LILAC VOL2We've already dedicated posts to
pink, magenta, fuchsia, green, blue, red, and pretty much every color capable of making a piece of lingerie catch our attention a little more than strictly necessary.
But there was still one missing.
Lilac.
And careful, because talking about lilac means stepping into dangerous territory. There's
lavender, mauve, violet, amethyst, orchid, and a whole bunch of other shades that, depending on the lighting, the screen, and whoever happens to be looking at them, can end up dangerously close to pink, purple, or even blue.
So before we get started, let's make one thing clear:
men don't understand color palettes. We're doing well enough if we can tell twelve colors apart without resorting to “light blue” and “dark blue.”
That's why one of the following videos might feature a piece of lingerie and someone will think:
“That's not lilac, that's lavender.” Or mauve. Or violet. Or imperial Carpathian purple at sunset.
I don't care.
If I say it's lilac, it's lilac.
And if you want to argue about it, call your wife, show her the video, and spend the afternoon debating the Pantone chart. Just leave me out of it, because I've already put in enough work
selecting these videos for strictly chromatic reasons.
With that settled, here comes a new installment of
the lilac saga. A selection of videos where, with varying degrees of scientific consensus, this will be the predominant color.
# Watch videos

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Stop, Stop, Stop. Are you okay? It's a joke.
NUDO CAFFE. PART 2Yesterday we shared
a first selection of Nudo Caffè's (@grigorianphoto) work and, as promised, today we're back with part two.
One of the interesting things about his photography is that
the analog aesthetic that defines much of his work doesn't necessarily depend on shooting on film. In recent years, he has also worked extensively with digital cameras, showing a particular affinity for
Fujifilm and its color profiles.
They allow him to achieve the cinematic look he's after without relying on excessive processing: natural tones, restrained contrast, grain, and images that could often easily pass for photographs shot on film.
Analog or digital, color or black and white, the camera may change, but the eye behind it remains the same.
Here's the second part of our selection.
# View photos
Too much tension.