LINGERIE SPECIAL #18The last installment of our beloved lingerie series was volume 17, published back in December of last year. Nearly nine months have passed since then. That might mean absolutely nothing to you, but I find it pretty interesting.
Throughout all this time,
we've published new content every day, Monday through Friday, hardly ever missing our usual appointment. Photos, videos, amateurs, artists, technology, wipeouts, tits, curiosities, and all kinds of material that have made their way onto the front page.
The surprising thing is that, during all these months,
we haven't published a single post dedicated exclusively to lingerie. And yet, not once have I looked at the pending folder and thought, “Holy shit, I have nothing to post tomorrow.”
Quite the opposite, in fact. So much varied content has kept coming in that one of the site's longest-running series
has spent nine months forgotten in a drawer without anyone having to declare a national emergency.
But nine months is already far too long, especially when we're talking about lace, sheer fabric, garter belts, and the kind of underwear designed to stay on for considerably less time than it takes to choose it.
Today, we're bringing back one of ALRNCN's most beloved collections.
Lingerie, volume 18.
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THE EROTIC ART OF EUGENIO SICOMOROEugenio Sicomoro is the artistic name of Bruno Brunetti, an Italian artist and illustrator born in Rome in 1952 who has spent practically his entire life with a pencil in his hand.
Throughout his career, he has worked in the world of
comics and illustration for some of Europe's leading publishers, contributing to numerous publications and developing a particularly recognizable style when it comes to depicting the human figure.
But of all his work, there's one particular side that, for strictly cultural and completely selfless reasons, has brought us here: his
erotic drawings.
Portraits and female nudes created mainly in pencil and charcoal, where Sicomoro plays with
shadows, curves, and proportions to create sensual, voluptuous, and surprisingly realistic women.
In some of his works, the level of detail makes you think for a moment that you're looking at a black-and-white photograph, until you get closer and begin to notice
the pencil strokes, the shading, and the texture of the paper.
Almost half a century of drawing, and he still finds
plenty of good reasons to keep sharpening his pencil.
# View images
Today's slow-mo.