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Published on 2025/12/15

THE PHOTOGRAPHY OF MIKA LEINONEN

Finnish photographer based in Hämeenlinna, passionate about portrait photography and nude art. Leinonen blends the characteristic serenity of the Finnish landscape with an intimate approach to the human figure.

His compositions are defined by soft light, cool tones, and a contemplative atmosphere that highlights the naturalness of the body without artifice. Rather than seeking provocation, his nude art explores the balance between vulnerability and strength, beauty and stillness.











































































































































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HOTTIES #197

The Hotties saga is probably the one that leaves the most mixed feelings. Because on one hand, it’s impossible not to surrender to the obvious: female beauty in its purest form. Faces that seem carefully designed, bodies that fit every canon, raw physical and sexual attraction, direct, almost overwhelming.

But at the same time, there’s a bit of a reality slap to it. These are women who, for most people, exist on another level. Lives that don’t easily cross paths with yours. Bodies few can touch, company that not many get to enjoy beyond the screen.

And yes, we all know it. That in life it’s not all about looks. That what really matters is connection, sharing the road, projects, laughs, routines. That beauty fades, time passes, and in the end what remains is something else. All of that is true. No one argues that.
But come on. Tell me you wouldn’t die to be there, with all of them. All together. Without thinking about what comes after. Just the moment, and that’s it.

Hotties has that bitter-sweet edge precisely because of this. Because it shows you something you know isn’t for you, but that you’d want with everything you’ve got. Out-of-reach women, impossible bodies, an over-the-top fantasy that doesn’t fit into real life… and that’s exactly why it works so well.
It’s not about building anything. It’s about imagining it. And denying that would be lying to yourself.



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What are we celebrating?






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THE NUDES OF VINCENT V BOUDOIR

Vincent V Boudoir is a French photographer based in Lyon, specializing in intimate portraits and boudoir photography.

His work is defined by a subtle elegance that blends sensuality, natural light, and an atmosphere of trust and complicity with his models.
Through his lens, he explores the beauty of the body and the emotion of the moment, creating images that celebrate the art of nudity with sensitivity and style.



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IBUYAMBO YAMAMPONDO

The Ibuyambo YamaMpondo is a cultural heritage festival held in South Africa that focuses on Mpondo culture, not only as tradition, but as a tool for the future. It’s not an event designed to look back, but to connect identity and personal growth, especially among young people.

The festival’s main goal is to empower young people, helping them make informed decisions about their lives, their bodies, and their role within the community. Through education, values such as self-love, respect, and responsibility are reinforced, always from a cultural and collective perspective.

During the event, traditional ceremonies, educational activities, music festivals, and contests like Miss & Mr Inkciyo take place, aiming to create positive role models and promote self-esteem, leadership, and social commitment.



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Squats.






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TIK HOT VOL228

I’ve been thinking for a while about doing something special today on ALRNCN, mainly because it’s December 31st. Something different, something that marks the day without falling into the usual stuff. And in the end, I figured that precisely to do something different, today the best option was not to overcomplicate it.

So today I’m only going to share some of the sagas that have been with us throughout this year. They’re not all there, and they’re not meant to be. They’re simply the first ones that came to mind. And maybe that’s exactly why they’re the most representative. The ones that, one way or another, define best what this website is.

Because in the end ALRNCN isn’t just about themes, tags, or passing trends. It’s about a way of looking. About a selection. About a criterion that repeats itself even as faces, formats, and contexts change. A recognizable identity seal where, above all else, quality and good taste come first.

Today there’s no need for more. Just looking back for a moment, acknowledging what has worked… and moving forward, as always.



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The slow motion of the day.






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THE ILLUSTRATIONS OF GREG STONES

In many of Greg Stones’ drawings, the same scene keeps appearing — one that is both simple and disconcerting: a woman, standing calmly, showing her breasts… in front of penguins, raccoons, rabbits, aliens, or animals that seem more surprised than aroused. There is no explicit sexual tension, no classic narrative, no explanation. Just the gesture. And the gaze of the other.

These are simple drawings, almost childlike in form, yet loaded with intention. Or rather, loaded with questions. Why show her breasts? Why to them? Why in the middle of snow, open fields, or an empty landscape? Stones doesn’t seem interested in answering. He prefers to set the scene and walk away, leaving the viewer alone with what they feel.





There is something deeply animal in these images. Something primitive. As if the human body, naked and without drama, were presented to creatures that do not judge, do not moralize, and do not interpret the gesture as provocation. They simply observe. The way an animal looks at something new without loading it with guilt, rules, or learned meanings.

That may be why they work so well. Because they reduce the body to what it is: a body. No discourse. No excuses. No need for justification. Faced with gazes that don’t know what to do with it — but also do not condemn it.

Greg Stones doesn’t seem to want to eroticize so much as to dislocate. To take nudity out of its sexual context and place it in a more absurd, more innocent, more instinctive space. As if reminding us that, before everything else, we are still animals looking at other animals… without really knowing why we do what we do.

And that’s where the charm is. And also the substance.



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SPECIAL TOWELS VOL24

Girls in front of a camera, a towel covering just enough, and the exact moment it decides to stop doing so.
There’s no story, no context, and none is needed. Just a towel doing its job for a few seconds and then disappearing.
The end.



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Turn on “Disable filtering” and you’re good to go.

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