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Published on 2025/05/09

THE EROTICISM OF PICCHIONI GILBERTO

Gilberto Picchioni es un fotógrafo italiano con base en Roma, y aunque no es ampliamente conocido en el circuito comercial masivo, Gilberto Picchioni ha construido una reputación sólida en círculos de fotografía artística, y ha ganado reconocimiento en plataformas de fotografía y moda, donde presenta su portafolio profesional.
Su enfoque visual destaca por el uso delicado de sombras y luz, creando imágenes que evocan una atmósfera íntima y sofisticada.








































































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instagram.com/picchionigilberto




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It’s Friday and your body knows it






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RANDOM AI-GENERATED IMAGES VOL28

Lately we keep hearing the same line: artificial intelligence is going to take our jobs.
And it’s probably true. Not everyone’s, not all at once, but many of them. Factories, offices, services, creative work, customer support… the sector doesn’t matter. If something can be automated and made cheaper, it will be.

And that’s where an uncomfortable question pops up: if people lose their jobs, who’s going to buy what companies produce?

Because the system has always worked the same way: you work, you get paid, you consume. Companies sell because there’s money on the other side. But if that “other side” loses its income, the equation starts to squeak. Badly.





The usual answer is optimistic: new jobs will appear, wealth will be redistributed, solutions will be found. Progress always ends up benefiting everyone.
But… does anyone really believe that those who concentrate power and money are losing sleep over it?

The famous 1% doesn’t need the 99% to live well. What it needs is to maintain its status. And that doesn’t depend on whether you or I have a job, but on staying on top. Money matters, sure, but power matters more. And power is not handed out out of goodwill.

Sometimes we think they’ll “have to find a solution”, otherwise the system will collapse. But maybe not. Maybe the system doesn’t collapse: it just becomes smaller and more closed. Fewer people inside, more people left outside.

It’s not a new idea. It’s been in countless movies: walled cities, elites living comfortably with every service available, and outside… whatever’s left. Survival, precariousness, chaos.
It’s always felt like science fiction. But so did many things we now consider completely normal.

So maybe the real question isn’t whether AI is going to take our jobs. The real question is: do the people in charge actually care if it does?
And the honest answer isn’t very optimistic.

Think about it.

And to make it easier to digest, I’m sharing AI-generated images with you. It’s not all bad.



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The human centipede returns.



The scene belongs to the porn parody The Human Sexipede.

The acting weight falls on actresses Jynx Maze and Sunny Lane. In the following links you can watch several scenes they’ve starred in throughout their film careers.

Jynx Maze porn videos

Sunny Lane porn videos




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THE INSTAGRAM OF THE DAY: CORAMAAY

Cora



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When your dad is an army Colonel.






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AMATEUR FLESH: YOUNGCALLISTO

Our brain runs on stimuli. We do things — or stop doing them — depending on the positive or negative stimuli we get from them.

For youngcallisto, our recommended amateur today, getting naked for others brings her plenty of positive stimuli. She knows that when you see her photos you’re going to be delighted.
She loves that you love it. And you love that she loves it, because that means she’s going to keep doing it. So everybody’s happy.

And that, my friend, is how social relationships are built.



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AMATEUR FLESH: RILEY 2026

If having a date with Riley meant losing an eye… where would you take her for dinner?



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Expectation…



…vs reality.






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WITH MOM AT THE WATER PARK

Last year we already shared some of her videos. A mother at a water park with her son, enjoying the day, playing in the water — an apparently innocent scene. The difference was her: very attractive, wearing a minimal bikini, aware of the camera and the reaction it triggers. The contrast did the rest.

The videos went viral. Millions of views, massive attention and, as a logical consequence, more followers on her blue account. The family context was the wrapper; the real spotlight was on her. And it worked.

This year, after checking her profile again, the story repeats itself. Same setting, same formula, same type of content. The kid has grown… and so have her followers. When something works, the natural thing to do is to stick with it. The internet rewards repetition when the mix is right.
There’s nothing explicit in the videos. Nothing really “happens.” And yet, there’s something else. Something that’s not in what takes place, but in how it’s framed and why it’s consumed. The water park is almost an excuse. The video lives in that blurry line between the everyday and the calculated.

From there, everyone draws their own conclusions. About exposure, about context, about whether everything is acceptable when the content is “apparently” innocent. This isn’t an accusation or a verdict. It’s simply putting the pieces on the table and looking at the whole picture.
I don’t judge. I just share.



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The slow-motion moment of the day.






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THE EROTICISM OF ERIC BURKHANAEV

The artistic nude in Erik Burjanaev’s work stands out for its visual approach, creating images that feel closer to painting or sculpture than to traditional photography.
His work is defined by the use of natural models, precise poses, and minimalist settings that highlight the form and the harmony of the body.



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When the supermarket is about to close, but life still feels wonderful.






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