THE PHOTOGRAPHY OF MICHAEL BOMBERGER

➡️ Let's do real, be real with Tantaly, the sex doll torso leader

bombergermichael.myportfolio.com/archangel-images




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A very well-trained monkey.

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THE ILLUSTRATIONS OF GREG STONES

In many of Greg Stones’ drawings, the same scene keeps appearing — one that is both simple and disconcerting: a woman, standing calmly, showing her breasts… in front of penguins, raccoons, rabbits, aliens, or animals that seem more surprised than aroused. There is no explicit sexual tension, no classic narrative, no explanation. Just the gesture. And the gaze of the other.

These are simple drawings, almost childlike in form, yet loaded with intention. Or rather, loaded with questions. Why show her breasts? Why to them? Why in the middle of snow, open fields, or an empty landscape? Stones doesn’t seem interested in answering. He prefers to set the scene and walk away, leaving the viewer alone with what they feel.





There is something deeply animal in these images. Something primitive. As if the human body, naked and without drama, were presented to creatures that do not judge, do not moralize, and do not interpret the gesture as provocation. They simply observe. The way an animal looks at something new without loading it with guilt, rules, or learned meanings.

That may be why they work so well. Because they reduce the body to what it is: a body. No discourse. No excuses. No need for justification. Faced with gazes that don’t know what to do with it — but also do not condemn it.

Greg Stones doesn’t seem to want to eroticize so much as to dislocate. To take nudity out of its sexual context and place it in a more absurd, more innocent, more instinctive space. As if reminding us that, before everything else, we are still animals looking at other animals… without really knowing why we do what we do.

And that’s where the charm is. And also the substance.



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The slow motion of the day.

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THE INSTAGRAM OF THE DAY: CORAMAAY

Cora



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When your dad is an army Colonel.

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ASSES#149

What can be said about the asses saga that hasn’t already been said after so many installments? Probably nothing new. And yet, here we are.
Because no matter how much time passes or how many times we go over the subject, asses remain a safe bet. They never fail. They don’t get old. They don’t need context or explanation. They’re there and they work. Always.

We’ve seen everything: perfect asses, impossible asses, real asses, asses that look sculpted and others that get better the more natural they are. In motion, at rest. And the funny thing is that, after so many installments, you still feel like seeing one more.
Maybe because an ass isn’t just about eroticism. It’s about how it moves, how it’s shown, how it hints. It’s one of those body parts that doesn’t need forced protagonism: it earns it on its own.

So yes, maybe there’s nothing new left to say. But it also doesn’t matter. Just by looking at them, everything is already told.



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Happy 2026!






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THE NUDES OF CLAUDE FRENETTE

Claude Frenette develops artistic nude photography that is elegant and deeply aesthetic.
His work is characterized by clean compositions and a sensitivity that prioritizes form, texture, and the presence of the body without artifice.

Frenette leans toward images that evoke stillness, intimacy, and contemplation, creating scenes that feel closer to visual expression than to conventional photography.



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It really doesn’t take much to make someone else’s day better.

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TIK HOT VOL229

First Tik Hot of the year and definitely not the last one.
Basically because I’ve got a whole pantry of videos from this theme saved up, and I keep dropping them for you little by little, like someone rationing ammo in the middle of a very specific war.

I’m like that fruit tree that never stops giving you something to bite into.
Maybe the harvest isn’t going great, the rains don’t help, a pig plague wipes out your hogs and the chickens stop laying eggs from one day to the next… but your fruit tree is still there. Standing. Faithful. Giving you something to hold onto when everything else starts to go to shit.

When the week looks rough, when work drains your soul, when life treats you like an NPC with no side quests… you come here and you know that something good is about to drop.
I don’t fix your problems. I don’t pay your bills. I don’t fix things with your ex or give you back the hair you lost in your 30s. But I give you a few minutes of escape, a dumb little grin, a “okay, not everything is that bad.” And that, my friend, on certain days, is worth gold.

So yeah. Another Tik Hot added to the collection. And many more to come.
Because as long as I keep stacking weird, suggestive and absurdly hypnotic videos… you’ll keep having your own personal fruit tree to come scratch at when everything else fails. 🍑🔥



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Some invitations just can’t be turned down.

These are Riley Reid and Lana Rhoades. I’m leaving you a couple of links so you can watch plenty of their scenes.

Riley Reid videos

Lana Rhoades videos




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RANDOM AI-GENERATED IMAGES VOL28

Lately we keep hearing the same line: artificial intelligence is going to take our jobs.
And it’s probably true. Not everyone’s, not all at once, but many of them. Factories, offices, services, creative work, customer support… the sector doesn’t matter. If something can be automated and made cheaper, it will be.

And that’s where an uncomfortable question pops up: if people lose their jobs, who’s going to buy what companies produce?

Because the system has always worked the same way: you work, you get paid, you consume. Companies sell because there’s money on the other side. But if that “other side” loses its income, the equation starts to squeak. Badly.





The usual answer is optimistic: new jobs will appear, wealth will be redistributed, solutions will be found. Progress always ends up benefiting everyone.
But… does anyone really believe that those who concentrate power and money are losing sleep over it?

The famous 1% doesn’t need the 99% to live well. What it needs is to maintain its status. And that doesn’t depend on whether you or I have a job, but on staying on top. Money matters, sure, but power matters more. And power is not handed out out of goodwill.

Sometimes we think they’ll “have to find a solution”, otherwise the system will collapse. But maybe not. Maybe the system doesn’t collapse: it just becomes smaller and more closed. Fewer people inside, more people left outside.

It’s not a new idea. It’s been in countless movies: walled cities, elites living comfortably with every service available, and outside… whatever’s left. Survival, precariousness, chaos.
It’s always felt like science fiction. But so did many things we now consider completely normal.

So maybe the real question isn’t whether AI is going to take our jobs. The real question is: do the people in charge actually care if it does?
And the honest answer isn’t very optimistic.

Think about it.

And to make it easier to digest, I’m sharing AI-generated images with you. It’s not all bad.



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The human centipede returns.

The scene belongs to the porn parody The Human Sexipede.

The acting weight falls on actresses Jynx Maze and Sunny Lane. In the following links you can watch several scenes they’ve starred in throughout their film careers.

Jynx Maze porn videos

Sunny Lane porn videos




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