: "Tomorrow it's time for another installment of the Ass series."

And since I'm a man of my word, here it is: a new selection featuring some of the best asses making the rounds online.

A perfect 10.



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@sexyblondesarah

Slim slavic body with "In charge" configuration, I just love to give orders
My mix: divine + crazy + filthy
Didnt expect that in a blonde?... Time to try it!








     
     
 






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THE SOFT POWER OF JAPAN AND KOREA

For decades, when people talked about conquering a country, they usually thought of armies, wars, or invasions. Today, things work a little differently. You can conquer half the world without firing a single shot. All you need is to create a culture that everyone else wants to consume, imitate, and share.

That’s what we call soft power: the ability to influence other countries through culture, entertainment, fashion, music, or film instead of military force or economic pressure.

Japan has been doing it for decades through anime, video games, and food. South Korea took notes and answered with K-pop, K-dramas, cosmetics, and an entire entertainment industry capable of attracting millions of people around the world.

And the interesting part is that they’re not just exporting songs or TV shows. They’re also selling an aesthetic. Colors, hairstyles, clothes, choreography, filming styles, lighting... A visual identity that inspires more and more creators, even outside Asia.

Because that’s exactly how soft power works. It doesn’t force anyone. It simply makes millions of people want to be part of that world.



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STEPHANE LEPINE 2026

We first discovered Stéphane Lépine’s work in late 2014, and more than a decade later, he remains one of those artists whose work is worth revisiting from time to time.

Born in France and currently based in Germany, Stéphane Lépine is a difficult creator to categorize. Painter, illustrator, photographer... his work moves effortlessly between different artistic disciplines, using each one as a different way to express his creativity.



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THE INSTAGRAM OF THE DAY: SHARNABECKMAN

Sharna Beckman
GC, Australia 🦘



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TRAVELING BY CAR VOL15

The future of the automobile is looking increasingly uncertain. No one really knows how much time combustion-engine vehicles have left, although it seems obvious that their fate will be decided less by consumers than by political decisions, regulations, and the enormous economic interests driving one of the biggest industrial transformations in modern history.

It's understandable that Europe wants to reduce its dependence on oil. For decades, it has relied on importing a large share of the energy it consumes, leaving itself exposed to geopolitical conflicts, supply crises, and the interests of the world's largest oil producers. From that perspective, electrifying transport makes perfect sense: generate more energy within Europe, reduce dependence on foreign suppliers, and strengthen its own energy industry.

What many of us question isn't that. We're not saying the climate isn't changing. That would be absurd. The Earth's climate has been changing ever since the planet existed. We've experienced ice ages, periods far warmer than today's, continents arranged in completely different positions, and eras when volcanic activity released amounts of gas into the atmosphere that dwarf anything produced today. The planet has always changed, and it will continue to change with or without us. The real discussion is how much influence humans actually have and which measures genuinely make sense.





What many of us struggle to believe is the political narrative surrounding all of this. If Europe had simply said from the beginning, "Ladies and gentlemen, we're tired of depending on oil from the Middle East, Russia, or the United States. We want to produce our own energy, build a European energy industry, and achieve strategic independence—even if that means covering the continent with wind farms, solar panels, and new infrastructure," there would probably have been debate, but at least the message would have been straightforward.

Instead, everything is presented as though it's solely about saving the planet, even though this transition also involves hundreds of billions of euros. New taxes, new regulations, new markets, public subsidies, energy giants expanding, manufacturers reinventing themselves... and, as so often happens, the revolving door that many suspect will keep spinning once certain politicians leave office.

And whenever someone questions that model, the label appears almost instantly: climate denier. As if criticizing specific policies were the same thing as denying that the climate changes. Those are two completely different debates. You can accept that the climate evolves, care about the environment, and at the same time distrust the way that argument is being used to justify certain economic, fiscal, or regulatory decisions.

Meanwhile, the people expected to adapt to every new change are ordinary citizens. Replacing perfectly functional cars ahead of time, paying ever-higher prices, facing new taxes, dealing with restrictions, and becoming increasingly dependent on heavily regulated technologies all come at a cost—and it's the public that ultimately pays it. History shows that power rarely gives up the opportunity to accumulate more influence, more regulation, and more resources. That's why many people view this transition with skepticism: not because they believe the planet isn't changing, but because they find it difficult to believe that politics has suddenly stopped being politics and become nothing more than an act of environmental altruism.

And after sharing this opinion—which is, after all, just an opinion—here are a few videos.


Update (Putting Some Numbers on the Table)
  • Humans are responsible for roughly 5% of the CO₂ entering the atmosphere each year within the Earth's overall carbon cycle. The remaining 95% comes from natural processes such as the oceans, soils, vegetation, and the respiration of living organisms.
  • Of that 5% generated by human activity, Europe accounts for approximately 6%.
  • Put into global terms, Europe contributes about 0.3% of the CO₂ entering the atmosphere each year within the overall carbon cycle.
  • In addition, roughly half of human-generated emissions are absorbed by the oceans and terrestrial ecosystems, meaning the net contribution attributable to Europe would be even smaller—around 0.15%.
Now here's the question.
Does the direct effect of reducing such a small fraction of global emissions justify the climate emergency narrative, the political urgency, the bans, the taxes, the subsidies, the transformation of Europe's energy model and vehicle fleet, and all the economic sacrifices being asked of ordinary citizens?

What cannot be denied is that, while those sacrifices are being demanded from the public, enormous economic, industrial, strategic, and geopolitical interests surround the energy transition. Major power companies, manufacturers, investment funds, and countless industries connected to this transformation stand to move hundreds of billions of euros—ultimately paid by taxpayers. And, of course, there are the well-known revolving doors between politics and major energy corporations.

Is it possible that the only motivation is saving the planet, and that everything else is merely secondary and incidental? Well... it's possible.



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