THE EROTICISM OF SESNAS

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THE NUDE ART OF ALEXIS PAOLESCHI. PART 1

Alexis Paoleschi is a French photographer specializing in Nude Art, known for a style that combines elegance, minimalism, and a deep sensitivity toward the human figure.

In his work, the body isn’t presented simply as something to be admired, but as an expressive element that changes completely depending on the light, shadows, framing, and the space surrounding it. Sometimes he reveals; other times, he merely suggests. And that’s precisely where his photographs find their strength.

His work is also built on trust and respect for the person being photographed. That connection allows him to move away from rigid poses and create images that feel much more natural, intimate, and expressive.

Narrowing down the photographs for this post wasn’t easy because we had so many, and every one of them deserved to be shared. So instead of leaving a bunch of them out, we decided to divide Paoleschi’s work into two parts.

Today, we’re publishing the first one. Tomorrow, we’ll be back with a second selection.





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This could be one of the 14 million outcomes Strange talked about.

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LES PETITS REGARDS. PART 2

Yesterday, we discovered the work of Les Petits Regards, the French photographer who has made intimacy and the female nude the centerpiece of a delicate, sensual, and deeply personal body of work.

In his photographs, the models never seem to be simply posing for the camera. They rest, observe, hide beneath the sheets, or allow the light to travel across their bodies while Anthony captures that fragile line between feeling observed and completely forgetting that someone is watching.

His photography proves that eroticism doesn’t need elaborate settings or impossible poses. Sometimes, all it takes is a quiet room, an open window, a naked body, and a camera that knows how to wait for the right moment.

As promised, today we’re sharing the rest of the photographs we had saved for later. Part two of Les Petits Regards, because some sessions deserve to be enjoyed without rushing… and because keeping all these photos to ourselves would have been rather selfish.





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Everything reminds me of her.

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THE EROTIC ART OF EUGENIO SICOMORO

Eugenio Sicomoro is the artistic name of Bruno Brunetti, an Italian artist and illustrator born in Rome in 1952 who has spent practically his entire life with a pencil in his hand.

Throughout his career, he has worked in the world of comics and illustration for some of Europe's leading publishers, contributing to numerous publications and developing a particularly recognizable style when it comes to depicting the human figure.

But of all his work, there's one particular side that, for strictly cultural and completely selfless reasons, has brought us here: his erotic drawings.

Portraits and female nudes created mainly in pencil and charcoal, where Sicomoro plays with shadows, curves, and proportions to create sensual, voluptuous, and surprisingly realistic women.

In some of his works, the level of detail makes you think for a moment that you're looking at a black-and-white photograph, until you get closer and begin to notice the pencil strokes, the shading, and the texture of the paper.

Almost half a century of drawing, and he still finds plenty of good reasons to keep sharpening his pencil.





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Today's slow-mo.

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THEY TAUGHT US NOT TO BELIEVE EVERYTHING WE READ ONLINE. NOW WE’LL HAVE TO LEARN NOT TO BELIEVE EVERYTHING WE SEE

The videos at the top of this post come from the Instagram profile of a stunning girl. Or maybe it would be more accurate to say they come from the profile of a girl who doesn’t actually exist.

I can’t say for sure, but there’s something about them that makes me think they were created using artificial intelligence. Certain movements, a few gestures, that almost-too-perfect beauty… Small details that still raise suspicions when you look closely enough.

The problem is that those little clues are disappearing fast.

During the early years of artificial intelligence, it was relatively easy to spot a generated image. Hands with six fingers, weird-looking eyes, distorted objects, impossible shadows, or bodies that defied the most basic principles of anatomy. The image might have looked impressive, but there was always something that eventually gave it away.

Now it’s not that simple. Faces show natural expressions, skin has texture, hair moves realistically, and light behaves exactly as it should. Voices breathe, hesitate, laugh, and change tone. Videos include camera movements, shallow focus, flaws, and tiny imperfections deliberately added to make them look real.

And this is only the beginning.





Read the full article and check out all the videos and images I’ve included




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For sticking the incense in.

instagram.com/klayful_ceramics





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THE EROTICISM OF GALYA

Galya is a Russian-born photographer focused on the nude female body. She's focused and I'm obsessed. We already have something in common.

Her work revolves around the female nude, with elegant, carefully composed photographs where the models aren't exactly trying too hard to hide from the camera.

There's not much playing around with showing without actually showing here. There's skin, there's nudity, and there's plenty to look at, but always through photography that tries to maintain that balance between eroticism, beauty, and naturalness.

A selection of Galya's work to remind us that you can show practically everything without losing your sense of style.





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SIMON BOLZ 2026. PART TWO

We continue our journey through Simon Bolz’s recent work with a second selection of photographs published over the past few years.

While the previous installment brought his name back to these pages after a long absence, today we can focus directly on what best defines his work: an elegant, suggestive, and visually meticulous way of portraying the female body.

Bolz knows that a good nude photograph doesn’t depend solely on who’s posing in front of the lens. What is merely suggested also matters, along with the model’s attitude, the lighting, and that balance between naturalness and staging that makes every image appear spontaneous, even though nothing has been left to chance.

This second installment completes our selection of his work since 2023 and confirms that, despite the years that have passed since his last appearance on ALRNCN, Simon Bolz still has more than enough reasons to take his place on these pages once again.



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Taking a pee in the mountains.

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