VLADIMIR SERKOV 2021

vk.com/serkoff
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ESCALATORS VOL4

There was a time when getting attention meant doing it in front of the people who were actually there. Today, the audience is almost always on the other side of a screen. What matters isn't being seen by the people walking past you, but by the thousands who'll watch the video hours later from anywhere in the world.

That's what makes the behavior of many content creators so interesting. Before they start recording, they look around, wait for the right moment, and try not to attract anyone's attention. The scene isn't meant for the people nearby—it's meant for the camera. If someone notices what's happening, it's usually just collateral damage rather than the goal.

Escalators have become one of the perfect settings for this kind of content. A short ride, a quick shot, and the illusion that everything is happening naturally. Then the clip ends up online, where it'll be watched by thousands—or even millions—of people.

It's an interesting contradiction: the goal is to reach as many people as possible while staying as unnoticed as possible during the recording. Two very different ways of understanding what it means to "be seen" in the age of social media.



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TRAVELING BY CAR VOL15

The future of the automobile is looking increasingly uncertain. No one really knows how much time combustion-engine vehicles have left, although it seems obvious that their fate will be decided less by consumers than by political decisions, regulations, and the enormous economic interests driving one of the biggest industrial transformations in modern history.

It's understandable that Europe wants to reduce its dependence on oil. For decades, it has relied on importing a large share of the energy it consumes, leaving itself exposed to geopolitical conflicts, supply crises, and the interests of the world's largest oil producers. From that perspective, electrifying transport makes perfect sense: generate more energy within Europe, reduce dependence on foreign suppliers, and strengthen its own energy industry.

What many of us question isn't that. We're not saying the climate isn't changing. That would be absurd. The Earth's climate has been changing ever since the planet existed. We've experienced ice ages, periods far warmer than today's, continents arranged in completely different positions, and eras when volcanic activity released amounts of gas into the atmosphere that dwarf anything produced today. The planet has always changed, and it will continue to change with or without us. The real discussion is how much influence humans actually have and which measures genuinely make sense.





What many of us struggle to believe is the political narrative surrounding all of this. If Europe had simply said from the beginning, "Ladies and gentlemen, we're tired of depending on oil from the Middle East, Russia, or the United States. We want to produce our own energy, build a European energy industry, and achieve strategic independence—even if that means covering the continent with wind farms, solar panels, and new infrastructure," there would probably have been debate, but at least the message would have been straightforward.

Instead, everything is presented as though it's solely about saving the planet, even though this transition also involves hundreds of billions of euros. New taxes, new regulations, new markets, public subsidies, energy giants expanding, manufacturers reinventing themselves... and, as so often happens, the revolving door that many suspect will keep spinning once certain politicians leave office.

And whenever someone questions that model, the label appears almost instantly: climate denier. As if criticizing specific policies were the same thing as denying that the climate changes. Those are two completely different debates. You can accept that the climate evolves, care about the environment, and at the same time distrust the way that argument is being used to justify certain economic, fiscal, or regulatory decisions.

Meanwhile, the people expected to adapt to every new change are ordinary citizens. Replacing perfectly functional cars ahead of time, paying ever-higher prices, facing new taxes, dealing with restrictions, and becoming increasingly dependent on heavily regulated technologies all come at a cost—and it's the public that ultimately pays it. History shows that power rarely gives up the opportunity to accumulate more influence, more regulation, and more resources. That's why many people view this transition with skepticism: not because they believe the planet isn't changing, but because they find it difficult to believe that politics has suddenly stopped being politics and become nothing more than an act of environmental altruism.

And after sharing this opinion—which is, after all, just an opinion—here are a few videos.


Update (Putting Some Numbers on the Table)

• Humans are responsible for roughly 5% of the CO₂ entering the atmosphere each year within the Earth's overall carbon cycle. The remaining 95% comes from natural processes such as the oceans, soils, vegetation, and the respiration of living organisms.
• Of that 5% generated by human activity, Europe accounts for approximately 6%.
• Put into global terms, Europe contributes about 0.3% of the CO₂ entering the atmosphere each year within the overall carbon cycle.
• In addition, roughly half of human-generated emissions are absorbed by the oceans and terrestrial ecosystems, meaning the net contribution attributable to Europe would be even smaller—around 0.15%.

Now here's the question.
Does the direct effect of reducing such a small fraction of global emissions justify the climate emergency narrative, the political urgency, the bans, the taxes, the subsidies, the transformation of Europe's energy model and vehicle fleet, and all the economic sacrifices being asked of ordinary citizens?

What cannot be denied is that, while those sacrifices are being demanded from the public, enormous economic, industrial, strategic, and geopolitical interests surround the energy transition. Major power companies, manufacturers, investment funds, and countless industries connected to this transformation stand to move hundreds of billions of euros—ultimately paid by taxpayers. And, of course, there are the well-known revolving doors between politics and major energy corporations.

Is it possible that the only motivation is saving the planet, and that everything else is merely secondary and incidental? Well... it's possible.



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THE INSTAGRAM OF THE DAY: SILVIARONCO

Silvia Ronco



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The downside of having huge boobs.

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DRESSES VOL12

Summer dresses have something that no other piece of clothing can quite match. They're light, colorful, refreshing, and they bring that unmistakable feeling of freedom that arrives when it's finally time to put away the heavy coats, scarves, and all the bulky clothes we've been wearing for months.

As the warm weather settles in, everything seems to change. Bright colors replace the dull tones of winter, thick fabrics give way to lighter materials, and before you even realize it, the world feels a little more alive.

That's why this series always returns when the temperatures start to climb. Because beyond fashion, summer dresses have become one of the season's most recognizable symbols. And today's videos are a perfect reminder of why.



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Playing bowling.

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HANNES WALENDY'S NUDES

Hannes Walendy is a photographer based in Stuttgart, Germany, whose relationship with photography began far from studios and portraits. He first started out photographing horses, a hobby that gradually sparked his interest in nature and wildlife photography.

Over the years, his lens eventually turned in a different direction. Walendy discovered a new creative outlet in photographing people and, in particular, female nudes as a way to explore the beauty, naturalness, and personality of each model.

Although he describes himself as a non-professional photographer, the quality and evolution of his work speak for themselves. His photographs have appeared in various magazines and online platforms, proving once again that the "professional" label doesn't always determine the talent of the person behind the camera.

Below, we leave you with a selection of Hannes Walendy's nude photography.




# See photos




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Riley Reid caressing Teanna Trump's ass.

Here are a couple of links where you can check out some of the scenes these two have done together.

# Teanna Trump videos

# Riley Reid videos




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AMATEUR FLESH: MISTY

If you could choose when to leave this world, what better moment than right after a fuck with Misty. Because in the end, life isn’t measured in years, or in bills paid, or in hours at the office. It’s measured in moments. Those flashes that carve such a deep mark that, for a second, everything else disappears.

Maybe eternity is exactly that: a memory that never fades, a feeling that keeps burning even as time passes. And there are experiences that condense everything we are: desire, vulnerability, connection, pleasure, madness… all inside a single second that feels endless.

With Misty, it’s not about perfection or artifice. It’s about the essence, about what reminds us we are alive and that, sooner or later, we’re going to stop being here. And in that passage, wouldn’t it be beautiful to go right after having touched the sky?

Dying after a fuck with Misty wouldn’t be an ending, it would be a poetic closure. As if life, after giving you that, had nothing more left to offer.

# See photos and videos




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Office supplies.

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