THE EROTICISM OF LUKAS DVORAK

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instagram.com/lukasdvorakstudio # Ver fotografías




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The whims of fate.

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ANDREA MASSARO’S PHOTOGRAPHY

AM Conceptual is the art project of Italian photographer Andrea Massaro, born in Palermo in 1986 and currently based in Milan. His work falls under conceptual photography, an approach where the image works more as a vehicle for expressing ideas, emotions, and symbolism than as a simple attempt to document reality.

Through carefully constructed series, his work explores themes like the body, identity, sensuality, and abstraction, creating compositions meant to go beyond the obvious. The result is imagery that invites the viewer into an open-ended reading, where each photograph can be interpreted from different angles and spark personal reflection on what’s being seen.



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Wonder Woman (Lynda Carter / 1975)

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INSTAGRAM OF THE DAY: SIENNASCHMIDT

sienna raine



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Looking good, Rihanna.



instagram.com/badgalriri




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AMATEUR FLESH: MARYLEVELING

Chances are you’ve crossed paths with one at some point and the image stuck with you. Black clothes, bold makeup, tall boots, maybe a corset or some lace… an aesthetic that mixes elegance, mystery, and a dark edge that naturally draws attention. I’m talking about goth girls.

The goth style was born in the late 1970s and early 1980s, closely tied to post-punk and darkwave music. Bands like The Cure, Bauhaus, and Siouxsie and the Banshees helped shape a cultural scene that wasn’t just about music, but also about the way people dressed, expressed themselves, and understood aesthetics.
Over time, that style evolved into a full subculture. That’s where many of the traits we associate with a goth girl today come from: the dominance of black clothing, pale makeup with heavily defined eyes, outfits inspired by Victorian, romantic, or dark aesthetics, along with boots, chokers, lace, and corsets.

The goth world is also closely connected to a certain artistic sensibility: a taste for the mysterious, the melancholic, horror literature, dark photography, and gloomy atmospheres.
That’s why, for many people, it’s more than just a fashion trend. It’s a form of aesthetic expression — a way of playing with image, contrast, and that dark aura which, far from feeling depressing, often comes across as surprisingly elegant and attractive.




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If we had a “video of the day” section, this one would probably take the spot today.

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GREEN, HOW I LOVE YOU GREEN VOL3

There’s something curious that happens when you start looking at content from a bit of distance. Suddenly you realize that, without even trying too hard, patterns start to appear. Colors that repeat themselves. Styles that coincide. Details that, taken one by one, don’t say much… but once you put them together, they start to make sense.
Because in the end, some pieces of content end up forming small sagas almost without meaning to. Collections that pop up from time to time because they share something very specific. In this case, the color.

Last week some of those familiar ones passed through here again: black, with that elegant aesthetic that never fails. Then white, playing with contrast and that almost symbolic idea of balance between extremes. And later red, which always manages to stand out in this kind of compilation.
And today it’s time for green.

Green has something a bit different about it. It’s not the first color that usually comes to mind when you think about lingerie or this kind of videos, and maybe that’s exactly why it works so well when it shows up. It breaks the expected pattern and adds a slightly different twist to the scene.

So here comes Green I love you green Vol3.
Another installment of this small saga where the common element remains the same: green clothing or lingerie, creators who start out dressed… and gradually let the color move into the background.
Because sometimes the fun isn’t just the video itself, but the thread that connects them all. And that’s exactly what these sagas are for: gathering them together and serving them to you on a silver platter.



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The lover.

Full video

She is the actress Codi Vore and at this other link you can watch many of the scenes she has starred in.




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BETWEEN GIVING UP ON SEX OR LOOKING FOR ALTERNATIVES

There’s something people don’t really talk about—or they talk about it badly, or just avoid it because it’s uncomfortable: access to sex isn’t evenly distributed. And no, this isn’t just about physical pleasure or orgasms. It’s also about intimacy, connection, that feeling—real or fake—of sharing something with someone, even if it’s just for a while.

The reality is, not everyone is playing with the same cards. Some people can hook up effortlessly, while others—because of looks, insecurity, lack of social skills, or just how the whole dating market works—end up completely off the board. And that’s where things start to get uncomfortable for real.




For years, one of the ways out for many men has been prostitution. But that’s also under heavy scrutiny. From certain perspectives, it’s seen as something inherently problematic, where one side objectifies and the other is objectified. And that’s where the dilemma kicks in: if that’s not acceptable… then what’s left?

And then come hyper-realistic sex dolls. The famous RealDoll and similar. An object, sure. A substitute, too. But more than anything, they’re a pretty raw reflection of something that was already there: loneliness and sexual frustration from people who don’t really have another option.

The problem is, it’s not just the object that gets judged. It’s the person using it. Instantly, there’s a stereotype: the weird, isolated guy, socially incapable, something’s off… when maybe what’s behind it is way simpler and way less dramatic—someone who never had the chances, doesn’t fit into current social dynamics, or just got left out of the game.

Meanwhile, we keep dodging an uncomfortable truth: men and women don’t move through the sexual landscape under the same conditions. It’s not a level playing field. Access, validation, choice… all of that is unevenly distributed. And pretending otherwise doesn’t make it go away.

Maybe the point isn’t deciding whether something is “right” or “wrong,” but understanding why it exists. Because these dolls didn’t appear out of nowhere. They’re a response—imperfect, debatable, even unsettling to some—to a reality that was already there.

And maybe the real question isn’t whether we’re for or against RealDolls. Maybe it’s this: why do so many people need something like this… and why does that make us more uncomfortable than actually trying to understand it?

Because in the end, beyond latex and silicone, what’s really there isn’t technology. It’s need, it’s desire… and in many cases, it’s loneliness. And that’s not something you fix by looking the other way.



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Today’s slow-motion shot.

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MOVING TITS VOL13

When a woman shakes her tits, it hits a guy like headlights hitting a deer, like a ball of yarn to a cat, like a laser pointer to a cat, like the sound of a chip bag opening to a dog or the smell of food when you’re starving. Like a phone notification when you’re waiting on a message, like an ice cream truck rolling by on a hot summer day for a kid, or like the “next episode” button at 3 AM… just impossible to look away.



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Meanwhile, at the beach...

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