THE NUDES OF FELIPE HUEB

felipehueb.com
behance.net/felipe_hueb

➡️ Let's do real, be real with Tantaly, the sex doll torso leader

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#meganfox #margotrobbie #scarlettjohansson #emmastone #jenniferlawrence #galgadot #sandrabullock #nicolekidman #emmawatson #angelabassett #jenniferaniston #zendaya #sophieturner #emilyblunt #reesewitherspoon

instagram.com/original._.maks




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STEPHANE LA NEVE'S PHOTOGRAPHY

Stéphane La Neve is a French portrait and editorial photographer known for his intimate, natural, and emotionally rich style. Based in Bali as of 2025, his work stands out for its honest aesthetic, focused on human connection and unfiltered beauty.

His approach blends sensitivity, simplicity, and a deep emotional bond with his models. He avoids heavy retouching or digital manipulation, preserving skin texture and the natural atmosphere of each scene — giving his photos a sense of truth and closeness that's hard to fake.



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Rapper mom.

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THE INSTAGRAM OF THE DAY: JADEHUBX

Jade Harper
24 year old Aussie girl 🌞🌽⭐️
📍 Perth



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The watermelon challenge.

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MIXED LOCKER ROOMS

The beauty of all this —and honestly, the magic— is that you don’t need to know anything about graphic design, image editing, or how retouching software works. All it takes is opening an AI app, typing what you want in the little text box, and letting it do the rest.



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Ambush.

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DENIS PIEL’S NUDES

Denis Piel is a French photographer and filmmaker who reshaped fashion photography in the 1980s. He worked exclusively with Condé Nast, contributing to magazines like Vogue, GQ, and Vanity Fair.
Instead of the usual glossy glamour, Piel leaned into something deeper—his photos felt intimate, introspective, almost cinematic. He wasn’t interested in showing it all, but in hinting just enough to make you feel it. His work told stories without spelling them out, capturing a kind of raw beauty that felt honest and human.
That unique eye—sensual, psychological, and always elegant—earned him the Leica Medal of Excellence in 1987.

Even now, his work remains a benchmark for anyone who sees fashion not just as style, but as emotional, artistic expression.



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Me arriving at work at 8:00 and it’s already 8:01.

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THE POWER OF A BOOKSHELF

walter
Having a bookshelf at home isn’t always about a love of reading. Sometimes, it’s about a love of appearances.
Because yes —a well-placed bookshelf, full of hardcover spines, dusty encyclopedias from the '90s, and novels forever stuck on page 17, gives you presence. It gives you weight. It gives you the aura of someone cultured… even if the deepest thing you’ve read lately is the back of a shampoo bottle.

It’s impressive when guests are around. Saying something dumb in front of a blank wall is one thing. Saying it with the Collected Works of Borges watching you from the shelf? Whole different vibe. And if you’re a streamer or show up in video calls, forget it —just frame the shot right and let the books do the talking. Even if they’re just for show, your words carry more weight. You come off as thoughtful. Like someone who knows what they’re talking about.

In the end, it’s not about reading them. It’s about looking like someone who could have.



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We know someone who’s sleeping on the couch tonight.

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THE BLUE PILL OR THE RED ONE

We’ve got photos. Girls in nightclubs. Showing skin. Flashing their tits or stripping down completely. Sexy, gorgeous, perfect girls — the kind that make you blurt out, “Damn, she’s hot.”
And nope, they’re not real. They’re AI-generated.
But here’s the real question: do you want to know they’re fake?

Because the second you find out, something shifts. That image that was turning you on ten seconds ago suddenly loses its punch. Loses its power. She's no longer a girl — she's a “creation.” And for some people, that’s enough to ruin it. To kill the vibe.

And that’s when the real question hits: Which pill would you choose? The harsh, messed-up truth… or the sweet, hot lie?





We all say we prefer the truth. Nobody wants to be fooled, right?
But think back to The Matrix.
The truth meant a world in ruins, living underground, no sunlight, eating sludge and running from killer machines.
The lie? That was a life of sunshine, steaks, wine, women.
Everything was fake — but damn, it felt real, and it felt good.

So, tell me: if you’re looking at a stunning woman, perfectly unreal, and you can’t tell if she’s human or AI…
Do you need to know?
Or are you cool with just letting the image do its thing and enjoying the ride?

Because some truths will kill the mood, And some lies will get you off. And sometimes, ignorance isn’t just bliss — it’s a damn good fuck.



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Virginia Madsen in Class (1983)

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