THE NUDES OF MARIAN SELL

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THE INSTAGRAM OF THE DAY: NICOLETTE ROMO

Nicolette Romo
🌏 Published Model 💪Fitness Enthusiast
Ϟ૮(๑⚈ ․̫ ⚈๑)ა Pokémon ✨Proverbs 31:25



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It already smells like Christmas at ALRNCN.

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AMATEUR FLESH: NOTJUST_KNEED

Well then, my friend, here we are in 2026. Hopefully you’ll keep sticking with us and won’t miss anything we’ll be sharing throughout this new year. We don’t know what the future holds, but I hope we’ll discover it together, just like we’ve been doing so far.

I’ll leave you with some photos and a video of Notjust_kneed, another one of those empowered women who’s trying to make her way forward without filters, using her own body and virtual sex as a form of expression and connection with anyone who wants to enjoy her company.

Take care and see you on Monday.



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Zip ties.

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THE INSTAGRAM OF THE DAY: KATIEHAMDEN

Katie Hamden
Ur Aussie gal 🦘 smile coming soon



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The one who got cut.

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THE EROTICISM OF ANTON HARD

Anton Hard is a Amsterdam-based photographer whose work focuses on contemporary nude art. His style blends simplicity, natural light, and a strong aesthetic sensitivity, highlighting the elegance of the body without artifices and creating photographs that feel intimate, clean, and visually balanced, clearly reflecting his personal artistic vision.



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Working out is still in the TOP list of resolutions when a new year begins.

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THE INSTAGRAM OF THE DAY: VIKKI

Vi 💋



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Oops! The pen. Clumsy me.

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THE ILLUSTRATIONS OF GREG STONES

In many of Greg Stones’ drawings, the same scene keeps appearing — one that is both simple and disconcerting: a woman, standing calmly, showing her breasts… in front of penguins, raccoons, rabbits, aliens, or animals that seem more surprised than aroused. There is no explicit sexual tension, no classic narrative, no explanation. Just the gesture. And the gaze of the other.

These are simple drawings, almost childlike in form, yet loaded with intention. Or rather, loaded with questions. Why show her breasts? Why to them? Why in the middle of snow, open fields, or an empty landscape? Stones doesn’t seem interested in answering. He prefers to set the scene and walk away, leaving the viewer alone with what they feel.





There is something deeply animal in these images. Something primitive. As if the human body, naked and without drama, were presented to creatures that do not judge, do not moralize, and do not interpret the gesture as provocation. They simply observe. The way an animal looks at something new without loading it with guilt, rules, or learned meanings.

That may be why they work so well. Because they reduce the body to what it is: a body. No discourse. No excuses. No need for justification. Faced with gazes that don’t know what to do with it — but also do not condemn it.

Greg Stones doesn’t seem to want to eroticize so much as to dislocate. To take nudity out of its sexual context and place it in a more absurd, more innocent, more instinctive space. As if reminding us that, before everything else, we are still animals looking at other animals… without really knowing why we do what we do.

And that’s where the charm is. And also the substance.



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The slow motion of the day.

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