THE PHOTOGRAPHY OF EYMARD. PART ONE

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Secret message.

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COWS AND THE PROGRESS THEY HAVE BROUGHT TO HUMANITY. VOLUME 3

For thousands of years, our ancestors basically lived off whatever they could hunt, fish, or gather. Until, at some point, someone must have looked at certain animals and thought that maybe it was a hell of a lot more practical to keep the food close to home than spend all day chasing it through the wilderness.

The domestication of animals and the development of livestock farming were among those changes that may seem simple from our modern perspective, but helped completely transform the way early societies were organized.

It was no longer just about getting meat. Animals could provide milk, hides, power to work the land, transportation, fertilizer, and could even become a form of wealth. Owning livestock meant having resources that could be maintained, reproduced, and traded.

And among all those animals, cattle eventually came to occupy a particularly important place. For centuries, cows have fed entire populations, helped people work the land, supported rural economies, and accompanied humans throughout practically the entire development of civilization.

It’s curious to think that something as ordinary as a glass of milk, a piece of cheese, or a steak has behind it thousands of years of coexistence between our species and an animal that ended up becoming one of the great silent protagonists of our history.

Generation after generation, humanity kept finding new ways to make use of everything a cow could provide: Meat. Milk. Leather. Labor. Fertilizer.

And just when it seemed that, after all those thousands of years, we had finally explored absolutely every possibility... the 21st century decided to prove that we still had some imagination left.





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LES PETITS REGARDS. PART 2

Yesterday, we discovered the work of Les Petits Regards, the French photographer who has made intimacy and the female nude the centerpiece of a delicate, sensual, and deeply personal body of work.

In his photographs, the models never seem to be simply posing for the camera. They rest, observe, hide beneath the sheets, or allow the light to travel across their bodies while Anthony captures that fragile line between feeling observed and completely forgetting that someone is watching.

His photography proves that eroticism doesn’t need elaborate settings or impossible poses. Sometimes, all it takes is a quiet room, an open window, a naked body, and a camera that knows how to wait for the right moment.

As promised, today we’re sharing the rest of the photographs we had saved for later. Part two of Les Petits Regards, because some sessions deserve to be enjoyed without rushing… and because keeping all these photos to ourselves would have been rather selfish.





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Everything reminds me of her.

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NAKED YOGA VOL13

I’ve never really understood the point of yoga. Controlling your breathing, clearing your mind, and maintaining your balance while putting one leg behind your head seems like a massive amount of effort just to end up exactly where you started.

There’s also naked yoga, which involves practicing completely nude to help you accept your body, overcome your insecurities, and feel more liberated.

We don’t know whether it will help you achieve spiritual enlightenment, but we have to admit that a yoga class becomes much more interesting once the leggings and every other textile distraction disappear.





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AMATEUR FLESH: EZTIGERXO

We don’t know her name, where she lives, or what she does when she’s not in front of the camera. On Reddit, she simply shares photos and videos anonymously, letting her body handle all the introductions.

And she doesn’t seem to need much of an introduction anyway. Generous curves, a natural appeal that can’t be manufactured, and that unmistakable intimacy of amateur content, where there are no huge productions, professional lighting setups, or photographers telling her exactly where to position every inch of her body.

Everything here is much simpler: a room, a phone, and a woman who has decided to get naked in front of complete strangers without revealing anything else about herself. Because part of the appeal lies precisely in that: being able to see all of her while knowing absolutely nothing about the person on the other side of the screen.

A new installment of Amateur Flesh starring a mysterious woman who gives us plenty of good reasons to keep watching.



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WHITEPLACE_1. PART THREE

After spending two installments exploring the universe of Whiteplace_1 (白寺), we bring this series to a close with one final selection of photographs by the elusive Chinese artist.

His work demonstrates that eroticism doesn’t always need an explanation. Sometimes it is far more effective to suggest a story, conceal part of the model’s identity and allow a pose, a rope or a glance to construct everything else.

Whiteplace_1 uses fetishism as an artistic language rather than merely as a sexual attraction. His images are conceived as compositions in which the human body coexists with fantasy, performance and a certain sense of mystery.

Perhaps that is why we know so little about him. While other photographers turn their own identity into a fundamental part of their work, Whiteplace_1 disappears behind the camera and allows everything to unfold in front of it.

The third and final installment dedicated to a photographer who, without revealing much about himself, has managed to create an instantly recognizable visual universe.



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On the way to work in Japan aboard the company bus.

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THE EROTIC ART OF EUGENIO SICOMORO

Eugenio Sicomoro is the artistic name of Bruno Brunetti, an Italian artist and illustrator born in Rome in 1952 who has spent practically his entire life with a pencil in his hand.

Throughout his career, he has worked in the world of comics and illustration for some of Europe's leading publishers, contributing to numerous publications and developing a particularly recognizable style when it comes to depicting the human figure.

But of all his work, there's one particular side that, for strictly cultural and completely selfless reasons, has brought us here: his erotic drawings.

Portraits and female nudes created mainly in pencil and charcoal, where Sicomoro plays with shadows, curves, and proportions to create sensual, voluptuous, and surprisingly realistic women.

In some of his works, the level of detail makes you think for a moment that you're looking at a black-and-white photograph, until you get closer and begin to notice the pencil strokes, the shading, and the texture of the paper.

Almost half a century of drawing, and he still finds plenty of good reasons to keep sharpening his pencil.





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Today's slow-mo.

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