THE EROTICISM OF SESNAS

# sesnas.photosight.ru

THE INSTAGRAM OF THE DAY: ARIANALUCIERVT7

𝙻𝚞𝚌𝚒𝚎 🦋
•| 23y
•| Belgium, Brussels
•| Nurse emergency and intensive care 🏥
•| MA1 Science in Nursing



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Twerking.

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THE NUDES BY FABRIZIO CARATELLI

Fabrizio Caratelli is from Italy and works as an active photographer on social media. It’s not very clear whether he does it as a hobby, a passion or in a semi-professional way. But his work is definitely worth sharing.



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Snow holidays.

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THE EROTICISM OF ANDREY AND ELENA

Andrey and Elena make a perfect team when it comes to capturing portraits.
She’s a stylist, makeup artist and art director, and he’s an excellent photographer who knows exactly how to get the very best out of his models.
These are some of the amazing photographs they’ve shared online.



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Finding out the sex of their next baby.

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SPECIAL TOWELS VOL25

What truly matters in the Towel saga isn’t the towels themselves. It is, precisely, their absence.

The towel appears as an excuse, a temporary element, almost anecdotal. An object meant to cover that here only serves to announce the inevitable. Because in the end, what matters isn’t how long it stays on, but the exact moment it’s no longer there.



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DragonBall in real life.

instagram.com/josean_cerezo




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RANDOM AI-GENERATED IMAGES VOL31

There was a time, not that long ago, when images generated by artificial intelligence had something unsettling about them. Not because of what they showed, but because of how they did it. Faces that looked fine until you stared a second longer, hands that didn’t quite fit, skin that felt too smooth, empty gazes, expressions frozen somewhere between human and artificial. They were interesting, sure, but it was obvious you were looking at tests, experiments, attempts at something that was still under construction.

If you go back through the early entries of this series, you’ll see exactly that. It’s not just a collection of images; it’s almost a small timeline of how the technology has evolved right in front of us. Without really meaning to, these galleries have ended up working as a pretty clear record of how far AI has jumped in a short time.




Because what we have now is something different. The lighting no longer looks painted on, bodies feel coherent, gestures look natural, and scenes are starting to carry a real photographic feel that would have been hard to imagine just a couple of years ago. Where there used to be experimentation, now there’s intention. Where you used to see the trick, now you have to look for it.

In that sense, this series has become something more than just a compilation of suggestive images. It has turned, almost by accident, into a way of measuring technological time. If someone wants to see how much AI image generation has changed, there’s no need to look up reports or comparisons — just check the first entries and compare them with today’s.

And the interesting part is that this doesn’t seem to have hit a ceiling yet. If the jump over the last two years has been like this, what comes next could reshape how we understand photography, visual creation, and everything that used to depend on a camera and someone standing in front of it.
For now, the only certain thing is that the evolution keeps moving forward, entry by entry. And this one is simply number 31.



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That’s why it’s always important to wear a helmet on site.

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THE INSTAGRAM OF THE DAY: LOVELOBDELLL

LOVE LOBDELL🎀
♡
made in hawaii💌🌺



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There’s nothing to see here. Move along.

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