VIKTOR VOROBIOV 2021

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CONQUER YOUR FEAR OF FLYING VOL5

They say the fear of flying has a lot to do with the feeling of lack of control. You sit down, fasten your seatbelt, the plane takes off, and for a few hours all you can do is trust that everything will go fine. It doesn’t depend on you. And for many people, that’s what feels most uncomfortable.
But some people experience the flight in a different way.

While some stare out the window, others use that suspended time in the air to create content. The plane stops being just a means of transport and turns into a stage. A place where discretion is part of the game and the phone becomes a silent witness.

The girls in this compilation are clear about one thing: if you’re going to spend hours locked inside a metal tube ten thousand meters above the ground, the trip should at least have its dose of excitement. Whether in the seat, behind a curtain, or stealing a few seconds of privacy away from curious eyes, what they manage to do is turn the flight into something far less tense and much more interesting.

The plane may still take off the same way. The turbulence may not disappear. But when your mind starts associating “flight” with these kinds of moments, the experience changes. And what used to be anxiety starts to feel more like anticipation.



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Who would have told us 30 years ago that, in the future, watching other people study or clean their house would be entertaining?

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ALL IN ON RED VOL6

The day before yesterday we dedicated a post to the color black. Black lingerie, black clothing, creators who started dressed and ended up taking everything off in front of the camera in short videos, direct and straight to the point. Just another compilation within those series that almost create themselves when we start noticing the same visual pattern repeating again and again.

Yesterday was the exact opposite: white. It wasn’t random. After black, we looked for balance. Compensate. Slow things down. Maintain that kind of necessary harmony that makes everything feel right. Black and white. Contrast. Balance. Universal order restored.

Because when everything leans too far to one side, it starts to feel like something will eventually fail. And you already know how this works: if you don’t balance things out, everything ends up wobbling.
But today… today isn’t about balance.

Today is about red. And red isn’t here to compensate for anything. It’s not trying to restore cosmic forces or keep the universe stable. The universe can manage just fine on its own for a day.
Red arrives purely out of impulse.

Because sometimes you don’t choose something based on logic or editorial consistency. You choose it simply because you feel like it. Because it stands out. Because it raises the pulse and instantly changes the tone of everything appearing on screen. Where black suggested and white balanced, red simply provokes.

So this new installment comes exactly from that idea: creators dressed in red, short clips lasting thirty seconds or maybe a minute at most, fast content, visual and created with no other intention than enjoying the moment.
No deep message. No universal adjustment. No spiritual search.
Just one simple decision: today was a red day. And absolutely nothing happens if, just this once, the balance can wait.



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Twerking.

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THE EROTICISM OF JAN PEIPE

Jan is a self-taught photographer of German origin who develops his work under the premise “no colour, only people”. His photography focuses primarily on the human figure, exploring emotions, gestures, and intimate states through a restrained aesthetic with a strong emphasis on black and white.

His work blends portraiture, everyday scenes, and artistic nudity, prioritizing authenticity and emotional connection over technical artifice.



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When you’re born in the wrong body.

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THE TELEMARKETER

One of the things most of us hate the most are those phone calls where someone tries to sell you something. It doesn’t matter if it’s insurance, switching your phone provider, moving you to another electric company, or any other service that, somehow, always arrives “right now” with a supposedly unbeatable offer.

The problem isn’t just the call itself — it’s the timing. They always seem to catch you working, cooking, driving, or simply trying to enjoy a bit of peace and quiet. You see an unknown number, hesitate for a second… and the moment you answer, you already know you’ve walked into it.

Some people have it clear and hang up instantly. Zero guilt. But then there’s the other group: the ones who stay. The ones who, out of politeness, habit, or because they feel bad cutting someone off, remain on the line trying to dodge the conversation however they can. One-word replies, saying they’re not interested, that they already have service, that they’ll look into it later… anything just to escape without sounding rude.

And that’s when the small absurd duel begins: the operator following the script, and you trying to find a way out without making it obvious you’re fleeing. A conversation nobody enjoys, that neither side really wants, yet somehow it always lasts longer than it should.

Next time it happens, think about this post, about these photos, and maybe the conversation suddenly feels a bit more entertaining.



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Now I get why they take so long to show up when you call them.

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NURSES VOL.9

Some costumes show up one year, become trendy, and then vanish without a trace. And then there are the ones that always come back. It doesn’t matter if it’s Halloween, Carnival, bachelorette parties or themed events: the sexy nurse is always there, like time never touches it. And that’s not a coincidence.

The nurse figure holds something very specific in the collective imagination. It doesn’t just represent a profession; it represents a very particular moment in life: when you’re vulnerable, when you rely on someone else, when your body is in another person’s hands. That mix of physical closeness, care and soft authority creates a very powerful symbolic setting.

In real life, a nurse conveys safety, attention and calm. But in fantasy, that same figure shifts. The uniform stops being practical and becomes suggestive. The act of caring turns into the act of controlling the situation. And that transition between the everyday and the erotic is exactly what makes it work so well as a costume.
There’s also a very clear visual factor. It’s one of the easiest characters to recognize instantly. No explanation needed: white dress, red cross, stockings, done. It works even from a distance, even in a quick photo. In a world where everything is processed in seconds, that’s pure gold.

Then there’s the cultural weight. For decades, cinema, television, advertising and porn have repeated this image until it became an icon. Nobody needs it explained because we’ve all seen it countless times. It’s part of the shared catalogue of collective fantasies, just like the schoolgirl, the secretary or the cop.
But maybe the most interesting part is that this costume works because it plays with something deeply human: the idea of being taken care of… but also the idea that someone might have a certain control over you. It’s a fantasy that’s soft, recognizable and accessible. It doesn’t need a big story behind it. It explains itself.
And that’s why it keeps coming back year after year. Because it’s not just a costume. It’s a symbol.



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Melanie Griffith’s boobs.

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THE COLOR WHITE VOL3

If yesterday we shared a post centered around the color black, today it’s time for one led by white. Not a whim, not a coincidence. It’s about balance. Call it cosmic, universal, or just common sense — when things lean too far in one direction, sooner or later everything starts to shake.

Nature works this way. Everything exists in a state of constant adjustment. Day and night. Calm and storm. Creation and destruction. Even what looks like chaos usually follows an invisible search for equilibrium. And when that balance breaks, excess takes over… until everything eventually collapses under its own weight.

The same happens beyond nature. In us. In how we live, what we consume, what we desire. Opposing forces coexist all the time: discipline and impulse, order and chaos, good and bad. One cannot exist without the other, because each one gives meaning to its opposite.

So after black comes white. Light after shadow. The contrast that allows everything else to make sense. Because if only one extreme existed, it would eventually lose all meaning. Excess overwhelms, and even intensity needs a pause to keep working.

Today we shift the tone and let balance do its thing. Not to compensate, but because without it, sooner or later, everything falls apart.



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This whole Therian phenomenon might be getting a little out of hand.

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